debate analysis essay

How to Write a Good Debate Essay

When the word “debate” occurs in an essay title, you are being asked to examine a subject in which there are opposing views. The aim is that your essay will lead to support for one side, based on clear argument, effective judgement and justification for the decisions presented and arguments presented. The foundation of a good debate essay is effectively completing research combined with being able to refer to facts and credible information. The biggest challenge is to remain unemotional, whilst still persuading your audience of the validity of the arguments you are making in support of your chosen side.

Writing your debate essay

Introduction.

Your introduction should ensure that your reader understands what topic is being debated and encourage them to read more. One effective way to start is with a question, which sets the stage for you to state your position on the subject (your thesis statement). For example, “Does online learning creates laziness in students?”.

The aim is that your readers will have an immediate answer to the question, and this then drives the arguments you are presenting. An alternative approach is to refute a statement, framing the subject negatively, for example, “There are studies which suggest online learning creates laziness, however, studies have shown that online learning actually increases motivation”. In this case you are encouraging the reader to support your argument. In both cases, you have set a foundation with your introduction which needs to be built on by effective arguments and evidence.

The body text of your debate essay should be separated into paragraphs, each one of which will cover a different reason / rationale for the viewpoint you set out in your introduction. For each point you should provide back-up information from credible sources, which demonstrates that you have evaluated evidence before drawing a conclusion and opinion. Each paragraph should introduce your argument for or against, depending on your perspective, and include where appropriate, statistical evidence, illustrative data and clearly referenced sources. A good tip with a debate essay is to also present the counterargument for your point and refute it with viable sources to demonstrate why it is incorrect, demonstrating your understanding of the subject. The structure of the body text should be logical, moving from one argument to another with effective connections such as “Furthermore”, “Notwithstanding”, “Moreover” or similar to ensure coherence of argument.

The conclusion to your debate essay should be a summing up of all the positive points you have made, reaffirming your stance on the issue and should refer back to your thesis statement or original question. This enables you to demonstrate that you have effectively provided a strong justification for your point of view and in so doing, persuaded the reader of the accuracy of your perspective and opinion.

Key Words for a Debate Essay

• In the same way
• On the other hand
• Nevertheless
• On the contrary
• Subsequently
• Specifically
• Furthermore
• In consequence

Tips For Writing A Debate Essay

An argumentative paper depends on various aspects that can either build the conversation or break it. Here is how to write a debate essay step by step and get your point through in a convincing manner:

• Choose the topic wisely. Make sure it is a controversial topic that can have a debate both ways. You can pick any topic from child education to medicinal marijuana. The topic itself needs to have a compelling pull to keep the audience involved.
• Once the topic is decided, figure out which side you are on. For topics like domestic violence, most people will be against it, but you can still create an argument around it confidently.
• Make sure you have done your research to articulate the facts and stats which go both in favour and against the topic. Your opponents may have a different perspective than you, but if you have solid grounds that can prove your stance, you can make them agree with you.
• Know your audience. The readers of your essay will be very crucial to you building your argument. If you are writing a term paper, you may focus more on sentence building, structuring, and formatting. But if you are drafting for a competition, you need solid supporting research which can be cited and argued.
• Have your facts ready. Without figures and numbers, a paper loses credibility. It becomes more of an opinion-piece than a debate essay grounded in facts.
• The last, the most important factor. Select an issue you are most passionate about. If you feel strongly about it, you will be able to express your thoughts and also be able to research it with dedication.

Consider these tips combined when you think about how to make a debate essay convincing and interesting. Don’t forget, your opponent may not agree at all with your verdict, but at least you would present your vision with strong arguments and leave a good impression on the readers.

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Learn the best strategies and tips on how to write an effective and persuasive debate essay for your academic success.

When it comes to expressing opinions, engaging in a debate can be an effective way to communicate and support your stance on a particular issue. A debate essay, or argumentative essay, allows you to showcase your critical thinking skills and present a well-reasoned argument. This type of essay requires careful planning and organization to effectively persuade your audience. By following a step-by-step approach, you can develop a strong debate essay that presents your point of view clearly and convincingly.

Before diving into the writing process, it’s essential to understand the purpose of a debate essay. The goal is not only to express your own opinion but also to address counterarguments and anticipate potential objections. Your aim is to convince your audience to understand and accept your perspective by presenting strong evidence and logical reasoning. To achieve this, you need to research and gather relevant information on the topic, evaluate different viewpoints, and outline a clear structure for your essay.

One of the key components of a successful debate essay is a strong thesis statement. This statement presents the main argument or claim that you will be defending throughout your essay. It should be clear, concise, and impactful. Your thesis statement should express your position on the topic and provide a preview of the main points you will be discussing. A well-crafted thesis statement sets the tone for your essay and helps guide your writing process, ensuring that every point you make supports and strengthens your overall argument.

Understand the topic and choose a side

Before diving into the debate essay writing process, it is crucial to thoroughly understand the topic at hand and carefully consider which side you will argue for. This step is essential as it sets the foundation for a well-reasoned and persuasive argument.

Take the time to read and research extensively on the topic to gain a comprehensive understanding of its different aspects and perspectives. Look for reliable sources such as books, scholarly articles, and reputable websites to gather information and insights. By doing so, you will be able to familiarize yourself with various arguments, counterarguments, and evidence presented by experts in the field.

Once you have gained a deep understanding of the topic, it is time to choose a side. Consider the different arguments presented by both sides and evaluate which one aligns with your own beliefs, values, and knowledge. Think about the strengths and weaknesses of each argument, as well as the evidence supporting them. Reflect on your own experiences and personal views to help you make an informed decision.

Choosing a side does not necessarily mean that you have to agree with it wholeheartedly. It simply means that you will be presenting and defending that particular perspective in your debate essay. Keep in mind that choosing a side does not imply being closed-minded or dismissive of the opposing viewpoint. A well-rounded debate essay will acknowledge and address counterarguments, showing a balanced and thoughtful approach to the topic.

Once you understand the topic and have chosen a side, you can move on to the next step of the debate essay writing process: gathering evidence and constructing a persuasive argument.

Research and gather supporting evidence

In order to write a strong and convincing debate essay, it is essential to conduct thorough research and gather relevant supporting evidence. Research serves as the foundation for an effective argument, providing credible information that strengthens your position and persuades your audience.

When conducting research, it is important to explore multiple sources to ensure a well-rounded understanding of the topic. This can include peer-reviewed articles, academic journals, books, and reputable websites. By utilizing a variety of sources, you can gain different perspectives and enhance the credibility of your argument.

During the research process, it is crucial to critically analyze the information you gather. This involves evaluating the credibility and reliability of your sources. Look for evidence that is backed by reputable experts, institutions, or organizations. Additionally, consider the timeliness of the information to ensure that you are presenting the most current and relevant data.

As you gather evidence, it is also important to keep track of your sources. This will allow you to properly cite and reference your information in your debate essay. Utilize a citation style guide, such as APA or MLA, to ensure consistency and accuracy in your citations.

When selecting evidence to support your argument, consider the strengths and weaknesses of each piece of information. Choose evidence that is logical, well-reasoned, and directly relevant to your argument. Avoid using biased or unreliable sources that may weaken your position.

In conclusion, research and gathering supporting evidence is a critical step in writing a debate essay. Thorough research and careful evaluation of sources will strengthen your argument and enhance your credibility. By selecting well-reasoned and relevant evidence, you can effectively persuade your audience and present a compelling debate essay.

Organize your arguments

When writing a debate essay, it is crucial to organize your arguments in a clear and logical manner. By doing so, you will be able to effectively present your ideas and support your stance on the given topic. Organizing your arguments not only helps you convey your message more effectively, but it also makes it easier for your readers to comprehend and follow your line of thinking.

One way to organize your arguments is to group them based on similarities or themes. This can be done by identifying common elements or ideas among your arguments and grouping them together. For example, if you are arguing in favor of stricter gun control laws, you might have separate arguments related to reducing gun violence, preventing accidental shootings, and deterring criminals. By grouping these arguments together, you can present a more cohesive and convincing case.

Another way to organize your arguments is by presenting them in a logical order. This can be done by arranging your arguments from the strongest to the weakest or from the most general to the most specific. By structuring your arguments in this way, you can build a strong foundation and gradually persuade your readers as they progress through your essay. Additionally, presenting your arguments in a logical order makes it easier for your readers to follow your reasoning and understand the progression of your ideas.

Furthermore, it is important to provide evidence and examples to support your arguments. This can be done by incorporating research findings, statistics, expert opinions, and real-life examples into your essay. By including evidence, you not only strengthen your arguments but also make them more persuasive and credible. However, it is crucial to ensure that the evidence you present is reliable and relevant to your topic. Additionally, you should clearly explain how the evidence supports your arguments so that your readers can understand the connection.

In conclusion, organizing your arguments is a crucial step in writing a debate essay. By grouping your arguments based on similarities or themes, presenting them in a logical order, and providing evidence to support them, you can effectively convey your ideas and persuade your readers. Remember to stay focused on your main point and to present your arguments in a clear and concise manner. With proper organization, your debate essay will be more impactful and convincing.

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Argumentative Essay Examples & Analysis

July 20, 2023

Writing successful argumentative or persuasive essays is a sort of academic rite of passage: every student, at some point in their academic career, will have to do it. And not without reason—writing a good argumentative essay requires the ability to organize one’s thoughts, reason logically, and present evidence in support of claims. They even require empathy, as authors are forced to inhabit and then respond to viewpoints that run counter to their own. Here, we’ll look at some argumentative essay examples and analyze their strengths and weaknesses.

What is an argumentative essay?

Before we turn to those argumentative essay examples, let’s get precise about what an argumentative essay is. An argumentative essay is an essay that advances a central point, thesis, or claim using evidence and facts. In other words, argumentative essays are essays that argue on behalf of a particular viewpoint. The goal of an argumentative essay is to convince the reader that the essay’s core idea is correct.

Good argumentative essays rely on facts and evidence. Personal anecdotes, appeals to emotion , and opinions that aren’t grounded in evidence just won’t fly. Let’s say I wanted to write an essay arguing that cats are the best pets. It wouldn’t be enough to say that I love having a cat as a pet. That’s just my opinion. Nor would it be enough to cite my downstairs neighbor Claudia, who also has a cat and who also prefers cats to dogs. That’s just an anecdote.

For the essay to have a chance at succeeding, I’d have to use evidence to support my argument. Maybe there are studies that compare the cost of cat ownership to dog ownership and conclude that cat ownership is less expensive. Perhaps there’s medical data that shows that more people are allergic to dogs than they are to cats. And maybe there are surveys that show that cat owners are more satisfied with their pets than are dog owners. I have no idea if any of that is true. The point is that successful argumentative essays use evidence from credible sources to back up their points.

Argumentative essay structure

Important to note before we examine a few argumentative essay examples: most argumentative essays will follow a standard 5-paragraph format. This format entails an introductory paragraph that lays out the essay’s central claim. Next, there are three body paragraphs that each advance sub-claims and evidence to support the central claim. Lastly, there is a conclusion that summarizes the points made. That’s not to say that every good argumentative essay will adhere strictly to the 5-paragraph format. And there is plenty of room for flexibility and creativity within the 5-paragraph format. For example, a good argumentative essay that follows the 5-paragraph template will also generally include counterarguments and rebuttals.

Introduction Example

Now let’s move on to those argumentative essay examples, and examine in particular a couple of introductions. The first takes on a common argumentative essay topic —capital punishment.

The death penalty has long been a divisive issue in the United States. 24 states allow the death penalty, while the other 26 have either banned the death penalty outright or issued moratoriums halting the practice. Proponents of the death penalty argue that it’s an effective deterrent against crime. Time and time again, however, this argument has been shown to be false. Capital punishment does not deter crime. But not only that—the death penalty is irreversible, which allows our imperfect justice system no room for error. Finally, the application of the death penalty is racially biased—the population of death row is over 41% Black , despite Black Americans making up just 13% of the U.S. population. For all these reasons, the death penalty should be outlawed across the board in the United States.

Why this introduction works: First, it’s clear. It lays out the essay’s thesis: that the death penalty should be outlawed in the United States. It also names the sub-arguments the author is going to use to support the thesis: (1), capital punishment does not deter crime, (2), it’s irreversible, and (3), it’s a racially biased practice. In laying out these three points, the author is also laying out the structure of the essay to follow. Each of the body paragraphs will take on one of the three sub-arguments presented in the introduction.

Argumentative Essay Examples (Continued)

Something else I like about this introduction is that it acknowledges and then refutes a common counterargument—the idea that the death penalty is a crime deterrent. Notice also the flow of the first two sentences. The first flags the essay’s topic. But it also makes a claim—that the issue of capital punishment is politically divisive. The following sentence backs this claim up. Essentially half of the country allows the practice; the other half has banned it. This is a feature not just of solid introductions but of good argumentative essays in general—all the essay’s claims will be backed up with evidence.

How it could be improved: Okay, I know I just got through singing the praises of the first pair of sentences, but if I were really nitpicking, I might take issue with them. Why? The first sentence is a bit of a placeholder. It’s a platitude, a way for the author to get a foothold in the piece. The essay isn’t about how divisive the death penalty is; it’s about why it ought to be abolished. When it comes to writing an argumentative essay, I always like to err on the side of blunt. There’s nothing wrong with starting an argumentative essay with the main idea: Capital punishment is an immoral and ineffective form of punishment, and the practice should be abolished .

Let’s move on to another argumentative essay example. Here’s an introduction that deals with the effects of technology on the brain:

Much of the critical discussion around technology today revolves around social media. Critics argue that social media has cut us off from our fellow citizens, trapping us in “information silos” and contributing to political polarization. Social media also promotes unrealistic and unhealthy beauty standards, which can lead to anxiety and depression. What’s more, the social media apps themselves are designed to addict their users. These are all legitimate critiques of social media, and they ought to be taken seriously. But the problem of technology today goes deeper than social media. The internet itself is the problem. Whether it’s on our phones or our laptops, on a social media app, or doing a Google search, the internet promotes distracted thinking and superficial learning. The internet is, quite literally, rewiring our brains.

Why this introduction works: This introduction hooks the reader by tying a topical debate about social media to the essay’s main subject—the problem of the internet itself. The introduction makes it clear what the essay is going to be about; the sentence, “But the problem of technology…” signals to the reader that the main idea is coming. I like the clarity with which the main idea is stated, and, as in the previous introduction, the main idea sets up the essay to follow.

How it could be improved: I like how direct this introduction is, but it might be improved by being a little more specific. Without getting too technical, the introduction might tell the reader what it means to “promote distracted thinking and superficial learning.” It might also hint as to why these are good arguments. For example, are there neurological or psychological studies that back this claim up? A simple fix might be: Whether it’s on our phones or our laptops, on a social media app, or doing a Google search, countless studies have shown that the internet promotes distracted thinking and superficial learning . The body paragraphs would then elaborate on those points. And the last sentence, while catchy, is a bit vague.

Body Paragraph Example

Let’s stick with our essay on capital punishment and continue on to the first body paragraph.

Proponents of the death penalty have long claimed that the practice is an effective deterrent to crime. It might not be pretty, they say, but its deterrent effects prevent further crime. Therefore, its continued use is justified. The problem is that this is just not borne out in the data. There is simply no evidence that the death penalty deters crime more than other forms of punishment, like long prison sentences. States, where the death penalty is still carried out, do not have lower crime rates than states where the practice has been abolished. States that have abandoned the death penalty likewise show no increase in crime or murder rates.

Body Paragraph (Continued)

For example, the state of Louisiana, where the death penalty is legal, has a murder rate of 21.3 per 100,000 residents. In Iowa, where the death penalty was abolished in 1965, the murder rate is 3.2 per 100,000. In Kentucky the death penalty is legal and the murder rate is 9.6; in Michigan where it’s illegal, the murder rate is 8.7. The death penalty simply has no bearing on murder rates. If it did, we’d see markedly lower murder rates in states that maintain the practice. But that’s not the case. Capital punishment does not deter crime. Therefore, it should be abolished.

Why this paragraph works: This body paragraph is successful because it coheres with the main idea set out in the introduction. It supports the essay’s first sub-argument—that capital punishment does not deter crime—and in so doing, it supports the essay’s main idea—that capital punishment should be abolished. How does it do that? By appealing to the data. A nice feature of this paragraph is that it simultaneously debunks a common counterargument and advances the essay’s thesis. It also supplies a few direct examples (murder rates in states like Kentucky, Michigan, etc.) without getting too technical. Importantly, the last few sentences tie the data back to the main idea of the essay. It’s not enough to pepper your essay with statistics. A good argumentative essay will unpack the statistics, tell the reader why the statistics matter, and how they support or confirm the essay’s main idea.

How it could be improved: The author is missing one logical connection at the end of the paragraph. The author shows that capital punishment doesn’t deter crime, but then just jumps to their conclusion. They needed to establish a logical bridge to get from the sub-argument to the conclusion. That bridge might be: if the deterrent effect is being used as a justification to maintain the practice, but the deterrent effect doesn’t really exist, then , in the absence of some other justification, the death penalty should be abolished. The author almost got there, but just needed to make that one final logical connection.

Conclusion Example

Once we’ve supported each of our sub-arguments with a corresponding body paragraph, it’s time to move on to the conclusion.

It might be nice to think that executing murderers prevents future murders from happening, that our justice system is infallible and no one is ever wrongly put to death, and that the application of the death penalty is free of bias. But as we have seen, each of those thoughts are just comforting fictions. The death penalty does not prevent future crime—if it did, we’d see higher crime rates in states that’ve done away with capital punishment. The death penalty is an irreversible punishment meted out by an imperfect justice system—as a result, wrongful executions are unavoidable. And the death penalty disproportionately affects people of color. The death penalty is an unjustifiable practice—both practically and morally. Therefore, the United States should do away with the practice and join the more than 85 world nations that have already done so.

Why this conclusion works: It concisely summarizes the points made throughout the essay. But notice that it’s not identical to the introduction. The conclusion makes it clear that our understanding of the issue has changed with the essay. It not only revisits the sub-arguments, it expounds upon them. And to put a bow on everything, it restates the thesis—this time, though, with a little more emotional oomph.

How it could be improved: I’d love to see a little more specificity with regard to the sub-arguments. Instead of just rehashing the second sub-argument—that wrongful executions are unavoidable—the author could’ve included a quick statistic to give the argument more weight. For example: The death penalty is an irreversible punishment meted out by an imperfect justice system—as a result, wrongful executions are unavoidable. Since 1973, at least 190 people have been put to death who were later found to be innocent.

An argumentative essay is a powerful way to convey one’s ideas. As an academic exercise, mastering the art of the argumentative essay requires students to hone their skills of critical thinking, rhetoric, and logical reasoning. The best argumentative essays communicate their ideas clearly and back up their claims with evidence.

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A Pocket Guide to Argument Analysis

An Overview of Section C 

The argument analysis component of the VCE English Exam is asking you to demonstrate that you can understand what an author is trying to get across, and how they have designed their writing to convince their audience. On a more granular level, each piece of analysis in these kinds of essays needs to examine three things:

• What persuasive technique is being used 
• How is it trying to make the audience feel/think 
• What is the desired outcome (i.e. what should the audience do in response) 

The latter should link back to the author’s contention, because whatever the author wants the audience to do will align with how they believe the world should look. 

Essay Structure 

Just like a text response, the classic format for an argument analysis essay is an introduction, three body paragraphs, and a conclusion. For a comparative argument analysis, the approach which (in my opinion) will provide the most robust analysis is one where each paragraph is based on an argument of one article. This first article functions as the base for the analytical piece, and the other article is brought in only for notes of comparison with the first. Within those paragraphs, centred around one author’s arguments, you can then compare the contention, intention, techniques and tone of both authors. 

Why is this the best approach?

• It forces analysis of the arguments of each article 
• It still allows for analysis of the comparative techniques of each author within those paragraphs, not just the arguments being used 
• It is adaptable to many formats – for example, a blog post and responding comments, the latter of which may not contain enough material and techniques to sustain half your essay 

Introductions

The introduction to an argument analysis essay needs to demonstrate a comprehensive understanding of the piece’s context. The following elements should all be mentioned in an introduction:

• Core argument 

Audience: Who is the author targeting with their arguments? Narrow it down to a more specific group than ‘the general public’. Consider the actions the author is advocating for – who is most able to take those? Sometimes, a piece can be addressing more than one group of people with different arguments – make note of this in your introduction, and expand on it in your body paragraphs. 

Author: Make sure to name the author, the same way you would in a text response essay. This just demonstrates basic understanding of what you’ve read and are responding to. 

Contention: What is the piece mainly arguing? This will often be advocating for a certain policy. Essentially, it is a broad statement of opinion about what should be done. 

e.g. An article discussing environmental policy might have the contention that a carbon tax should be implemented in Australia. 

Core argument: The author will give several arguments which explain why the contention is true. Often one reason in particular will dominate the author’s reasoning, and this should be noted. 

Form: What kind of piece is being given for analysis? Most of the time, it is an opinionative article. However, different kinds of media can be given, such as letters to the editor, online forums/blogs, editorials, posters, speech transcripts, and many more. 

Intention: How does the author want the audience to act? Think of this as the mechanism by which the contention should become true. These are more specific actions which, according to the author, the audience should take, rather than a viewpoint with which they should agree. 

e.g. If the contention of an article is that a carbon tax should be implemented in Australia, the intention might be for the audience to vote for that policy, attend protests or events which drum up support, or directly pressure their local representative. 

Tone: The tone of the article refers to the style of the author, and the emotions they exhibit while explaining their point of view. Is he condemnatory, or admiring? Outraged, or reserved? A piece can be candid, enthusiastic, colloquial, derisive – the list is truly endless, and there are lots of glossaries online with descriptors, which are worth flicking through to build up a familiarity with precise descriptions. 

Note also that an author can shift in tone throughout a piece, and this is worth exploring. It invariably has some persuasive purpose, aligning with a certain argument or piece of reasoning. Flagging this in the introduction, and analysing it later, will add sophistication and cohesion to your essay. 

Topic: Often, particular events will spark an argumentative discussion. To demonstrate knowledge of broader context, it is worth noting the issue to which the author is responding. To continue the previous example, an article about a carbon tax is likely responding to the issue of climate change, and a current discussion of environmental policy. 

When writing on more than one piece, these elements must be covered for both texts. Concision is key, because there is a lot of information to get across, and you don’t want to waste too much time writing on just your introduction. One thing which can condense the writing time and improve your analysis is to take the opportunity to compare wherever you can; shorter phrases like “addresses this audience, unlike x” and “adopts this tone, whereas y”, instead of writing out both aspects separately, will combine sentences – saving time and demonstrating a solid grasp of the content. 

Sample Introduction:

The presentation of the big-splash volunteering award prompted a discussion about the support of volunteers in Australia. Laudatory of volunteers, yet critical of wider society Stephanie Bennett contends that volunteers deserve greater recognition for their work from wider society to elevate for their bigsplash’s recognition of volunteers – prompting greater interest from conscious users of financial products. Conversely, Matthey Nguyen’s humbled acceptance speech postulates that the joy in volunteering is borne from aiding those in need to increase volunteer participation from prospective volunteers.

Written by a past student at Lindsey's VCE Tutoring (RAW 47)

Persuasive techniques 

Analysing persuasive techniques is much easier, faster, and more impressive if the technique is accurately identified. Building up a knowledge of these techniques can be difficult, but there are lots of resources you can take advantage of – online glossaries, sample essays, and even the work of your peers can expand your knowledge of these devices. The next step, which is equally important as learning the names and meanings, is actually remembering them and thinking of them instinctively – and the easiest way to make a technique ‘stick’ is to use it in your own writing. 

Examples of persuasive techniques: 

• Connotations
• Rhetorical questions 
• Statistics 
• Inclusive language 
• Repetition 

Techniques can be entire sentences (a long anecdote can even be a whole paragraph!), or as small as a punctuation mark. Look out for the way words are arranged, and pay attention to the sound of words too – something like alliteration can be used to tie concepts together, or make an idea sound more appealing. The whole of the text is a construction, and every piece – from the beams of wood to the hidden nails – counts. 

Once you know these techniques (and many more!), it becomes less about finding techniques to analyse, and more about selecting the best techniques to analyse. Here are some considerations which ensure your selection is the right one: 

• First of all, decide what the arguments are that will frame your essay. There is no point delving into techniques if they are not directly linked to the arguments the author is trying to prove. Only once you know what the key arguments are can you investigate how those arguments are being constructed. 
• Make sure you have a variety of techniques in your essay. Repeating a persuasive technique is not only boring, it looks like you were scraping for material. 
• Think about what the technique will allow you to talk about. Maybe most techniques in a piece elicit fear, but one particular sentence appeals more to a sense of parental pride – allowing you to bring in new analysis. If it addresses a different audience, expands on the argument, or demonstrates a different tone – any difference is actively adding to the strength of your essay, 
• Ask yourself: what was the most persuasive to you? Whatever jumps out at you as a reader is probably on purpose – follow your instincts, because if the technique captured you, it’s probably easier to explain its persuasive value. 

As a final note, if multiple techniques are being used together, mention this layering. The compounding evidence allows you to mention multiple techniques and link them to the same analysis, increasing the density and strength of your analysis. As an added bonus, it conveys that you know what you're doing! 

Sample Analysis:

“School used to be lauded as the best days of our lives — but those in Year 12 feel more like they’re in a relentless competition that only the strongest can survive.

I’ve worked in education all my career and my daughter is doing her HSC this year. When I talk to teens about how they feel about their final years of schooling, I can’t help but think something, somewhere, has gone terribly wrong.

There are teens who tell me they often think about dropping out — not only of school, but of life. Others who tell me they ask to be excused in class so they can lock themselves in the school toilets and cry. There are those who were made to give up sports and hobbies they loved (one girl was made to sell her beloved horse) so they’d have more time to spend on studying.

For now, I’ll hug my daughter often. Try to be patient when she procrastinates for days watching Gilmore Girls. And I’ll help her realise she can never be defined by a mark.”

Danielle Miller laments the current state of the education system, and how it has impacted the mental health of Year 12 students. She commences by juxtaposing the “best days of our lives” with the “relentless competition” that students now face, appealing to parental concern. This immediately establishes the disproportionate pressure experienced by students, and condemns the distortion of education. Her description of education as ”relentless” is compounded with references to the negative impacts that the education system has had on the mental health of students. Anecdotal references to the ways in which students are forced to “drop out”, “cry” and “sell her beloved horse” elicits concern and sympathy towards the plight of these students. Miller also uses the pronoun “we” to include readers in her experience, and to create a sense of solidarity amongst parents. Setting herself as an exemplary mother who will “hug” her daughter and ’try to be patient”, Miller concludes by placing herself above other parents who place excessive pressure on their children and appeals to sentimental values. Accordingly, she promotes the importance of empathy in working with senior students and undermines the importance of assessment and academic performance.

Image Analysis 

The examination specifications emphasise that Section C is an analysis of written and visual language – in essence, you must examine the image/s provided in order to score well. And besides, an image provides so much persuasive material, your essay is better for it regardless. 

Elements to consider when analysing an image: 

• What or who is in the image? Are there any obvious omissions?
• What are the sizes of different elements? 
• How are elements positioned relative to each other? Are certain things more in the foreground, or placed above others? 
• Overall, consider the creation of both focus and hierarchy 
• Colour – how is it used, what does it draw your attention to?
• Symbols – are there any, what do they signify, and what is the purpose of their presence? 
• What kind of image is it? Why would the author have selected this type of image ? 
• Any text , in the image or in a caption 

Essentially, ask yourself, what is the image trying to make me think? And, if not immediately obvious, go through the process of annotating elements, and ask yourself what arguments it could relate to. At the end of the day, the image should be treated like any other technique – explain what it is trying to convey, and how it attempts to persuade the audience of that. 

And, as a final note: annotate the hell out of your articles. Happy writing! 

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How to Write an Argument Analysis Essay

As a college assignment, the argument analysis teaches critical reading and thinking skills. In professional applications, the argument analysis serves as a check and balance that may help an organization's leadership to make better decisions, effect change and make progress toward goals. The writer of an argument analysis will look closely at the rhetorical techniques and sources of support that another writer employs, and then construct an argument of her own that answers the first one.

Locate the thesis of the argument you are analyzing. The author or presenter will often state it in one succinct sentence close to the beginning of the article, essay or presentation.

List each argument and piece of evidence in support of the thesis and leave space for notations.

Analyze the logic, facts and any data that the argument presents. Look out for emotional arguments, hasty generalizations, and red herrings, which a sound argument must omit. Also look for erroneous facts, omissions of facts that you know should be there, and data that is dated or taken out of context. Make notes as you work.

Look at studies that the author quotes if they seem suspect. Sometimes researchers do only short studies or studies that do not include a large enough sample. Sometimes they don't ask the right questions or the methodology is weak. Also, the references should come from credible sources; credible sources are those written by research scholars in the field or practicing experts. Make notes as you work.

Open your analysis with a paragraph that ends with your own thesis, either agreeing or disagreeing with the other person's thesis.

Address the argument point by point. Do so in the same order in which the author or speaker presented his points. Alternatively, you can group related points together. Concede valid points, but point out flaws in others. Save your strongest, most important point for last.

Weave in concrete support for your analysis. Cite reliable, current references.

Conclude the analysis with the discussion of your strongest point or with a short discussion of the subject matter as it pertains to your thesis.

• Purdue University Online Writing Lab: Using Rhetorical Strategies for Persuasion
• Purdue University Online Writing Lab: Using Research and Evidence
• Purdue University Online Writing Lab: The Argumentative Essay

Cat Reynolds has written professionally since 1990. She has worked in academe (teaching and administration), real estate and has owned a private tutoring business. She is also a poet and recipient of the Discover/The Nation Award. Her work can be found in literary publications and on various blogs. Reynolds holds a Master of Arts in writing and literature from Purdue University.

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How to Write an A+ Argumentative Essay

Miscellaneous

You'll no doubt have to write a number of argumentative essays in both high school and college, but what, exactly, is an argumentative essay and how do you write the best one possible? Let's take a look.

A great argumentative essay always combines the same basic elements: approaching an argument from a rational perspective, researching sources, supporting your claims using facts rather than opinion, and articulating your reasoning into the most cogent and reasoned points. Argumentative essays are great building blocks for all sorts of research and rhetoric, so your teachers will expect you to master the technique before long.

But if this sounds daunting, never fear! We'll show how an argumentative essay differs from other kinds of papers, how to research and write them, how to pick an argumentative essay topic, and where to find example essays. So let's get started.

What Is an Argumentative Essay? How Is it Different from Other Kinds of Essays?

There are two basic requirements for any and all essays: to state a claim (a thesis statement) and to support that claim with evidence.

Though every essay is founded on these two ideas, there are several different types of essays, differentiated by the style of the writing, how the writer presents the thesis, and the types of evidence used to support the thesis statement.

Essays can be roughly divided into four different types:

#1: Argumentative #2: Persuasive #3: Expository #4: Analytical

So let's look at each type and what the differences are between them before we focus the rest of our time to argumentative essays.

Argumentative Essay

Argumentative essays are what this article is all about, so let's talk about them first.

An argumentative essay attempts to convince a reader to agree with a particular argument (the writer's thesis statement). The writer takes a firm stand one way or another on a topic and then uses hard evidence to support that stance.

An argumentative essay seeks to prove to the reader that one argument —the writer's argument— is the factually and logically correct one. This means that an argumentative essay must use only evidence-based support to back up a claim , rather than emotional or philosophical reasoning (which is often allowed in other types of essays). Thus, an argumentative essay has a burden of substantiated proof and sources , whereas some other types of essays (namely persuasive essays) do not.

You can write an argumentative essay on any topic, so long as there's room for argument. Generally, you can use the same topics for both a persuasive essay or an argumentative one, so long as you support the argumentative essay with hard evidence.

Example topics of an argumentative essay:

• "Should farmers be allowed to shoot wolves if those wolves injure or kill farm animals?"
• "Should the drinking age be lowered in the United States?"
• "Are alternatives to democracy effective and/or feasible to implement?"

The next three types of essays are not argumentative essays, but you may have written them in school. We're going to cover them so you know what not to do for your argumentative essay.

Persuasive Essay

Persuasive essays are similar to argumentative essays, so it can be easy to get them confused. But knowing what makes an argumentative essay different than a persuasive essay can often mean the difference between an excellent grade and an average one.

Persuasive essays seek to persuade a reader to agree with the point of view of the writer, whether that point of view is based on factual evidence or not. The writer has much more flexibility in the evidence they can use, with the ability to use moral, cultural, or opinion-based reasoning as well as factual reasoning to persuade the reader to agree the writer's side of a given issue.

Instead of being forced to use "pure" reason as one would in an argumentative essay, the writer of a persuasive essay can manipulate or appeal to the reader's emotions. So long as the writer attempts to steer the readers into agreeing with the thesis statement, the writer doesn't necessarily need hard evidence in favor of the argument.

Often, you can use the same topics for both a persuasive essay or an argumentative one—the difference is all in the approach and the evidence you present.

Example topics of a persuasive essay:

• "Should children be responsible for their parents' debts?"
• "Should cheating on a test be automatic grounds for expulsion?"
• "How much should sports leagues be held accountable for player injuries and the long-term consequences of those injuries?"

Expository Essay

An expository essay is typically a short essay in which the writer explains an idea, issue, or theme , or discusses the history of a person, place, or idea.

This is typically a fact-forward essay with little argument or opinion one way or the other.

Example topics of an expository essay:

• "The History of the Philadelphia Liberty Bell"
• "The Reasons I Always Wanted to be a Doctor"
• "The Meaning Behind the Colloquialism ‘People in Glass Houses Shouldn't Throw Stones'"

Analytical Essay

An analytical essay seeks to delve into the deeper meaning of a text or work of art, or unpack a complicated idea . These kinds of essays closely interpret a source and look into its meaning by analyzing it at both a macro and micro level.

This type of analysis can be augmented by historical context or other expert or widely-regarded opinions on the subject, but is mainly supported directly through the original source (the piece or art or text being analyzed) .

Example topics of an analytical essay:

• "Victory Gin in Place of Water: The Symbolism Behind Gin as the Only Potable Substance in George Orwell's 1984"
• "Amarna Period Art: The Meaning Behind the Shift from Rigid to Fluid Poses"
• "Adultery During WWII, as Told Through a Series of Letters to and from Soldiers"

There are many different types of essay and, over time, you'll be able to master them all.

A Typical Argumentative Essay Assignment

The average argumentative essay is between three to five pages, and will require at least three or four separate sources with which to back your claims . As for the essay topic , you'll most often be asked to write an argumentative essay in an English class on a "general" topic of your choice, ranging the gamut from science, to history, to literature.

But while the topics of an argumentative essay can span several different fields, the structure of an argumentative essay is always the same: you must support a claim—a claim that can reasonably have multiple sides—using multiple sources and using a standard essay format (which we'll talk about later on).

This is why many argumentative essay topics begin with the word "should," as in:

• "Should all students be required to learn chemistry in high school?"
• "Should children be required to learn a second language?"
• "Should schools or governments be allowed to ban books?"

These topics all have at least two sides of the argument: Yes or no. And you must support the side you choose with evidence as to why your side is the correct one.

But there are also plenty of other ways to frame an argumentative essay as well:

• "Does using social media do more to benefit or harm people?"
• "Does the legal status of artwork or its creators—graffiti and vandalism, pirated media, a creator who's in jail—have an impact on the art itself?"
• "Is or should anyone ever be ‘above the law?'"

Though these are worded differently than the first three, you're still essentially forced to pick between two sides of an issue: yes or no, for or against, benefit or detriment. Though your argument might not fall entirely into one side of the divide or another—for instance, you could claim that social media has positively impacted some aspects of modern life while being a detriment to others—your essay should still support one side of the argument above all. Your final stance would be that overall , social media is beneficial or overall , social media is harmful.

If your argument is one that is mostly text-based or backed by a single source (e.g., "How does Salinger show that Holden Caulfield is an unreliable narrator?" or "Does Gatsby personify the American Dream?"), then it's an analytical essay, rather than an argumentative essay. An argumentative essay will always be focused on more general topics so that you can use multiple sources to back up your claims.

Good Argumentative Essay Topics

So you know the basic idea behind an argumentative essay, but what topic should you write about?

Again, almost always, you'll be asked to write an argumentative essay on a free topic of your choice, or you'll be asked to select between a few given topics . If you're given complete free reign of topics, then it'll be up to you to find an essay topic that no only appeals to you, but that you can turn into an A+ argumentative essay.

What makes a "good" argumentative essay topic depends on both the subject matter and your personal interest —it can be hard to give your best effort on something that bores you to tears! But it can also be near impossible to write an argumentative essay on a topic that has no room for debate.

As we said earlier, a good argumentative essay topic will be one that has the potential to reasonably go in at least two directions—for or against, yes or no, and why . For example, it's pretty hard to write an argumentative essay on whether or not people should be allowed to murder one another—not a whole lot of debate there for most people!—but writing an essay for or against the death penalty has a lot more wiggle room for evidence and argument.

A good topic is also one that can be substantiated through hard evidence and relevant sources . So be sure to pick a topic that other people have studied (or at least studied elements of) so that you can use their data in your argument. For example, if you're arguing that it should be mandatory for all middle school children to play a sport, you might have to apply smaller scientific data points to the larger picture you're trying to justify. There are probably several studies you could cite on the benefits of physical activity and the positive effect structure and teamwork has on young minds, but there's probably no study you could use where a group of scientists put all middle-schoolers in one jurisdiction into a mandatory sports program (since that's probably never happened). So long as your evidence is relevant to your point and you can extrapolate from it to form a larger whole, you can use it as a part of your resource material.

And if you need ideas on where to get started, or just want to see sample argumentative essay topics, then check out these links for hundreds of potential argumentative essay topics.

101 Persuasive (or Argumentative) Essay and Speech Topics

301 Prompts for Argumentative Writing

Top 50 Ideas for Argumentative/Persuasive Essay Writing

[Note: some of these say "persuasive essay topics," but just remember that the same topic can often be used for both a persuasive essay and an argumentative essay; the difference is in your writing style and the evidence you use to support your claims.]

KO! Find that one argumentative essay topic you can absolutely conquer.

Argumentative Essay Format

Argumentative Essays are composed of four main elements:

• A position (your argument)
• Your reasons
• Supporting evidence for those reasons (from reliable sources)
• Counterargument(s) (possible opposing arguments and reasons why those arguments are incorrect)

If you're familiar with essay writing in general, then you're also probably familiar with the five paragraph essay structure . This structure is a simple tool to show how one outlines an essay and breaks it down into its component parts, although it can be expanded into as many paragraphs as you want beyond the core five.

The standard argumentative essay is often 3-5 pages, which will usually mean a lot more than five paragraphs, but your overall structure will look the same as a much shorter essay.

An argumentative essay at its simplest structure will look like:

Paragraph 1: Intro

• Set up the story/problem/issue
• Thesis/claim

Paragraph 2: Support

• Reason #1 claim is correct
• Supporting evidence with sources

Paragraph 3: Support

• Reason #2 claim is correct

Paragraph 4: Counterargument

• Explanation of argument for the other side
• Refutation of opposing argument with supporting evidence

Paragraph 5: Conclusion

• Re-state claim
• Sum up reasons and support of claim from the essay to prove claim is correct

Now let's unpack each of these paragraph types to see how they work (with examples!), what goes into them, and why.

Paragraph 1—Set Up and Claim

Your first task is to introduce the reader to the topic at hand so they'll be prepared for your claim. Give a little background information, set the scene, and give the reader some stakes so that they care about the issue you're going to discuss.

Next, you absolutely must have a position on an argument and make that position clear to the readers. It's not an argumentative essay unless you're arguing for a specific claim, and this claim will be your thesis statement.

Your thesis CANNOT be a mere statement of fact (e.g., "Washington DC is the capital of the United States"). Your thesis must instead be an opinion which can be backed up with evidence and has the potential to be argued against (e.g., "New York should be the capital of the United States").

Paragraphs 2 and 3—Your Evidence

These are your body paragraphs in which you give the reasons why your argument is the best one and back up this reasoning with concrete evidence .

The argument supporting the thesis of an argumentative essay should be one that can be supported by facts and evidence, rather than personal opinion or cultural or religious mores.

For example, if you're arguing that New York should be the new capital of the US, you would have to back up that fact by discussing the factual contrasts between New York and DC in terms of location, population, revenue, and laws. You would then have to talk about the precedents for what makes for a good capital city and why New York fits the bill more than DC does.

Your argument can't simply be that a lot of people think New York is the best city ever and that you agree.

In addition to using concrete evidence, you always want to keep the tone of your essay passionate, but impersonal . Even though you're writing your argument from a single opinion, don't use first person language—"I think," "I feel," "I believe,"—to present your claims. Doing so is repetitive, since by writing the essay you're already telling the audience what you feel, and using first person language weakens your writing voice.

For example,

"I think that Washington DC is no longer suited to be the capital city of the United States."

"Washington DC is no longer suited to be the capital city of the United States."

The second statement sounds far stronger and more analytical.

Paragraph 4—Argument for the Other Side and Refutation

Even without a counter argument, you can make a pretty persuasive claim, but a counterargument will round out your essay into one that is much more persuasive and substantial.

By anticipating an argument against your claim and taking the initiative to counter it, you're allowing yourself to get ahead of the game. This way, you show that you've given great thought to all sides of the issue before choosing your position, and you demonstrate in multiple ways how yours is the more reasoned and supported side.

Paragraph 5—Conclusion

This paragraph is where you re-state your argument and summarize why it's the best claim.

Briefly touch on your supporting evidence and voila! A finished argumentative essay.

Your essay should have just as awesome a skeleton as this plesiosaur does. (In other words: a ridiculously awesome skeleton)

Argumentative Essay Example: 5-Paragraph Style

It always helps to have an example to learn from. I've written a full 5-paragraph argumentative essay here. Look at how I state my thesis in paragraph 1, give supporting evidence in paragraphs 2 and 3, address a counterargument in paragraph 4, and conclude in paragraph 5.

Topic: Is it possible to maintain conflicting loyalties?

Paragraph 1

It is almost impossible to go through life without encountering a situation where your loyalties to different people or causes come into conflict with each other. Maybe you have a loving relationship with your sister, but she disagrees with your decision to join the army, or you find yourself torn between your cultural beliefs and your scientific ones. These conflicting loyalties can often be maintained for a time, but as examples from both history and psychological theory illustrate, sooner or later, people have to make a choice between competing loyalties, as no one can maintain a conflicting loyalty or belief system forever.

The first two sentences set the scene and give some hypothetical examples and stakes for the reader to care about.

The third sentence finishes off the intro with the thesis statement, making very clear how the author stands on the issue ("people have to make a choice between competing loyalties, as no one can maintain a conflicting loyalty or belief system forever." )

Paragraphs 2 and 3

Psychological theory states that human beings are not equipped to maintain conflicting loyalties indefinitely and that attempting to do so leads to a state called "cognitive dissonance." Cognitive dissonance theory is the psychological idea that people undergo tremendous mental stress or anxiety when holding contradictory beliefs, values, or loyalties (Festinger, 1957). Even if human beings initially hold a conflicting loyalty, they will do their best to find a mental equilibrium by making a choice between those loyalties—stay stalwart to a belief system or change their beliefs. One of the earliest formal examples of cognitive dissonance theory comes from Leon Festinger's When Prophesy Fails . Members of an apocalyptic cult are told that the end of the world will occur on a specific date and that they alone will be spared the Earth's destruction. When that day comes and goes with no apocalypse, the cult members face a cognitive dissonance between what they see and what they've been led to believe (Festinger, 1956). Some choose to believe that the cult's beliefs are still correct, but that the Earth was simply spared from destruction by mercy, while others choose to believe that they were lied to and that the cult was fraudulent all along. Both beliefs cannot be correct at the same time, and so the cult members are forced to make their choice.

But even when conflicting loyalties can lead to potentially physical, rather than just mental, consequences, people will always make a choice to fall on one side or other of a dividing line. Take, for instance, Nicolaus Copernicus, a man born and raised in Catholic Poland (and educated in Catholic Italy). Though the Catholic church dictated specific scientific teachings, Copernicus' loyalty to his own observations and scientific evidence won out over his loyalty to his country's government and belief system. When he published his heliocentric model of the solar system--in opposition to the geocentric model that had been widely accepted for hundreds of years (Hannam, 2011)-- Copernicus was making a choice between his loyalties. In an attempt t o maintain his fealty both to the established system and to what he believed, h e sat on his findings for a number of years (Fantoli, 1994). But, ultimately, Copernicus made the choice to side with his beliefs and observations above all and published his work for the world to see (even though, in doing so, he risked both his reputation and personal freedoms).

These two paragraphs provide the reasons why the author supports the main argument and uses substantiated sources to back those reasons.

The paragraph on cognitive dissonance theory gives both broad supporting evidence and more narrow, detailed supporting evidence to show why the thesis statement is correct not just anecdotally but also scientifically and psychologically. First, we see why people in general have a difficult time accepting conflicting loyalties and desires and then how this applies to individuals through the example of the cult members from the Dr. Festinger's research.

The next paragraph continues to use more detailed examples from history to provide further evidence of why the thesis that people cannot indefinitely maintain conflicting loyalties is true.

Paragraph 4

Some will claim that it is possible to maintain conflicting beliefs or loyalties permanently, but this is often more a matter of people deluding themselves and still making a choice for one side or the other, rather than truly maintaining loyalty to both sides equally. For example, Lancelot du Lac typifies a person who claims to maintain a balanced loyalty between to two parties, but his attempt to do so fails (as all attempts to permanently maintain conflicting loyalties must). Lancelot tells himself and others that he is equally devoted to both King Arthur and his court and to being Queen Guinevere's knight (Malory, 2008). But he can neither be in two places at once to protect both the king and queen, nor can he help but let his romantic feelings for the queen to interfere with his duties to the king and the kingdom. Ultimately, he and Queen Guinevere give into their feelings for one another and Lancelot—though he denies it—chooses his loyalty to her over his loyalty to Arthur. This decision plunges the kingdom into a civil war, ages Lancelot prematurely, and ultimately leads to Camelot's ruin (Raabe, 1987). Though Lancelot claimed to have been loyal to both the king and the queen, this loyalty was ultimately in conflict, and he could not maintain it.

Here we have the acknowledgement of a potential counter-argument and the evidence as to why it isn't true.

The argument is that some people (or literary characters) have asserted that they give equal weight to their conflicting loyalties. The refutation is that, though some may claim to be able to maintain conflicting loyalties, they're either lying to others or deceiving themselves. The paragraph shows why this is true by providing an example of this in action.

Paragraph 5

Whether it be through literature or history, time and time again, people demonstrate the challenges of trying to manage conflicting loyalties and the inevitable consequences of doing so. Though belief systems are malleable and will often change over time, it is not possible to maintain two mutually exclusive loyalties or beliefs at once. In the end, people always make a choice, and loyalty for one party or one side of an issue will always trump loyalty to the other.

The concluding paragraph summarizes the essay, touches on the evidence presented, and re-states the thesis statement.

How to Write an Argumentative Essay: 8 Steps

Writing the best argumentative essay is all about the preparation, so let's talk steps:

#1: Preliminary Research

If you have the option to pick your own argumentative essay topic (which you most likely will), then choose one or two topics you find the most intriguing or that you have a vested interest in and do some preliminary research on both sides of the debate.

Do an open internet search just to see what the general chatter is on the topic and what the research trends are.

Did your preliminary reading influence you to pick a side or change your side? Without diving into all the scholarly articles at length, do you believe there's enough evidence to support your claim? Have there been scientific studies? Experiments? Does a noted scholar in the field agree with you? If not, you may need to pick another topic or side of the argument to support.

#2: Pick Your Side and Form Your Thesis

Now's the time to pick the side of the argument you feel you can support the best and summarize your main point into your thesis statement.

Your thesis will be the basis of your entire essay, so make sure you know which side you're on, that you've stated it clearly, and that you stick by your argument throughout the entire essay .

#3: Heavy-Duty Research Time

You've taken a gander at what the internet at large has to say on your argument, but now's the time to actually read those sources and take notes.

Check scholarly journals online at Google Scholar , the Directory of Open Access Journals , or JStor . You can also search individual university or school libraries and websites to see what kinds of academic articles you can access for free. Keep track of your important quotes and page numbers and put them somewhere that's easy to find later.

And don't forget to check your school or local libraries as well!

#4: Outline

Follow the five-paragraph outline structure from the previous section.

Fill in your topic, your reasons, and your supporting evidence into each of the categories.

Before you begin to flesh out the essay, take a look at what you've got. Is your thesis statement in the first paragraph? Is it clear? Is your argument logical? Does your supporting evidence support your reasoning?

By outlining your essay, you streamline your process and take care of any logic gaps before you dive headfirst into the writing. This will save you a lot of grief later on if you need to change your sources or your structure, so don't get too trigger-happy and skip this step.

Now that you've laid out exactly what you'll need for your essay and where, it's time to fill in all the gaps by writing it out.

Take it one step at a time and expand your ideas into complete sentences and substantiated claims. It may feel daunting to turn an outline into a complete draft, but just remember that you've already laid out all the groundwork; now you're just filling in the gaps.

If you have the time before deadline, give yourself a day or two (or even just an hour!) away from your essay . Looking it over with fresh eyes will allow you to see errors, both minor and major, that you likely would have missed had you tried to edit when it was still raw.

Take a first pass over the entire essay and try your best to ignore any minor spelling or grammar mistakes—you're just looking at the big picture right now. Does it make sense as a whole? Did the essay succeed in making an argument and backing that argument up logically? (Do you feel persuaded?)

If not, go back and make notes so that you can fix it for your final draft.

Once you've made your revisions to the overall structure, mark all your small errors and grammar problems so you can fix them in the next draft.

#7: Final Draft

Use the notes you made on the rough draft and go in and hack and smooth away until you're satisfied with the final result.

A checklist for your final draft:

• Formatting is correct according to your teacher's standards
• No errors in spelling, grammar, and punctuation
• Essay is the right length and size for the assignment
• The argument is present, consistent, and concise
• Each reason is supported by relevant evidence
• The essay makes sense overall

#8: Celebrate!

Once you've brought that final draft to a perfect polish and turned in your assignment, you're done! Go you!

Be prepared and ♪ you'll never go hungry again ♪, *cough*, or struggle with your argumentative essay-writing again. (Walt Disney Studios)

Good Examples of Argumentative Essays Online

Theory is all well and good, but examples are key. Just to get you started on what a fully-fleshed out argumentative essay looks like, let's see some examples in action.

Check out these two argumentative essay examples on the use of landmines and freons (and note the excellent use of concrete sources to back up their arguments!).

The Use of Landmines

A Shattered Sky

The Take-Aways: Keys to Writing an Argumentative Essay

At first, writing an argumentative essay may seem like a monstrous hurdle to overcome, but with the proper preparation and understanding, you'll be able to knock yours out of the park.

Remember the differences between a persuasive essay and an argumentative one, make sure your thesis is clear, and double-check that your supporting evidence is both relevant to your point and well-sourced . Pick your topic, do your research, make your outline, and fill in the gaps. Before you know it, you'll have yourself an A+ argumentative essay there, my friend.

What's Next?

Now you know the ins and outs of an argumentative essay, but how comfortable are you writing in other styles? Learn more about the four writing styles and when it makes sense to use each .

Understand how to make an argument, but still having trouble organizing your thoughts? Check out our guide to three popular essay formats and choose which one is right for you.

Ready to make your case, but not sure what to write about? We've created a list of 50 potential argumentative essay topics to spark your imagination.

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Courtney scored in the 99th percentile on the SAT in high school and went on to graduate from Stanford University with a degree in Cultural and Social Anthropology. She is passionate about bringing education and the tools to succeed to students from all backgrounds and walks of life, as she believes open education is one of the great societal equalizers. She has years of tutoring experience and writes creative works in her free time.

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Ronnie's Ramblings

Vce english made easy, unit 3 vce english: how to write your argument analysis essay (part 2).

Update: Please note that this post refers to the previous study prior to 2024 where students were required to compare two media texts. A new post for Unit 4 VCE English has now been published which aligns with the current study design from 2024.

This is my brother. He and I, like any other siblings argue. I never win. He’s just really good at winning an argument. He has his ways and I can’t reveal his secrets (if I knew them I would not let him win) and even though we are both adults, we still argue like we’re kids. That’s my segue into this post.

We all know how to argue. We all know how to form arguments because we do it every day when we want to get our point across, but what we struggle with is analysing how an argument is put together and why it impacts or encourages an audience to do something. Think about it this way, when you try and convince your parents that you want something, how do you do it? What words do you say to them to sway them to give in to your request? This is arguing, not necessarily in an aggressive way, but you are persuading them to do something – to let you get your way. How did you do it? Did you suck up to them a little bit? Compliment them? Promise to do something in return? Or did you take a more aggressive approach?

We all have different methods to persuade others to get what we want and we know how to target our specific audience, so why is it when you read a persuasive text that you’re not able to recognise these strategies in other people’s arguments? Probably because they’re topics that don’t actually interest you, but you do have to write a SAC about it, so let’s get started.

In my previous post about argument analysis, I went through how to annotate an article and promised you that another post about how to write the essay will be published. I’ve finally done it and hopefully, it helps you to write your argument analysis essays. This method has been successful for my students and even though it is pretty structured, again, remember that you should be listening to how your teacher wants you to structure your essay, this is just the way that I teach my students how to do it.

The SAC requires you to analyse and compare arguments. I’m going to use the block structure as I find that it allows students to analyse in more depth and also make more meaningful comparisons when you’re writing about the second text, instead of some superficial comparisons throughout. Remember that the exam doesn’t require you to compare. Even if there is more than one text you say how it complements the primary text, the marking criteria do not stipulate any comparison, but the SAC does. I don’t want to teach my students different ways of writing, as this just confuses them and this method is effective for the exam.

The Introduction

This is probably the easiest part of the essay, but most important. This is where you identify the issue, the writer’s contention, the audience, and the intention of both texts. There can be a formula to it and the one I use goes as follows

• Issue statement – avoid generic issue statements. Don’t say ‘The recent debate of cancel culture has been discussed heavily in the media.’ This does not show me that you have understood the issue. You’ve identified it but haven’t explained why it is an issue that is ‘currently being debated in the media’ (this is a phrase that grinds my gears, so avoid using it). Instead, you should write – ‘The rewriting of the language that is deemed offensive in Roald Dahl’s children’s books questions how far cancel culture has gone when it comes to classic literature and its value to children today’. Keep it to a sentence. Avoid vague phrasing.
• State the details of the first text and the contention.
• Identify the overall audience and intention
• Repeat steps 2 and 3 for the second text.

Remember that this doesn’t have to be long. Be as concise as possible. You don’t need to include the tone as the tone changes in an article and therefore it would be more appropriate to identify these tonal shifts when talking about how an argument develops in your actual analysis. Also, it isn’t necessary to include the dates – irrelevant

What does an introduction look like?

I’ve used two articles about Vaping Laws and will be referring to them in my analysis. You can find the two articles here https://www.heraldsun.com.au/news/victoria/australians-support-calls-for-tougher-vaping-laws-report-finds/news-story/9c0b09ce9bac846771541cba296d4d0c and https://www.theaustralian.com.au/commentary/editorials/blowing-vape-cant-hide-the-law/news-story/e190bb8d3647b73f94096855343c9b76

Body Paragraphs

This is the analysis part of your essay. This is where you have to show that you understand how the writer has structured their argument, how they have developed it, and the impact it has on the audience. How many body paragraphs you write depends on the article and how the writer has developed their argument. The usual rule of thumb is to write three if you’re not sure, there will always be an opening, body, and closing of an article so you can’t lose.

When writing your paragraphs you need to consider the argument as a whole and always think about how the writer is supporting their overall contention and intention throughout. Each section has a different purpose, but the overall purpose is to present their point of view.

Each paragraph can be structured in the following way

• Topic sentence – identifies the section being analysed, the main idea being argued, and the strategy adopted by the author to engage with the audience.
• Analysis – what is being said to support the supporting argument identified in the topic sentence, what language has the writer employed and what is the intended impact on the audience?

How many points of evidence you chose is up to you, but you need to be selective. You can’t write about everything, so choose the most appropriate evidence and language. The examiner’s report was very clear about this because overdoing evidence leads to a summary. You need to analyse.

When you identify the strategy used in each section consider the following table to help you. This is also an effective way of helping you section the article whilst annotating. (Adapted from the Ticking Minds Senior English Writing Handbook)

Sample Body Paragraph

Where do you talk about the visual? Don’t worry, I haven’t forgotten about the visual. You need to include the visual as part of your language analysis and how the visual supports an argument. Remember when you annotated the text, you identified where the visual would best fit within your analysis. When you analyse that particular section, make sure you include a short visual analysis, but DO NOT analyse the visual on its own, in its own special paragraph. It is a strategy used to support the argument, not a whole argument on its own.

Except – Disclaimer – If you are given a cartoon as a separate text, then you do analyse that separately but you would also need to say how the intention and arguments compare.

Sample analysis with visual

Writing the comparison

When writing this part of the essay, you still need to analyse the second text, but compare how the arguments are similar or different to the first text.

Sometimes the contentions of the texts are the same, but the writers may just be presenting a different perspective and have a completely different intention. The texts that I have chosen have similar contentions; however, their intentions and audience are different. You need to identify and discuss this in the analysis. Firstly in your introduction, but also in the paragraphs where you are analysing the second text.

To start you need to make a transition from the first text to the second. After you have finished writing about the closing of the first text, you will start a new paragraph with a topic sentence that makes a comparative point about the first text then move to the main point about the second text.

You will then start your analysis by working through each section again, but focus on how the arguments compare to the first. Is the point the same or different from the ideas being discussed in the primary text? The key here is to be concise, you don’t need to go into too much detail when making reference to the first text. Be subtle about it.

Sample Comparative Paragraph

Conclusion?

You don’t need to write a conclusion. The analysis concludes with your analysis of how the second text closes. This is enough to conclude. I’ve been advising my students not to write one and they have done well in their exams without it. Some teachers like it, but I personally don’t think it’s necessary, but as I always say, listen to your teacher. Don’t compare how the texts conclude though!

What not to do!

This is my list of pet hates and may seem somewhat controversial amongst some teachers, but it’s been tried and tested and like I’ve said, I’ve had some great success with my method, but if I’m not your teacher, do what your teacher tells you to do. My students, however, do as I say, I’m marking your SAC. 😉

• Don’t use generic or vague language – be specific to the article.
• When discussing the audience, don’t say ‘the audience feels like they trust the author because they know what they’re talking about’ or ‘it makes the audience want to read on’ or ‘it makes the image stick in the reader’s head’. I am sure I am not the only teacher who bangs their head on the table when they read those statements. Be specific about the impact the language has on the audience and the intended purpose of the author towards their specific audience (consider stakeholders)
• Don’t discuss the image separately
• Don’t provide a shopping list of persuasive techniques and their definitions – that went out with the old old study design and even then they didn’t want you doing that.
• Don’t ask how many techniques per paragraph
• Don’t forget to mention BOTH texts in your introduction
• Don’t compare the images
• Don’t compare the structure – instead, compare the argument
• Don’t summarise – analyse
• Don’t refer to the author/s by their first name, use their surname. If you’re not provided with a name then it’s probably an editorial, or use the name that has been provided (like a user name in an online comment)

Like always, listen to the advice that your teacher has given you, this is just my way of teaching this area of study.

If you wish to read the full essay and accompanying PowerPoint please go to my teachers pay teachers page where you can download them for a small fee to support this little side project of mine.

https://www.teacherspayteachers.com/Store/Ronnies-Ramblings

I hope this has helped and that you write zesty essays. As always feel free to reach out via Instagram or LinkedIn or via the comments.

Keep it zesty

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Need to write an argumentative essay? Preparing for an upcoming debate? ProCon.org has over 100 topics complete with pro and con arguments, quotes and statistics from experts, historical information, and other pertinent research.

Abortion – Should abortion be legal?

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College Education – Is a college education worth it?

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Death Penalty – Should the death penalty be legal?

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Dress Codes – Should dress codes be implemented and enforced?

Drinking Age – Should the drinking age be lowered from 21 to a younger age?

Drone Strikes – Should the United States continue its use of drone strikes abroad?

Drug Use in Sports – Should performance-enhancing drugs be accepted in sports?

Election Day National Holiday – Should the election day be made a national holiday?

Electoral College – Should the United States use the electoral college in presidential elections?

Employer Vaccine Mandates – Should employers be able to mandate vaccinations?

Felon Voting – Should people who have completed felony sentences be allowed to vote?

Fighting in Hockey – Should fighting be allowed in hockey?

Filibuster – Should the U.S. Senate keep the filibuster?

Fracking – Should the United States continue fracking

Free College – Should public college be tuition-free?

Fur Clothing Bans – Should fur clothing be banned?

GMOS – Should genetically modified organisms (GMOs) be grown?

Gold Standard – Should the United States return to a gold standard?

Golf – Is golf a sport and are golfers athletes?

Gun Control – Should more gun control laws be enacted?

Historic Statue Removal – Should historic statues be taken down?

Homework – Is homework beneficial?

Illegal Immigration – Should the U.S. government provide a path to citizenship for undocumented immigrants?

Internet – Is the internet “making us stupid?”

Kneeling during the National Anthem – Is kneeling during the national anthem an appropriate form of protest?

Mandatory National Service – Should the United States have mandatory national service?

Medical Aid in Dying (MAID) – Should medical aid in dying be legal?

Medical Marijuana – Should medical marijuana be legal?

Milk – Should humans consume dairy milk?

Minimum Wage – Should the federal minimum wage be increased?

Net Neutrality – Should the U.S. have net neutrality laws?

Obesity – Is obesity a disease?

Olympics – Are the Olympic games an overall benefit for their host countries and cities?

OTC Birth Control Pills – Should birth control pills be available over-the-counter (OTC)?

Penny – Should the penny stay in circulation?

Pit Bull Bans – Should breed-specific legislation (“pit bull bans”) be enacted?

Pokémon – Is Pokémon Go good for our society?

Police Body Cameras – Should police officers wear body cameras?

Prescription Drug Costs – Should the U.S. federal government regulate prescription drug prices?

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Private Prisons – Should prisons be privatized?

Recreational Marijuana – Should recreational marijuana be legal?

Reparations for Slavery – Should the federal government pay reparations to the descendants of slaves?

Right to Healthcare – Should all Americans have the right (be entitled) to health care?

Sanctuary Cities – Should sanctuary cities receive federal funding?

Santa Claus – Is there really a Santa Claus?

Saturday Halloween – Should Halloween be moved permanently to Saturday?

School Uniforms – Should students have to wear school uniforms?

Single-use Plastics Ban – Should single-use plastics be banned?

Social Media & Digital Addiction – Does social media spur digital addiction and other social ills?

Social Security Privatization – Should social security be privatized?

Space Colonization – Should humans colonize space?

Standardized Tests – Do standardized tests improve education in America?

Student Loan Debt – Should student loan debt be eliminated via forgiveness or bankruptcy?

TikTok Bans – Should TikTok be banned?

Uber & Lyft – Are ride-sharing companies a benefit to society?

Universal Basic Income (UBI) – Should the United States implement a universal basic income?

U.S. Supreme Court Packing – Should packing the U.S. Supreme Court ever be considered?

Vaccines for Kids – Should states be allowed to mandate vaccines for school attendance??

Vaping E-Cigarettes – Is vaping e-cigarettes safe?

Vegetarianism – Should people become vegetarian?

Video Games & Violence – Do violent video games contribute to youth violence?

Voting Age – Should the voting age be lowered to 16?

Voting Machines – Are electronic voting machines the best method for voting?

Zoos – Should zoos exist?

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ACLU – Is the ACLU good for America?

Big Three Bailout – Should the big three car manufacturers be bailed out by the U.S. government?

Born Gay – Is sexual orientation determined at birth?

Climate Change – Is human activity primarily responsible for global climate change?

College Football Playoffs – Should college football replace the Bowl Championship Series (BCS) with a playoff system?

Dakota Access Pipeline – Should the Dakota Access Pipeline be completed?

D.A.R.E. – Is the D.A.R.E. program good for America’s kids (K-12)?

Gay Marriage – Should gay marriage be legal?

Congressional Insider Trading – Should insider trading by Congress be allowed?

Israeli-Palestinian Conflict – What are the solutions to the Israeli-Palestinian conflict?

Obamacare – Is the Patient Protection and Affordable Care Act (Obamacare) good for America?

Paying College Athletes – Should colleges and universities pay college athletes?

President Bill Clinton – Was Bill Clinton a good president?

President Ronald Reagan – Was Ronald Reagan a good president?

Presidential Election, 2008 – Which candidate would make the best U.S. president?

Presidential Election, 2012 – Which candidate should be U.S. president in 2012?

Presidential Election, 2016 – The candidates and where they stand on the issues

Presidential Election, 2020 – 2020 Presidential Election Site

Prostitution – Should prostitution be legal?

School Vouchers – Should states have school voucher programs?

Tablets v. Textbooks -Should tablets replace textbooks in K-12 schools?

Teacher Tenure – Should teachers get tenure?

Under God in the Pledge – Should the words “under god” be in the U.S. Pledge of Allegiance?

U.S. Drone Shot down by Iran – Was the U.S. drone shot down by Iran over international waters?

U.S.-Iraq War – Should the U.S. have attacked Iraq?

WTC Muslim Center – Is it appropriate to build a muslim community center (aka the ”ground zero mosque”) near the World Trade Center site?

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Exploring an A+ Language Analysis Essay Comparing Two Articles

April 25, 2019

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Updated 19/01/2021

Ah, language analysis. It’s that time of year again, which sees us trade our novels and films for newspapers and blog articles, and our knowledge of characters and themes for the never-ending list of persuasive language devices which we will soon begin to scour our texts in search of.

Once again we must put ourselves in the mind of an author, only this time it’s a little different. No longer are we searching for hidden meanings within the text, instead we search for techniques and appeals to emotions which our daring author uses to persuade us to stand in solidarity with their view. My, how times change. Just when we think we’re getting the hang of something, VCE English throws us a curveball. Typical VCAA.

There's a lot that goes into a strong Analysing Argument response and it can be difficult to know where to start, so here's a specific breakdown of an A+ essay to help you elevate the quality of your own writing! Just before we get started, if you'd like to find out more about Language Analysis, head here for a comprehensive overview of this area of study.

Alright, let's get into it!

The following post refers to two articles, ‘ Australia’s offshore detention regime is a brutal and obscene piece of self-delusion ,’ by Ben Doherty and Helen Davidson, and ‘ Stand in solidarity with people seeking asylum this holiday season, ’ by Kon Karapanagiotidis.

Step 1: Planning Your Essay

Now, before you get too deep into this step - and I know how eager you must be to dive into that juicy analysis – you first need to decide on a structure. In this particular case of Language Analysis, we are comparing two articles, meaning we have a couple of different structures to choose from. That is, we now need to decide whether we will be separating the analysis of each article into its own individual paragraph, or rather, integrating the analysis and drawing on similar ideas from each of the texts to compare them within one paragraph. Tough decisions, eh?

While most examiners prefer integrated paragraphs, as it shows a higher level of understanding of the texts, sometimes the articles make implementing this structure a little difficult. For example, maybe one article focuses more on emotional appeals, while the other uses factual evidence such as statistics to persuade the reader. What do we do then? If none of the arguments are similar, but we still want to use that amazing integration technique, what can we do?

Well first of all, remember that we are comparing two articles. Comparisons don’t always have to be about similar things, in fact, the true spirit of comparison should take into account the articles’ differences too. So what does this mean for us? We can still integrate our paragraphs, however, we will be focusing on how two contrasting techniques seek to achieve the same result of persuading the audience.

Next, now that we’ve got structure out of the way, we can work on the actual analysis part of planning. That is, scouring through the articles for those various language devices the author has used to turn this article from an exposition to a persuasive text, and then deciding on how we shall be using this in our essay.

I absolutely cannot stress this enough, but: PLAN YOUR ESSAYS! Yes, I happened to be one of those students who never planned anything and preferred to jump straight into the introduction, hoping all my thoughts would fall into place along the way. Allow me to let you in on a little secret: that was a notoriously bad idea. My essays always turned out as garbled, barely legible messes and I always managed to talk myself into circles. Trust me, planning is crucial to an A+ essay.

It is also crucial that you know what exactly should be going into the planning process. There are two main aspects of planning that you need to focus on for a Language Analysis essay: analysis and implementation . I know that might not make much sense right now, but allow me to explain:

This includes reading through your articles and picking out all the pieces that seem like persuasive techniques. For example, you might find a paragraph using inclusive language such as "our problem” to convince the reader that this is an issue that they need to be directly concerned about, or perhaps you may find a sentence describing the “excess of funds” being poured into the initiative that demonstrates to the audience how big of a problem it is. This step typically includes underlining areas of interest in the articles, making arrows between similar arguments which you think should be linked and doodling in the margins of the paper with all your immediate thoughts so you don’t forget them later. This part is the lengthiest and it may take you some time to fully understand all of the article.

Next, comes implementation.

Implementation

This is the part where we make ourselves an actual essay plan, in which we decide how to implement all the new information we’ve collected. That is, deciding which arguments or language devices we will analyse in paragraph 1, paragraph 2 and so on. This part is largely up to you and the way in which you prefer to link various ideas.

Below is an example of how you might choose to plan your introduction and body paragraph. It may seem a bit wordy, but this is the recommended thought process you should consider when mapping out your essay, as explained in the following sections of this blog post. You may want to skip ahead and read those first so you know what we’re talking about when you see CCTAP (explained in Step 2: Introduction ) or TEEL (explained in Step 3: Body Paragraphs ), but otherwise it’s pretty straight forward. With enough practice you may even be able to remember some of these elements in your head, rather than writing it out in detail during each SAC or exam (it might be a little time consuming).

Sample Introduction Plan

Note: Sentences in quotation marks ('') represent where the information has been implemented in the actual introduction.

Article 1 (by Ben Doherty and Helen Davidson) :

Context : Detention of Asylum Seekers is currently a popular topic of discussion, 'issue regarding the treatment and management of asylum seekers'.

Contention : Methods must be revaluated, 'better solution must be sought'.

Tone : Accusatory, 'accusatory tone'.

Audience : Regular readers, 'regular readers of the popular news publication site'.

Purpose : Incite critical conversation, 'persuade readers to be similarly critical of the initiative'.

Article 2 (by Kon Karapanagiotidis) :

Context: Detention of Asylum Seekers is currently a popular topic of discussion, 'issue regarding the treatment and management of asylum seekers'.

Contention: Detention of Asylum Seekers is wrong, 'detention as a whole is inhumane'.

Tone: Conviction, 'tone of conviction'.

Audience: Those in favour of Asylum Seekers, 'supporters of his resource centre'.

Purpose: Allow Asylum Seekers into the country, '[barring them from entering the country]…should be ceased immediately'.

Sample Body Paragraph Plan

Topic: Inhumanity of detention

Evidence : Article 1’s Emotive Language

          Example : 'harsh', 'brutal regime', 'needlessly cruel' to invoke discomfort.

Evidence : Article 1’s Expert Opinions

          Example : Amnesty International, UN, etc. 'repeatedly criticised'.

Evidence : Article 1’s Humanisation of Asylum Seekers

          Example : Depicts as individuals who’ve been 'arbitrarily punished'.

Evidence : Article 2’s Invitation to Empathise

          Example : Writes he 'cannot imagine the horrors', inviting readers to try too.

Evidence : Article 2’s Emotive Language

          Example : 'pain', 'suffering', 'deprivation of hope' to invoke sympathy.

Evidence : Article 2’s Placing of Blame

          Example : Blames Australian Government for the 'suffering inflicted'.

Link: Restate topic sentence in relation to entire essay

Step 2: Introduction

Now that you’ve got all the planning out of the way, next comes beginning the essay and writing up your introduction. Having a top notch introduction not only sets the standard for the rest of your language analysis, but it gives you a chance to set yourself apart from the crowd. Your teacher or examiner will be reading heaps of these kinds of essays within a short period of time and no doubt it’ll begin to bore them. Thus, having a punchy introduction is bound to catch their attention.

In addition to having a solid beginning, there are a few other things you need to include in your intro, namely, CCTAP. What does CCTAP stand for and why is it so important, you may ask? Well, the nifty little acronym stands for C ontext, C ontention, T one, A udience and P urpose, which are the five key pieces of information you need to include about both of your articles within your introduction. In addition to all the various language devices we collected during planning, you will need to scan through the articles to find this information in order to give the reader of your essay the brief gist of your articles without ever having read them.  

For an example on how you would accomplish this all in one paragraph, here’s my introduction:

In recent years, the issue regarding the treatment and management of asylum seekers has become a topic of interest for many Australian citizens, with the debate focusing centrally on the ethics of their indefinite detention, and the reliability of this initiative as a working solution. Many articles intending to weigh-in on the debate depict the Australian Government’s favoured solution in various tones, with two pieces, written by news source, The Guardian, by authors Ben Doherty and Helen Davidson, and activist Kon Karapanagiotidis, respectively, asserting that the initiative is the wrong approach to a growing problem. In their piece, 'Australia’s offshore detention regime is a brutal and obscene piece of self destruction', the former of the authors speaks with an accusatory tone to their audience of regular readers of the popular news publication site and debates the practicality of the 'arbitra[y]' detention of these asylum seekers, as well as calls into question the humanity of the act and assesses whether it is an effective use of Australia’s wealth, intending to persuade readers to be similarly critical of the initiative. Likewise, the author of the open letter, 'Stand in solidarity with people seeking asylum this holiday season', writes to supporters of his resource centre in a tone of conviction, asserting that asylum seekers deserve the safety of asylum within Australia, that detaining or barring them from entering the country is inhumane and the root of much suffering, and that overall, it is morally wrong, and thus should be ceased immediately. Both articles contend that Australia’s current solution to the growing issue is incorrect, with Doherty and Davidson specifically believing that there is a better solution that must be sought, and Karapanagiotidis believing that detention as a whole is inhumane and should not be further employed by the government. ‍

‍ Step 3: Body Paragraphs ‍

And now we reach the meat of your essay - the body paragraphs. A typical essay should have at least three of these, no less, although some people might feel the need to write four or five. While this may seem like a good idea to earn those extra marks, you should never feel pressured to do so if you already have three good paragraphs planned out. You have limited time to write your essay and getting as many words on the page as possible won’t always improve your score, especially if you traded quality for quantity. What your teachers and examiners are really looking for is a comprehensive understanding of the texts and the way in which you organise your ideas into paragraphs. So sure, writing an extra paragraph may be useful if you have the time and technique, but never feel pressured to expend the effort on one if it costs you time to the point where you’re turning in an unfinished essay. You can achieve an A+ essay with only three paragraphs, so don’t stress.

Now, onto writing the actual paragraphs. There are various little acronyms to help you through this process, such as TEEL, PEEL or MEAT. Some of these you may have already heard of before and you might even have a preference as to which one you will use. But regardless of what you choose, it is important that you add all the correct elements, as leaving any of them out may cost you vital marks. Make sure you include a T opic sentence, E vidence, E xample and L ink (TEEL). Once you have the structure down pat, there’s one other thing you need to consider during a Language Analysis essay: don’t forget to analyse the picture.

Seriously, it’s pretty crucial. A requirement of this kind of essay is to analyse imagery, whether it be the newspaper’s header, a cartoon or an actual photograph. This step may involve analysing the image for what it is, or linking the imagery with an already existing argument within the article. Whatever you deduce it to mean, just make sure you slip it into one of the paragraphs in your essay. [Note: an analysis of imagery is not included in following paragraph].

Here is an example of an integrated paragraph ( learn more about integrated vs. bridge vs. block structures here ):

While both articles make very different arguments on the same topic, in one particular case they give voice to the same issue, namely, the inhumanity of detaining refugees, in which both articles become advocates for the abolition of offshore detention. Authors for The Guardian write that it is 'needlessly cruel', 'harsh', and a 'brutal regime', using emotive language to give weight to their argument and invoke a sense of discomfort within their readers, particularly towards the government’s chosen solution. They call on the opinions of a number of other sources who have 'repeatedly criticised', the operation, such as the United Nations, Amnesty International and Human Rights Watch, among other similar experts on the matter. The authors depict Asylum Seekers as individuals who are 'arbitrarily punished offshore', and who 'have been accused of no crime', and are therefore, by the judgement of the authors, being treated immorally. In agreement, Karapanagiotidis writes of the abuse endured by asylum seekers in detention, including their separation from loved ones, their arbitrary incarceration, and stating that he, himself, 'cannot begin to imagine the personal toll detention has had on [them]', implying further damage has been done and inviting his audience to similarly place themselves into the figurative shoes of an asylum seeker. The author writes that the offshore detention of asylum seekers causes 'pain', and 'suffering', as well as the 'depriv[ation] of [their] hope', using emotive language to invoke sympathy and understanding within his readers. Karapanagiotidis hands the blame for such 'suffering inflicted', on the Australian government, a similar tactic which The Guardian employed throughout their piece. Overall, both articles use a range of language devices and expert sources to agree that the act of detention is inhumane, and the root of much suffering. ‍ ‍

If you'd like to see more sample A+ body paragraphs and essays, all with annotations to see exactly what makes them high-scoring, check out our How To Write A Killer Language Analysis ebook for an in-depth guide to nailing your Language Analysis.

Step 4: Conclusion

You’ll be glad to know that this is the final part of your essay, hooray! And some might argue it is in fact the easiest, because now all you need to do is summarise all of those body paragraphs into a concise little one. Simple right?

Conclusions typically don’t even have to be all that long, I mean, you’re only restating what you’ve already written down, so there’s no new thinking involved. Under no circumstances should you be using your conclusion to add in any new information, so just make sure you give a brief description of your previous arguments and you should be good to go!

And one more thing: never start your conclusions with 'In conclusion'. Seriously, that may have worked in Year 8, but we’re writing for a whole different standard these days and starting your conclusions off like that just isn’t going to cut it. Be sure to check out 5 Tips for a Mic-Drop Worthy Essay Conclusion if conclusions are something you struggle with.

Here’s mine:

The two articles, in their discussion of Australia’s offshore detention initiative, bring light to several key points. Authors for The Guardian use various appeals, emotive phrases and evidence of reported monetary statistics to sway the reader to share their opinion, as well as arguments regarding the lack of reliability the initiative provides in its ability to deter boats, the sheer cost of the program, and the morality of the issue. Similarly, Karapanagiotidis, the author of the open letter, uses a humanising image, appeals to the values of the readers, and employs phrases with pre-existing connotations known to the audience, to assert main contentions: that asylum seekers deserve asylum, that barring them from settling in the country is the root of much suffering, and that their indefinite detention is not only inhumane, but morally wrong.  

Good luck with your own essays!

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• Learn LSG's unique SIMPLICITY and SPECIFICITY strategy which has helped hundreds of students achieve A+
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Updated 14/12/2020

Introduction

• Definition of Metalanguage
• Examples of Metalanguage in VCE English

1. Introduction

Although it appears on criteria sheets, many students never really understand the term  metalanguage . Strangely, it is something that is rarely addressed in classrooms. While the word may be foreign to you, rest assured that metalanguage is not an entirely new concept you have to learn. How come? Because you have been unknowingly using metalanguage since the very beginning of high school.

It's a word that is more and more frequently thrown around as you get more advanced in high school. And, it's something that becomes tremendously important in your final year of high school, because the more you include metalanguage discussion in your essays, the more intricate your discussion becomes and the more unique it also becomes.

So, let's find out exactly what metalanguage is.

2. Definition of Metalanguage

Metalanguage is  language that describes language .

So, instead of maybe using the word, "He was sad ", we might say something like, "He felt sorrowful " . The choice in words changes the meaning that is interpreted by the reader, just slightly, but there is still a difference. So, when it comes to studying texts or reading articles, and trying to analyze what the author is trying to do, we look at metalanguage as a way to help give us insight into the ideas that they're trying to portray.

The simplest way to explain this is to focus on part 3 of the English exam – Language Analysis. In Language Analysis , we look at the author’s writing and label particular phrases with persuasive techniques such as: symbolism, imagery or personification. Through our description of the way an author writes (via the words ‘symbolism’, ‘imagery’ or ‘personification’), we have effectively used language that describes language.

Now, if we look at the bigger picture, our analysis of an author’s language can be applied to Text Response, and even Reading and Comparing. To learn more about why metalanguage is important in Text Response, check out our Ultimate Guide to VCE Text Response . Otherwise, for those interested in Comparative, head over to our Ultimate Guide to VCE Comparative .

3. Examples of Metalanguage in VCE English

• Grammar and punctuation
• Characterisation
• Foreshadowing

For example

• Achilles is  characterised as a foetus, for his position is ‘chin down, shoulders hunched’ as though he is inside a womb. ( Ransom , David Malouf)
• In the first scene of All About Eve* , Mankiewicz foreshadows Eve's sinful and regretful actions, as a sorrowful expression is emphasized as she accepts her award

As you can see, the word 'foreshadows' pushes us in a new direction. Rather than just saying what has already happened or telling your teacher or examiner something that they already know, it forces you to actually analyze what's in front of you and to offer your own unique interpretation of why this metalanguage or why this technique has been used.

*If you happen to be studying this text, check out our All About Eve Character Profiles .

• Mise-en-scene
• Camera angles

When Terry leaves Friendly’s bar, the thick fog symbolises his clouded moral judgement as he decides whether he should remain ‘D and D’, or become a ‘rat’. ( On the Waterfront , Elia Kazan)

• Stage direction
• The miniature set Zac creates is designed with a white backdrop, symbolising his desire to wipe away reality since he ‘can’t stand real things'. ( Cosi , Louis Nowra)

In Medea , the motif of animals emphasizes the inhuman and bestial nature of Medea, highlighting how she defies natural norms.

This student has actually given us an analysis of why animal motifs are used. And that is to highlight how Medea defies natural norms, because of her inhuman and bestial nature.

4. Conclusion

As indicated earlier, you should be familiar with many, if not all the terms mentioned above. Take note that some metalanguage terms are specific to a writing form , such as camera angle for films. If you need help learning new terms, we have you covered - be sure to check out our metalanguage word banks for books and our metalanguage wordbank for films .

As you discuss themes or characters, you should try and weave metalanguage throughout your body paragraphs . The purpose of this criteria is to demonstrate your ability to understand how the author uses language to communicate his or her meaning. The key is to remember that the author’s words or phrases are always chosen with a particular intention – it is your job to investigate why the author has written a text in a particular way.

[Modified Video Transcription]

Hey guys, welcome back to Lisa's Study Guides. Today, I'm really excited to talk to you about metalanguage. Have you guys ever heard of metalanguage before? It's a word that is more and more frequently thrown around as you get more advanced in high school. And, it's something that becomes tremendously important in your final year of high school, because the more you include metalanguage discussion in your essays, the more intricate your discussion becomes and the more unique it also becomes. So, let's find out exactly what is metalanguage. Simply put, metalanguage just means language that analyses language. When authors write anything, we make certain decisions when it comes to writing. So, instead of maybe using the word, "He was sad", we might say something like, "He felt sorrowful". The choice in words changes the meaning that is interpreted by the reader, just slightly, but there is still a difference. So, when it comes to studying texts or reading articles and trying to analyse what the author is trying to do, we look at metalanguage as a way to help give us insight into the ideas that they're trying to portray.

Metalanguage comes in really handy, especially if you're somebody who struggles with retelling the story - I have a video on how to avoid retelling the story , which you can watch. Metalanguage essentially takes you to the next level. It prevents you from just saying what happened, and forces you into actually looking at how the ideas and themes are developed by the author through the words that they choose to use. So, let's have a look at a couple of examples to give you a better idea. I'm going to show you two examples. One uses metalanguage and one doesn't, and you'll see how a massive difference in how the student understands the text is really clear.

Number one, foreshadowing.

In the first scene of All About Eve , Mankiewicz emphasizes Eve's sorrowful expression as she accepts her award.

In the first scene of All About Eve , Mankiewicz foreshadows Eve's sinful and regretful actions, as a sorrowful expression is emphasized as she accepts her award. As you can see, as soon as we put in the word foreshadows, it pushes us in a new direction. Rather than just saying what has already happened or telling your teacher or examiner something that they already know, it forces you to actually analyse what's in front of you and to offer your own unique interpretation of why this metalanguage or why this technique has been used. So, in this case, it's foreshadowing. ‍ Let's have a look at another one, motif.

In Medea , Euripides commonly refers to animals when describing Medea's actions and temperament.

See how, in the first example, it was really just telling you what we might already know through just reading the book, but when it comes to the second example, this student has actually given us an analysis of why animal motifs are used. And that is to highlight how Medea defies natural norms, because of her inhuman and bestial nature. So, those are some examples of metalanguage. There are so many more different types of metalanguage out there...

Often, with Language Analysis (also known as Argument Analysis or Analysing Argument), it can be hard to find unique things to analyse and set yourself apart from your competitors. Techniques like rhetorical questions, inclusive language and the appeal to family values are regurgitated by thousands of students every year come exam season. As you’d imagine, examiners get tired of hearing the same ol’ thing essay after essay. 

So, I challenge you to surprise them! And today’s video will help you do just that. 

The TEE rule is a very popular technique that we describe in our top-rated eBook, How To Write A Killer Language Analysis . And for a good reason, too! It guides your analysis to ensure that you’re talking about techniques, how they affect readers and using evidence to back yourself up. If you’ve never heard of the TEE rule, no worries at all! Check out our HTWAKLA eBook for an in-depth look into how the technique can help you get to that A+ level.

Today’s video is all about analysing the structure of Language Analysis articles so you can WOW examiners and score in that upper level. 

Now, what does this exactly mean and, more importantly, look like?

When it comes to pieces of writing, when we talk about structure, we’re talking about how the information is organised. 

What does the writer talk about first? What do they talk about last? How long are the paragraphs? How many paragraphs are there? While these questions might seem a little pointless to some, they can actually inspire some pretty unique and spot-on analysis in VCE Language Analysis.

OK Lisa, I get it, but how can I do this in my essays? Great question. 

Let’s have a look at some examples of this, courtesy of one of LSG’s amazing tutors, Andrea. She’s written up an incredible blog all about these advanced techniques, and it includes much more than what we have time to talk about today. So, as always, I’ll leave the link to her blog in the description and in the card up above – I highly recommend that after watching this video, you head on over and check it out. ‍

Analysing recurring themes and ideas in VCE Language Analysis

Analysing recurring ideas and themes throughout a piece is a fantastic way to show the examiner that you’ve understood the piece as a whole and that you can step back and notice similarities between smaller sections. 

Let’s take a closer look at Section C of the 2014 VCAA English exam . The author emphasises the theme of Kolumbus-21 and its significance on space travel , which is an example of a recurring idea of theme.

Paragraph 1: ‘Space exploration has been on my mind this week after visiting an exhibition presented by an international group known as Kolombus-21.’ 

Paragraph 9: ‘Kolombus-21 talks a lot about international cooperation. This hasn’t always been a feature of space exploration, but now that we have an international space station supported by 15 nations, the era of collaboration seems to be well established.’

Paragraph 11: ‘Perhaps with big dreamers like Kolumbus-21 behind it, it might even turn out that way.’

We can use an array of vocabulary to describe exactly how ideas and themes recur throughout a piece. For example, if something is mentioned repeatedly throughout a piece, we could call it a c yclical, recurring or circular idea. If an idea is built chronologically , piece by piece, we could call it hierarchical, chronological, sequential or even linear .  

In this example, notice how from the beginning to the end of the piece, the author mentions the connection between Kolombus-21 , space exploration and international cooperatio n several times. Let’s see what we get...

By returning to the original theme of Kolumbus-21 as a key driver of support for space travel, which indicates the cyclical structure of her opinion piece, Yergon links space travel with international cooperation.

It’s also a good idea to reiterate the overall structure of the piece in the conclusion, as it allows you to link the structure with the author’s contention.

Analysing the ordering of the contention, arguments and rebuttals in VCE Language Analysis

Certain elements of the article can have a different effect on the reader depending on where the author places them. When we’re talking about desired effects on readers, we want to assume that the writer has done everything a certain way for a reason , so when the rebuttal is placed first, for example, we can look into this further for possible explanations.

• When the rebuttal is placed first , it can set up the audience to more readily accept the writer’s following opinions, as opposing viewpoints have already been criticised early o n.
• You can see this in the 2013 VCAA exam, where the author argues against opposing views early on in their article. In it, the author references the opposition directly as they say ‘some people who objected to the proposed garden seem to think that the idea comes from a radical group of environmentalists’, and rebut this point by proposing that ‘there’s nothing extreme about us’.
• Or, if the rebuttal is placed towards the end of the article , it could serve to cement that the writer’s viewpoint is correct by explaining why opposing viewpoints are wrong . Also, it can give a sense of finality to the piece – assuring the audience that all bases have been covered by the writer.
•  What if there’s no rebuttal ? Well, this could imply that the author’s opinion, and theirs alone, is correct and to be supported.

Hey everyone!

I’m super excited to share with you my  first  ever online tutorial course for VCE English/EAL students on  How to achieve A+ for Language Analysis !!!

I created this course for a few reasons:

Language Analysis is often the  key weakness  for VCE English/EAL students,after my  intensive workshops , students always wish we had spent  even   more  time on Language Analysis,many of you have come to me seeking private tuition however since I am fully booked out, I wanted to still offer you a chance to gain access to my ‘breakthrough’ method of tutoring Language Analysis,I am absolutely confident in my  unique  and  straightforward  way of teaching Language Analysis which has lead to my students securing exceptional A graded SAC and exam scores!

Are you a student who:

struggles to identify language techniques?

finds it difficult to identify which tones are adopted in articles?

has no idea explaining  HOW  the author persuades?

finds it difficult to structure your language analysis essay?

becomes even more unsure when comparing 2 or 3 articles?

feels like your teacher at school never explained language analysis properly?

prefers learning when it’s enjoyable and easy to understand?

wants to stand out from other students across the cohort?

wants to know the secrets of 45+ English high achievers?

wants to know what examiners are looking for?

sees room for improvement whether you’re an average student or a pro?

wants to get a head start and maximise your potential in VCE?

This is what you will accomplish by the end of the course:

Be able to successfully identify language techniques in articles and images

Be able to successfully identify tones adopted in articles and images

Be able to analyse a single article or image

Be able to analyse 2 or more articles and/or images

Be able to apply your new skills coherently and clearly in essay writing

You will be able to accurately describe HOW an author uses language to persuade

You will be able to plan and write a language analysis essay structure (single article/image)

You will be able to plan and write a language analysis essay structure (2 or more articles/images)

You will understand common pitfalls and how to avoid these in language analysis

Be confident when approaching your SACs and exam

Know exactly what examiners are looking for and how to ‘WOW’ them

Know how to distinguish yourself from other students

Have unlimited help in course forum from myself and other VCE students

You will become a better VCE English language analysis student!

To find out more, you can check out the full details of the course   here !

See you in the course!

Have a go at analysing it yourself first, then see how I've interpreted the article below! For a detailed guide on Language Analysis including how to prepare for your SAC and exam, check out our Ultimate Guide to VCE Language Analysis .

Information

Author:  Professor Chris Lee

Type of article:  Speech

Publisher:  None

Date of publication:  25 – 27th October, 2010

Contention:  We, as humans must consider our impact on biodiversity and take action to change our lifestyles before we damage the world beyond repair.

Number of article(s):  1

Number of image(s):  2

Source:  VCAA website

Note: Persuasive techniques can be interpreted in many ways. The examples given below are not the single correct answer. Only a selected number of persuasive techniques have been identified in this guide.

Taking Stock Analysis

Persuasive technique:  Reputable Source

Example:  ‘United Nations stated: “It is a celebration of life on earth and of the value of biodiversity in our lives. The world is invited to take action in 2010 to safeguard the variety of life on earth: biodiversity”.’

Analysis:   The use of a reputable source indicates that 1) the author has done his research and is therefore credible, 2) his opinion is supported by an expert group, thus strengthening his reasoning and opinion in regards to biodiversity.

Persuasive technique:  Rhetorical questions

Example:  ‘Has this been a year of celebration of life on earth? Has this, in fact, been a year of action?’

Analysis:  The use of rhetorical questions aims to portray to listeners that the answer is obvious, that humans have not done enough to help biodiversity. As a result, listeners are manipulated into agreeing with the author since if they were to refute the answer; it will appear as though they are nonsensical.

Persuasive technique:  Personal approach

Example:  ‘It is with great pleasure – though not without a tinge of sadness’

Analysis:  By introducing himself with ‘it is with great pleasure’, listeners are invited to reciprocate the feeling of welcome for Lee and hence be open to his opinion. His subsequent, ‘though not without a tinge of sadness’ suggests to listeners that he is disappointed with the current state of biodiversity, which may persuade listeners to feel as though they should help fix the situation.

Persuasive technique:  Statistics

Example:  ‘35% of mangroves, 40% of forests and 50% of wetlands.’

Analysis:  The incorporation of the apparently reliable and credible statistics testifies for Lee’s opinion and thus may persuade listeners to believe that it is indeed, ‘too late for [species]’.

Persuasive technique:  Appeal to sense of guilt

Example:  ‘Due to our own thoughtless human actions, species are being lost at a rate that is estimated to be up to 100 times the natural rate of extinction.’

Analysis:  Since the destruction of biodiversity is ‘due to our own thoughtless human actions’, Lee aims to incite a sense of guilt as listeners appear to be selfish, which may urge them to agree that they need to cease being inconsiderate and do more to improve biodiversity.

Persuasive technique:  Appeal to humanity

Example:  ‘Reversing this negative trend is not only possible, but essential to human wellbeing.’

Analysis:  The appeal to humanity, ‘essential to human wellbeing’ encourages listeners to support Lee since it is our instinctive for humans to nurture ourselves and others.

Persuasive technique:  Appeal to sense of pride

Example:  ‘We are, in truth, the most educated generation of any to date. We have no excuse for inaction.’

Analysis:  Through the appeal to a sense of pride, Lee aims to coax listeners into believing that they have ‘no excuse for inaction’ since only those who are ‘intelligent’ would understand and agree with his stance.

Persuasive technique:  Attack on the listener

Example:  ‘YOUR country – actually done since 2002 to contribute to the achievement of our goals?’

Analysis:  The attack aims to leave listeners in a state of vulnerability since it is clear that many have failed to ‘achieve…[the] goals’. Once in this state, listeners may be more inclined to accept Lee’s stance.

Persuasive technique:  Appeal for sympathy

Example:  ‘Biodiversity loss undermines the food security, nutrition and health of the rural poor and even increases their vulnerability. ‘

Analysis:   Though the reference to ‘the rural poor,’ Lee aims to appeal to listeners’ sympathy and may invite support since it is instinctive to wish for the best for humanity, rather than to see the poor experience a lack of ‘food security, nutrition and health.’

Persuasive technique:  Appeal to pride

Example:  ‘As leaders in the area of biodiversity’

Analysis:   The appeal to pride through positioning listeners as ‘leaders’ invites support since it is innate for humans to wish to be thought of as a person who is respected and powerful.

Persuasive technique:  Inclusive Language

Example:  ‘we know what damage our lifestyle is doing to our world’

Analysis:  The use of inclusive language aims to involve listeners with the issue, thus encouraging support since listeners may feel responsible for the future outcome of biodiversity.

Persuasive technique:  Appeal to sense of urgency

Example:  ‘The time for talk is over: now, truly, is the time for serious action.

Analysis:  By appealing to a sense of urgency, Lee aims to urge listeners to take responsibility since it appears as though the damage to biodiversity will be too late if we fail to take ‘serious action…now.’

Persuasive technique:  A sense of responsibility

Example:  2010 with outlines of nature

Analysis:  The incorporation of a background of ‘2010’ with outlines of animals, plants and humans aims to demonstrate to listeners that earth is shared by all species, with none dominating another in an attempt to gain listeners’ sense of responsibility since they are part of the biodiversity issue, yet can also be the solution to the problem.

Persuasive technique:  Pun

Example:  ‘Taking Stock’

Analysis:  The first meaning used for the pun suggests to listeners that they need to ‘take stock’ or in other words, scrutinise the dire situation of biodiversity in call for much needed attention to the issue. Through referring to the second meaning of ‘stock’ as animals, Lee intends to appeal to a sense of guilt since he projects the idea that humans are cruelly annihilating the environment by ‘taking’ whatever ‘stock’ for their own self-centered purposes.

Persuasive technique:  Appeal to responsibility

Example:  ‘earth is in our hands’

Analysis:  By placing the ‘earth…in our hands,’ Lee aims to urge a sense of responsibility on behalf of the listeners which in turn, may cause them to agree with the notion to take ‘serious action’ in the name of biodiversity.

Persuasive technique:  Use of reputable source

Example:  ‘Biodiversity is the greatest treasure we have . . . Its diminishment is to be prevented at all costs. Thomas Eisner’

Analysis:  The reference to ecologist, Thomas Eisner attempts to persuade listeners to support Lee since experts in the field of biodiversity recommend that the earth needs to be cherished.

For a detailed guide on Language Analysis, what you're expected to cover, how to prepare for your SAC and Exam and more, check out our Ultimate Guide to VCE Language Analysis .

‍ [Modified Video Transcription]

Today we're going to go through the 2019 past VCAA English Exam ( grab a copy of the exam here so you can analyse with me). As you probably know, if you've watched my videos before, you always want to make sure you read the background information when it comes to Analysing Argument. 

I'm going to use Analysing Argument and Language Analysis interchangeably by the way, but I'm talking about the same thing okay? 

Background Information

The background information is pretty important because it gives you context for what is happening in this article. Without reading the background information, you might just head in there and possibly even come up with an entirely different context altogether, which might screw over your actual analysis and the author's intention. So, never skip the background information. Make sure that you read it and also pick out the gems that you find in it. 

What I've always found is background information is great for picking keywords - words I might want to use throughout my own Language Analysis. It also has really good details about the article. In this case, you can see that there's a member of the public who has responded, which tells us a little bit about the author; it's a 'response' as well, so there's going to be two articles; it's an advertorial - an advertorial is a paid advertisement that looks like an article (I'll use the word advertorial as I'm describing the article in my introduction), and, I also know where it's been published. This is already really good information for you to start using in your introduction. 

Finding Your Own Interpretation

Let's move into the analysis itself. By the way, this is my first time doing this analysis, so we're doing it together. What you'll find is that I come up with particular interpretations that you might not have come up with. I might miss something, you might miss something, and what you'll find is my interpretation is not the only interpretation out there. If you come up with something else, it's totally fine for you to go ahead and analyse it, as long as you can back it up. This is what English is all about, so don't stress if I haven't matched up with you in exactly what I'm saying. You can also use my interpretation as a double interpretation. So, what you could do is go into your essay, write your interpretation and if mine compounds on top of yours pretty well, if it's a great addition to what you're saying, add it in and bam! You're showing your examiner that, you're somebody who can look at one particular technique from several different perspectives and that's kind of cool.

Moving on to the Analysis

So, 'A Better, Faster Shopping Experience'. From what I can already see here is there's this sense of convenience already being brought up. Now, at this point in time, I don't know what the point of that convenience is, but I know for me as a shopper, if I can get something for a better experience and I can get it done faster, then hells yeah, I am all for that. Think about yourself in the reader's shoes, after all, you really are the reader reading this article. Think about how it's starting to impact you. 

I've done a video about the TEE rule previously that goes through T echnique, E xample and the intended E ffect on the audience. Make sure you're familiar with that because I will use a lot of that in today's analysis.

'An open letter to our valued customers. As you know, Hailey's Local Store is not your average grocery store.'  

Interesting. The 'As you know' is pretty familiar. It's this familiarity that this person is sharing with us (the author's name is Hailey, so I'll just say Hailey). She says 'As you know, Hailey's Local Store is not your average grocery store' and repeating that familiar 'As you know' reminds the audience - us - of our long-term relationship with the store. So, in a sense, she's drawing upon our good will and our trust in the local shop, which creates this differentiation between herself (as somebody who's more proactive and customer-centric) and your bigger grocery stores. 

'We're a little bit different - we always put our customers first.' 

At this point, we start to feel valued. We know that we are her priority. Her priority isn't about profits, which a lot of stores are about, it's about the people, and as a result, we're more inclined to look at her in a favourable way.

'We offer lots of healthy meals, many specials, locally source food and, as you know, we abolished plastic carry bags four years ago - long before the big stores.'  

This whole sentence is pretty good because it shows us that she is somebody who is forward-thinking and she has actually carried through with her claim that she puts her customer first. We know that because she follows it up with:

'Why did we do those things? Because you told us that was what you wanted and needed.' 

She's got historical proof of putting customers first, which again, serves to build this rapport and relationship between Hailey and us as her customers.

If I look at the first paragraph as a whole, I see that she's building this up, she's setting this up in a particular way and whatever direction she's going to head in next, we're more inclined to follow her, to believe in her and to support her because she's shown us that she has supported us first. She's helped us out, so why can't we help her out? Again, I haven't read the rest of this article yet so these are just the thoughts that are going through my mind as I'm reading this first paragraph - just to give you a little bit of insight into my brain.

In this first paragraph, I can see that she's using a pretty welcoming and warm tone. If you have a look at the photograph that's been placed at the top of this article - and remember that with particular images they're strategically placed, so if it's placed at the start of the article versus at the end, think about how that impacts your perception of the photograph - for me, the first thing I see when I look at this article is the photo and I see a smiling happy owner. As you can see, the first paragraph serves to back up this photograph as well, with what she's talking about in terms of prioritising customers and valuing customers. You can also see products behind her, which look fresh and full and her shelves are full, so in that sense, it furthers this impression of the local and grounded nature of the store. It feels homey and this invites that comfort and trust from us.

Then, as we move into our second paragraph, I'm seeing a lot of exclamation marks, which gives me the sense of this upbeat, exciting environment, or even tone you could say. I think she's doing this because she wants us to jump on board with cashless payments as well, and to not see them as something that's a burden for us. She ties the advantages of cashless payments directly to the customer’s experience of the store by frequently repeating personal terms, such as 'you' and 'your' throughout these first couple of paragraphs. By the way, I'm not going to write down all the language analysis, because I think there's just not enough space, but me chatting about it with you is good enough. Let's move onto the next paragraph.

'you won't need to go rummaging through your bags for coins. You won't ever have to worry that you don't have the cash to cover your essential food supplies - your card will ensure that you do'.  

Not only is she highlighting the advantage. Here, she's arguing for the advantages of cashless payments by showing you the inconveniences of having cash in phrases like 'you won't need to' and 'you won't ever have to'. I also like the phrase 'rummaging through your bags for coins'. It gives this sense of how cumbersome the nature of physical money is in comparison to cashless payments.

In the next paragraph, she highlights cashless payments with the words 'Simple!' which reiterates her point (from the previous paragraph) about how cumbersome coins can be. She finishes off this paragraph with a 'Welcome to the twenty-first century.', so there's this sense of being forward in her decisions and that we should be as well - because nobody wants to be left behind in history. A lot of us like to think of ourselves as people who are open-minded, open to change and will take up things that are better for us, things that are more convenient for us.

So, she's saying that this is it for twenty-first century, join us over here rather than way back when, when we had to use coins. She also highlights 'mobile phone[s]', 'smart watch', 'smart ring' - many things that a lot of people have and this just compounds that idea of, 'yeah, this is a no brainer' essentially. Why shouldn't you move to cashless payments if you're already immersed in this tech world of having mobile phones, smart watches, smart rings, etc.?

She moves into talking about the wider economic context of Australia in this next paragraph. That sense of time I was talking about, comparing the now - the twenty-first century - with a decade ago, you can see that link right here. It's very obvious now. She creates a strong impression of societal inevitability of this technological change, especially because she cites statistics - '70 per cent of household spending was in cash; now it's half of that.' I can see in the next paragraph that she uses expert opinion as well - the 'Governor of the Reserve Bank of Australia'. This all connects to this main phrase that we are in a ‘turning point’ now, that cash will be rapidly phased out until we become a cashless society and we should join her; we should make moves on this otherwise we're going to get left behind. 

I like that she's bringing in Australia because it also brings in this additional sense of pride on our behalf. We're Australians, we're proud that we've been one of the biggest users of electronic payments in the world, we're the ones who are making waves, we're the ones who are putting our feet forward first. So, you could talk about appeal to patriotism here as well. It's interesting because here she says that she's a leader, or 

'We've always tried to be a leader in our community and respond to our customer's needs.'

What do you think when you think of a leader? Typically for me, I admire leaders. They're somebody I look up to and I want to follow in their footsteps essentially. So by positioning herself as a leader, I think that's pretty interesting because she's telling us, ‘Hey, I've done all this thinking, I have initiative, I am forward-thinking, so come with me, join with me on this cashless payments movement.’

'you'll breeze through a check-out'  

I like the word 'breeze through', or just 'breeze' because it connects again, back to this idea of convenience with a faster shopping experience, and it is juxtaposed against that cumbersomeness of 'rummaging through...bags for coins'. Something to think about is: as you analyse an article, you don't just have to analyse it chronologically or talk about it chronologically in your essay either. If you see things that connect later on, connect them in your essay and put them together, because what you're showing your examiner is that you can see not just the minor details - i.e. language techniques in each sentence - but you can actually zoom out and see the overall picture, how the arguments are coming together and how she's structuring her piece so that we walk away with a certain perspective. Think about that in a two-step method. There's the zoom in where we're looking at sentence by sentence and what techniques are there, which is basically what we've been doing, but at the same time, you can zoom out and have a look at how the different techniques all come together and work as a whole. If this is something that you're not too comfortable with just yet, just stick with the chronological order and working through the sort of minor details. And then on your next read, you can read through with the focus of, 'okay, what if I was to look at this from a more holistic perspective?' 

We talk about this 'zoom in' and 'zoom out' technique in How To Write A Killer Text Response .

Ahh! I didn't even look ahead enough, there are more words and more phrases that connect to the idea of convenience and ease. It’s 'faster', ‘will save you time', 'safer' as well?! There's a new appeal. It's not necessarily new, it's just a different angle you could come from. If you wanted to talk about the sense of security, that appeal to safety, then you could do that as well. 

'it means not having to spend hours sorting, storing and securing cash'

So, more cumbersome notions. And then in comparison,

'more time', 'We understand the concerns a minority of our customers may have.' 

I love when they do this, acknowledging the opposition essentially is what she's doing. She's saying, ‘yup, like, I can hear you, not all customers want this. Some of you don't.’ And my assumption is that she's going to back it up with her own rebuttal. This not only pulls along the people who are already supportive of her, but she's also trying to pull along those who are a little bit more sceptical of this idea of cashless payments. So let's see, she says, 

'What if you prefer cash, don't feel comfortable using credit or debit cards, or don't have a mobile phone or smart watch? We don't want to leave anyone out. For the next three months we will offer cashless payments, but still accept cash to people to give people time to adjust.' 

It's interesting because she is again, building up this position of hers, where she is friendly, she is helpful, she is thoughtful and she cares about her community. Something you could also say, and this is if you're looking at things more pessimistically, is that she's doing this more so for herself. By saying that these people have three months, there's this unspoken pressure that's happening as well. She's putting pressure on the minority and emphasising the supposed inevitability of a cash-free shopping experience. Even by just saying 'minority' that's in a way applying pressure as well, because it's saying that you are part of this smaller group, the smaller group of people who won't come with us or have not yet come with us, so join us. There's a very clear expectation that these customers need to adapt and catch up. 

Want to see these ideas and annotations turned into a full A+ essay?

If you want more, I have also got a fully written up 2019 essay based on the articles that we're analysing today in my How To Write A Killer Language Analysis study guide. In that study guide, not only do I have the essay for 2019, I also have a fully written up essay for the 2017 & 2020 VCAA English Exams , and we're always working on adding ones from future years as well. Plus, there's heaps of sample A-plus essays in there already and heaps of information that I think will be super helpful for you before you move into your SAC. So please, go ahead and check that out! It's loaded with value and I know it'll be worth your money.

Writing an Analysing Argument (or Language Analysis) essay can be difficult, and sometimes selecting language that won’t sound repetitive is the tricky part. If you’re looking for ways to overcome that hurdle and make your writing sound more formal, then this is the blog for you. 

In these tables are simple sentence starters you can use to formalise and clarify your ideas in a non-repetitive way. This blog takes into account the most important elements of a Language Analysis, such as analysing visuals and connecting a technique back to the author’s intention (that is, what they want the audience to think/feel/do). 

Within these tables, I’ve included a sentence example for each phrase. The examples are in response to a fictional article by Samantha Pearson, What’s wrong with using online lingo in everyday life?. The article is about Gen Z's use of online lingo and argues that the concern surrounding its potential implications is unfounded. If you’d like to see the entire original article and an A+ essay written in response (along with a number of other sample articles and high-scoring essays), you’ll find all of this and more in How To Write A Killer Language Analysis .

If you’d like to see a detailed guide on Language Analysis, including what you're expected to cover, how to prepare for your SAC and Exam and more, check out our Ultimate Guide to VCE Language Analysis .

For a detailed guide on Language Analysis including how to prepare for your SAC and exam, check out our Ultimate Guide to VCE Language Analysis .

[Video 1 Transcription]

Hey, guys. You can see that I am holding a stylus, which means we're doing something different today. Today's the first time that I'm going to be analyzing an article. Because I know that a lot of you are actually studying analyzing argument or basically language analysis, where you get an article, usually it's called material, and you have to analyze what persuasive techniques the author is using. Now, this is actually my favorite part of the English course. So I don't know why it took me so long to do this, but I'm actually really excited to start this sort of segment. If you do enjoy what you've watched at the end of this video then give me that like. Because I'll really appreciate it because I'll know if you guys actually do like it or not, and I'll make more of these if so. Basically, the way I'm doing this is very much like how I teach my students inside my tutoring sessions with them. I'm going to be going through the article with you and highlighting language techniques we see and then interpreting them. So, trying to understand why it's persuasive or trying to understand why authors try to use these persuasive techniques to persuade people to agree with their argument. Now, obviously, it's not going to be exactly like a tutoring session because I didn't want this video to be too long. So, I'm going to go through it a little bit of haste, but hopefully still with enough detail for you to be able to take away and be able to do more of it on your own. I'm going to be looking down because I have a stylus on me, which I borrowed from my lovely nephew, Alex. Thank you, Alex. And actually uses this computer for school. Lols. I have attached the PDF to this article in the description box below. Now, this is a very old article from VCAA, back in the year 2000. Now, the reason why I chose such an old article was because: one, it's still really relevant despite its age. The things that we're doing today, in today's study design, is still very much so similar to what they did back in the day. The second thing was, I didn't want to do an article that I felt a lot of you had already done. I wanted to be able to offer you something new and bring something new to the table, basically. So before we get started, what I want you to do is download this article in the description box below. Make sure you have a read of the article, and then try to analyze it on your own before we actually get started. This way you can compare the things that you've found versus the things that I found, and I think you might be very surprised to see that we'll probably have different interpretations. The focus of today's video is really just to identify language techniques and to try to understand why they've been used. There are other elements of the criteria that need to be covered and they will be in due time. But that's just something that I wanted to focus on first because I want to make sure that you guys have got the fundamentals down pat. As always, reading background information is critical for your understanding of the issue. As you can see here, we've got a report of Ms. Smith, principal of Anyton Secondary College, to the annual general meeting of the school council. So it's clear from her report that she is very concerned this year at the rising level of absenteeism among the middle school students. Also, it says, "How can students learn if they're not in class?" In the end, she writes: "So I urge the school council to devise a policy that will enable us to put an end to this epidemic of truancy. We need to take a firm line to ensure all our students are in school." Okay.  So now that we've read the background information and we understand the context of the situation, let's now move into the first article. So the first article has been written by a parent, Tom Frost. So automatically, we can see that he is a parent, which goes to show that there are some credentials there. So credentials, basically, is what's the title of the person who's writing the article. The fact that he is a parent goes to show that he is someone who is actually invested in the education of students, so we as readers may be more inclined to believe him or trust him because he obviously has a child at that school, and so he wants the best for that child. So, let's hear what he has to say. "I'd like to speak against the proposal of the principal, Ms. Smith, to come down on truancy like a ton of bricks." Okay. So, automatically, we can see that he has labeled truancy and Ms. Smith's proposal like a ton of bricks. Now, if we think about a ton of bricks, to me, a ton of bricks is an idiom. An idiom is like a saying. So it's related to the idea that something is a burden, and so he's making truancy seem like a burden, so something that's not a good thing. So, from the get-go, he makes Ms. Smith's proposal of a policy on truancy something that has negative connotations. Next, he says, "Let's not get too carried away with this truancy issue." The fact that he uses let's is inclusive language. This should be quite easy for you guys to pick up. Whoops. If only I knew how to spell language. Okay, fine. I'll spell it properly. So, why do we actually use inclusive language? Inclusive language usually involves words like let's, we, our. And these create the sense that there is a collective responsibility that we hold. So, potentially as readers, we could even be parents ourselves who feel like we need to get involved in the issue in order to actually have an impact on what's happening here. The fact that he doesn't just say, "Ah, I'm not going to get carried away with this truancy issue," and he says, "Let's not get carried away," automatically includes you on his team and so may make you more inclined to support his idea. To add onto the sense that there is quite a bit of credibility, he says, "I've got three kids here." So, I believe that that compounds his credentials; his authority in this matter. So, as a parent, he should know what's good and what's not so good for his children, unlike the principal who is just an authoritative figure. He then goes on to say, "I'm not sure they need to be chained to their desks all day." This is a great one. This is a metaphor. This metaphor of the children being chained to their desks all day, it doesn't sound great, does it? To be chained to something implies that you've been imprisoned or that maybe it's even likened to slavery. So if we're thinking of kids as being imprisoned and enslaved, obviously, this is something that we definitely don't want, and so he really pushes us from supporting Ms. Smith's policy and feeling sympathetic to these students. Seven days a week itself also compounds on this metaphor. I would say that by saying it's seven days a week, he really leaves no room for there to be argument. To me, this is exaggeration. Why? Because students are only at school five times a week, so to say seven days is already an exaggeration. But he does this in order to really stress this idea that this policy is definitely a no-go. None of us would want our children... We're not parents, but let's just say, if we're in the position of a parent reading this article, none of us would want our children to be chained to desks seven days a week, would we? He goes on to say, "Is it so bad to wag school?" Here we have a rhetorical question. Sorry. I switched from a thicker pen with exaggeration back to the normal one because I think it's a little bit too thick. Rhetorical questions are generally put there in order to get you thinking. And rhetorical questions tend to have an obvious answer that you should be agreeing to. So, when he says, "Is it so bad to wag school?" it's not the same as openly asking, "What do you think about wagging school?" where you're then open to the opportunity to support it or not to support it. Whereas, the way that he phrases it, "Is it so bad to wag school?" is already urging you to say, "Ah, of course not." So, at the same time, he belittles this issue. He dismisses the issue of wagging school and turns it into something that is just to be thrown away; something that shouldn't really be a concern of parents. So, at the same time there, I'm going to say that there's belittling there. He then goes on to say, "After all, most of us have wagged school without coming to grief or causing trouble, haven't we?" That's generalization, right there. Whoops. Why can't I write on this side? Generalization is done when we want to make it sound like something is super common. By saying "Most of us," he collectively involves everyone to make it seem as though everyone has wagged school before, so really, what's the issue? Next, he says, "In our house." Okay. This, I believe, really draws upon family values. By now including his home, he is saying that this is an issue that just goes beyond just kids wagging school or kids not being at school. It's a family value. "The fact that they don't go to school is something that they call mental health days." He puts a positive spin on the negatively connotated truancy, and because a lot of people are advocates for mindfulness, meditation, and looking after ourselves, this is something that may encourage readers to agree with the author. Okay, continuing on. "Seems to me there are good reasons why kids play truant." Play is a really interesting word choice. By using the word play, it definitely dumbs down the issue and makes it seem something super lighthearted. Because when kids play, of course, it's just fun. It's joyful. And so, he's making this issue of truancy, basically, a game. So again, it's like it's not a serious issue and it underplays the principal's point of view. If we skip ahead a little bit, he even says, "I can see from your nods." So here, again, it's like the collective response. He's already indicating, through his speech, that everyone pretty much agrees with him and so should you. Then there's rubbish. Rubbish has negative connotations. You get reminded of words like waste, garbage, and nonsense, which undermines the idea of independent and flexible learning, as though it's something that actually isn't really that helpful. He then continues to say, "Kids decide to find out about life firsthand." What he's saying here is that kids actually need to experience things themselves. Let's move into our final paragraph. He says now, that "School started out as places to educate kids and then became kind of a childcare for big kids." The imagery there... I would say imagery, you don't have to use imagery. You could say negative connotations. You could say metaphor. You could label it whatever you want. For me, I get this picture of a childcare with really old kids that are like teenagers running around in the cradles, kids in cots, playing with little games, and it's just nonsensical. In addition to this, by saying that school is like a childcare, he suggests that school isn't really a place that has children's best interests at heart; now they're part of the remand system. Remand is legal jargon. I actually didn't even know what this word meant, so I had to look it up. But if you use jargon, you're using words from a certain field that most people won't be familiar with. So lawyers, obviously, will be really familiar with terms like being on being on bail, custody, defense, prosecution. Words like that, that say, for me, as an everyday person who might only know a little bit about the law, because I've watched quite a few legal dramas on TV, that's when it becomes jargon; when it's vocabulary that's beyond just the everyday person. So, here you could say that it's legal jargon and that he is now creating the picture of a school, not as a place for education, but a place where people are in custody. So, they're in custody of the school, which sounds terrible, doesn't it? He goes on to keep using inclusive language. So, that is some repetition that is used throughout his piece. To sum up, he says, "You hear all these things about drop-in centers, buddies, big sister programs, peer support, and other schemes. Why can't we try some of these than hounding students endlessly?" Rhetorical question. It's interesting that he has now offered alternative solutions. This is something that may encourage other people to agree with him because he's not just slamming down the principal's suggestion, but he's offering his own solution to the problem. Which implies that he has carefully thought this through, and he has thought about other ways they can improve on absenteeism. Moreover, you could even say that maybe the principal hasn't been doing her job because if she had been trying drop-in centers, buddies, big sister program, maybe she wouldn't be at this point where she's trying to enforce the truancy policy. That's just where I'm going to leave it today. I didn't want this video to stretch out too long for you guys, so I didn't go into as much detail as I could have. But that's to say that there are plenty more language techniques for you guys to pick up. It's your job now to have a read of it again and see if you guys can find anything else. I'm going to respond to every single one of you who has analyzed something and left it in the comment section below. I also wanted you guys to know that I have an online course called How to Achieve A+ in Language Analysis. If you're somebody who struggles with language analysis and you've found this video helpful, or you've liked my teaching style, then I encourage you to check it out. I've just updated some of the videos for 2018 so that it's up to date, and I share with you all the secrets that I discovered when I achieved A+ in my own language analysis SACs and in the exam when I was in year 12. I'll put it down in the description box just down below. And next week, we're going into part two of this article, where we're going to analyze Rosemary Collins' letter, so I'll see you guys then. Bye!

[Video 2 Transcription]

Hey guys, welcome to part two of the article that we'll be analyzing today on the topic of truancy. If you haven't watched my previous video where I analyze the first article in this language analysis, then I'll just put it in the card up above. But if you have, then you're ready to join me on this next part. Last week, we looked into Tom Frost's speech, whereas this week we're going to be looking at Rosemary Collins. I will be looking down here, so don't mind me, and I'll be annotating live for you guys as we do this. So just to reinforce on what I said last week, I can't possibly go through every single language technique here with you, especially because I don't want this video to be too long. So I'll just be choosing the ones that stand out to me, and I'll be sharing with you the language technique that it's called or how I would call it, and why I think the author might use that in an attempt to persuade the audience. So let's begin here with Rosemary Collins. So Rosemary herself is... I thought I can expand it. That's cool. All right. So Rosemary herself is a parent. We know that because of this down here. So she automatically uses her credentials from the get-go. So as somebody who uses their credentials, we may be more inclined as the audience to agree with what she's saying because, one, she's a parent, so she has a child at the school, and so therefore has their best interests at heart. Now, unlike the first article, what we can see here is an image. It's a key and on it says, "Key Educational Consultants," and it has the address. I think this image is really interesting because keys are usually indicative of safety, of the answer, or something that is trustworthy. So it definitely shines a positive light on Rosemary Collins, who is some sort of Key Educational Consultant. So not only is she a parent, but she seems to hold quite a high position when it comes to something involving education. She is a consultant herself, so maybe that means that she shares her advice with other people and people actually pay her for this, so therefore maybe we're more inclined to support her point of view. Additionally, we could also identify a pun here. Further credibility. The final thing I would say here is that there as a pun. So with key, it's not only the physical key, but it's the key as though it's the answer. So as you can see just from the one image, we've been able to find at least three different language techniques. So don't be afraid to go into this much details, teachers actually love this. So we've already established that she's writing as a parent and we've talked about that. Now she goes on to talk about how she's a consultant, so I feel like we've touched on that, so I won't go into that again. But then she goes on to talk about how it is a complex issue and that it will not be solved by a punitive model of discipline, one which is both ineffective and... Woops my camera turned off. Sorry, lost the battery. So let's make this super quick. By saying punitive model of discipline, punitive itself means punishment, so here essentially she's saying that it's a form of punishment, which actually reminds me of Frost's comment earlier, that students would be chained to their desks. So you call that negative connotations, if you would like to. One of my favorite ones. One of my favorite language techniques to use. Okay, the word alienating is interesting as well. School should be a place that's welcoming, it should be inclusive, comforting, but not alienating, going against everything that school should represent. So the portrayal of this discipline model is a negative one. So if we jump ahead into the next body paragraph, I'm just going to group a few things together. She uses research and statistics, particularly in Victoria as well. So we know from early on that she is a researcher, so that's credible within itself, because she is someone who's experienced in the field and someone who has done her research and she's knowledgeable. She uses statistics, and statistics itself is seemingly factual, it's something that we can't refute and, therefore, we may be more inclined to agree with her based on those facts. Moreover, she includes the fact that they're in Victoria, so this means that it's relevant and applicable to us as readers because pretty much all the students who'll be doing this article will be from Victoria. Because it affects us directly, we might be more inclined to therefore agree with what she's saying. She also mentioned that students who do not attend school regularly are disengaged socially and educationally. So what this does is it absolves students of the blame, as though it's not their fault. There is a reason why they don't show up at school. And so the concern and the focus should really be on that, rather than just punishing them even more and therefore alienating them even further. This might connect with parents who especially don't want their children to be unfairly blamed. In her last sentence, she says that students absent from school due to an impediment are equally deserving of attention according to their needs. So again, this is reinforcing the fact that it's not the student's fault, but we need to work harder at lifting them up, so that they do receive equal attention. And it's implied that this hasn't been happening. She says our school. In our last video, we talked about inclusive language and how that encourages people to agree. She talks now about a holistic approach to absenteeism. So like Frost, she offers her own solution to the matter, rather than just slamming down the principle's policy. Now we're looking at something that is about the entire community. So if we go ahead with a holistic approach, it's as though everyone wins and as readers, we might be more inclined to agree with this because we always want the best for everyone's interests. She elaborates by talking about alternative curriculum options, positive community service experiences. So by offering her own solution, she now is encouraging readers to agree with what she's saying. And she ties it in with four other students going to show that it's not just a one-size-fits-all. Every student is different and so, therefore, the way that we go about helping them should be different as well. Oh my gosh. I'm so sorry. I just realized that I forgot to annotate the articles. I'll do that in a second and attach the PDF to this annotated version for you in the comment section below. The last thing I would want to talk about is how she mentions, "I would be happy to be part of a working group." So she's not just talking, but she's actually going to walk the talk. Therefore, we should trust her judgment because even she is a willing participant of her own solutions. So if that's the case, then we're more inclined to agree with her. Lastly, she concludes with her credentials. So of course that ends up on that high note to ensure that we do trust for her and to show that she is somebody who is deserving of our trust. So that ends off my analysis of this particular article. If you wanted more information or you like the way that I teach language analysis, then you might be interested in my online course, How to achieve A+ plus in Language Analysis. It's had over 300 students participate and an overall rating of 4.5 stars, so I'm really happy to say that I believe this course has been doing really well at helping those who struggle in language analysis. So if you're somebody who struggles from the basics of not knowing how to identify a language technique to somebody who is unsure of how to explain how it persuades or somebody else who struggles with analyzing the argument and seeing how the argument comes together and develops, then I would strongly encourage you to go ahead and check it out. Otherwise, there are plenty of language techniques that I haven't covered just yet. And I'm sure that you guys have interpreted some of the language techniques I've found here differently. I'd absolutely love to hear what you guys have to say. Leave it in the comment section below, and let's all work together to do well in language analysis over this next term. Can't wait to see you guys next week. Bye!

[Video 3 Transcription]

Hey guys. So what am I talking about? So recently, I released a new segment where I talk about analyzing argument and I analyzed an actual article with you. I haven't done it before, but from what I can see, you guys are actually really enjoying it. I want to remind you guys that I am doing a analyzing argument livestream next Friday, the 27th after school at 5:00 PM. So if you have any questions for me I encourage you to start asking away. I'll put the link to the livestream below for you guys so you can hit that link and then go and set up a reminder for yourself. There's also a chat section there for you to actually start answering your questions. So do that because you know, I need questions to start off with, to answer. If you get in early, then I'll probably start off with yours. So heck yeah, let's answer this. Asa has asked me, "Hey, Lisa. This video was super helpful, but I was wondering if next time you could include a section where you translate annotations and put it into a paragraph. I know in order to get a high mark you shouldn't be focusing too much on the techniques, but rather in a more holistic way. It'd be pretty cool to see which ones out of the bunch you annotate you choose to include in your analysis. Thank you." I eventually wanted to get up to this point and talk more about structuring an essay and how to organize it in a body paragraph. But I was trying to figure out what to do for this video. Then I thought, "You know what, why not just do it now?" Obviously, with analyzing argument or language analysis, however you want to call it, it's a big section in the exam and there's a lot to cover. So I'm not going to go into too much detail about how I actually structure the essay for language analysis, because I think that is most suited to an entire video in itself. But I thought I would at least just create one paragraph for you guys just to give you a little bit of an idea of how I would go about it so you can walk away from this video with a little bit of extra knowledge to help you with your language analysis. So basically, in the paragraph that I've created, you'll see that I don't use every single language technique that I have found, and that's the whole point. You want to be at that skillset where you can find so many language techniques, but you're so good that you know that you can't analyze absolutely everything, so you go and choose the gems out of the lot. So choose the ones that you think will help you set yourself apart from other students. For example, I always try to encourage my students not to necessarily always talk about stats or rhetorical questions or inclusive language, because those ones are super obvious. They're the ones that everyone can find. So of course, you don't just strategize your essay and choose techniques that you think no one else is going to write about. Because, what if that rhetorical question is actually a really strong one where you could elaborate and say something really insightful about it, right? So it's all a balancing game. Let's just get into the paragraph and give you guys a look. What I do is I base paragraph according to ideas. Now, every single author who creates an article has a main contention, but what we're after now are the smaller ideas that the author makes in order to support that overall contention. One idea that I have chosen to talk about is the idea of what school has become, or the current school culture. In my paragraph, I have included a few language techniques that I believe fit into this overall idea. So Frost highlights the current and unpleasant school culture in an effort to rile support from other parents. You can see here that this is the idea that I'm focused on. His use of the metaphor, chained to their desk all day, suggests how children are being imprisoned by their schooling. Especially since it's seven days a week. This may deter parents from supporting the principal's absenteeism policy, as they feel as though their children are spending more than enough time at school. You can see here that I've included one language technique, and it's the metaphor. The main reason why I've included this metaphor is because the idea that children are chained to their desk all day really reflects the school culture and attitude of Frost's child school. Next I say, Frost compounds this idea of trapped children through highlighting that school is now a childcare for big kids, rather than a place to educate kids. The childcare works to portray the school, and by extension the principal, as incompetent at their job of raising an independent next generation. As a result, disgruntled parents may resist the idea of a truancy policy as it becomes apparent that more times at school is unlikely to equal better outcomes for the child. I've inputted a second language technique here, and I've really focused on the idea itself though. I'm emphasizing the fact that this school, as it is right now, is just not a good place to be. You can see that I'm being consistent with this idea, because I start off the sentence with, "Frost compounds this idea," showing the link with my own sentences. Then I move on. Moreover, Frost's declaration that school is now a remand system may further encourage parents to support his case, as it is implied that children are being held custody by the school. His passion may strike a chord with other parents who feel alienated by the seemingly impenetrable school culture, with which they find it difficult to contribute or influence. So I finished off this paragraph with a third and final language technique. As you can see here, what I am focused on more as a writer of this essay is the idea of school culture. With that, I try to find language techniques that work with it. I don't do it the other way around, where I base it off a language technique and try to cram, I don't know, just ideas into a language technique or try to make it work that way, because it's going to be a lot tougher for you. Focus on the ideas and see which techniques fit into it. Now, I found more techniques I think than the three, that could have fit into this body paragraph, but I felt like these three pointers were probably the strongest ones and the ones where I felt like I could really show off my analytical skills. So I talked about a metaphor. I talked about how the place is a childcare. The betrayal of the school, lack of childcare and the idea of trapped children or imprisoned children, I worked off this idea. Then I worked off this idea even further by talking about a remand system, which is legal jargon for custody. It's like these children are just being condemned to this school, which is something that no parents would want. And so, I really emphasized that. So yeah, that's pretty much it. I hope that answers your question, Asa. I only used three language techniques, but it's not about the quantity. It is about the quality of the work that you're portraying. Sorry, I keep looking down because I've written my stuff here for you guys, but you'll notice that these language techniques don't come one after another in the article, they're kind of all over the place. This is really important to enable you to be able to go and find different techniques from different areas of the article, rather than just confining yourself to, "Oh, this author has written this one paragraph. Let me try to find all these techniques in this one paragraph and transport that into one paragraph in my essay." You know? To sum up, main messages are, focus your paragraphs on an idea. It's not about quantity, it's about quality of your language techniques. Try to find the ones that are going to show off your skill. And fourth, you don't need to find language techniques in a chronological order. You can pick them out wherever you please. That's it. If you find this interesting or if you're not being taught this at school or you feel like the advice that I'm giving you is actually really helpful, then I'd encourage you to go and check out my study guide that I created with two other girls who achieved a study school of 50. So we have an entire section there about analyzing argument, from analyzing itself, language techniques, essay structure, writing up the essay, then showing you high essay responses with annotations to ensure that you know what you're doing. So I've got you covered, all right? Don't stress. So I will see you guys next week for the livestream. It will be on Friday the 27th at 5:00 PM. So as usual, I'm your Friday girl. I'm always here on Fridays and you guys can ask me any of your questions related to analyzing argument then. Speak to you guys then. Bye!

If you'd like a comprehensive explanation of everything you need to know to ace your SAC or exam, check out our How To Write A Killer Language Analysis ebook.

For a step-by-step explanation of exactly how to write A+ essays, with examples to help you understand what to do and what not to do with confidence, check out our How To Write A Killer Language Analysis ebook.

Language Analysis is all about how the author persuades. That means in all your essays, the word ‘persuade’ is bound to be present in almost every sentence. Here is an example in a response to the 2009 VCAA exam:

Voxi employs inclusive language such as “we” in an attempt to  persuade  readers to also feel a sense of excitement towards future technological developments.

However, if you’re repeatedly writing ‘persuade’ throughout your essay, it will become repetitive and bland. So to make it easier for you, below is a list of synonyms for the word ‘persuade’. Next time you write an essay, hopefully it won’t be littered with ‘persuade’ but other vocabulary instead!

To see more phrases and sentence starters that you can integrate into your Analysing Argument writing, see this blog .

The following is an excerpt from our study guide, I am Malala and Pride , available for purchase here .

Plot overview

I Am Malala by Malala Yousafzai is a memoir of the eponymous Pakistani schoolgirl and activist. Yousafzai grows up in Pakistan’s Swat Valley with parents who were unconditionally supportive of her education. However, Pakistan is strongly under the control of the Taliban, an extremist group who opposes education for girls. On the other hand, Yousafzai’s family practice Islam in a peaceful and egalitarian manner.

Tracing how decades of global, geopolitical movements have produced these conditions, Yousafzai recounts the rise of the Taliban and her increasingly dangerous journey to school each day. The geopolitical histories trace back decades to the military rule of General Zia in the 1980s. Since then, turbulent domestic politics combined with a volatile, ever-evolving relationship with America (which, importantly, is partly America’s fault) has allowed the Taliban to rise to power. The post-9/11 period and the ‘War on Terror’ are important milestones here, since these are the years in which Yousafzai grows up. 

As the Taliban continue to deny women and girls their freedoms, Yousafzai becomes an outspoken activist, made all the more prominent by the BBC and the New York Times. Because of her fame, nationally and internationally, she becomes a target and is shot in the head by Taliban gunmen when she is just 15. The memoir starts here in its prologue, before going back in time to catch us up. Indeed, Yousafzai is now well-known everywhere for this incident. 

The remainder of the book traces her recovery, and reaffirms her commitment to fighting for girls’ education. Even though she now lives in Birmingham, England, she has persevered through many setbacks to keep up the good fight - now on a uniquely far-reaching international platform. 

Pride , directed by Matthew Warchus, is a film exploring the 1984-85 miners’ strike in Britain. In particular, it explored how an unlikely ally, the Lesbians and Gays Support the Miners (LGSM) organisation, was able to provide solidarity and support despite their differences. 

At the time, many members of London’s LGBT community had difficult coming out experiences, made all the more difficult by stigma and dominating views of masculinity - they perceived miners in their hometowns as part of that problem. However, activist Mark Ashton saw an opportunity to help a group in need, and a group that was experiencing similar political pressures as themselves, particularly at the hands of Conservative Prime Minister Margaret Thatcher. 

While the National Union of Mineworkers is initially reluctant to take LGSM’s money, Mark is able to connect directly with Dai Donovan, who represents miners from the Welsh village Onllwyn. Over time, LSGM is able to build relationships with locals, who gradually warm to their presence as well. Solidarity - the idea that anybody’s fight against injustice is everybody’s fight against injustice - is an important part of what makes this partnership tick. Their campaign culminates in the Pits and Perverts concert, which raises thousands of pounds. 

The ending is a bittersweet one though - the mineworkers’ union finds this too controversial, rejects further support and ultimately loses the strike, while the queer activists return to their own struggles with identity and belonging. However, the campaign forged lasting bonds between these activists and miners, who show up in their own display of solidarity at the next year’s Pride March. 

Themes, Ideas, and Key Messages 

At LSG, we use the CONVERGENT and DIVERGENT strategy to help us easily find points of similarity and difference. This is particularly important when it comes to essay writing, because you want to know that you're coming up with unique comparative points (compared to the rest of the Victorian cohort!). I don't discuss this strategy in detail here, but if you're interested, check out my How To Write A Killer Comparative . I use this strategy throughout my discussion of themes above and in the next section, Essay Topic Breakdown.

Similarities (CONVERGENT Ideas)

Identity and Perspective : Before even considering the activism that is featured in each text, it’s worth unpacking the individual identities of the main characters, and the complexities that come with them. Both texts see characters juggle and negotiate tensions within their identity - in particular, other people who share the identity don’t always see eye to eye with them. In I Am Malala , Yousafzai often finds herself at odds with other practitioners of Islam, especially the more extreme Taliban who would oppose her belief in girls’ education. Likewise, queer activists in Pride ’s LGSM draw incredulity from their peers, who bristle at the idea of supporting the mineworkers. However, not only are these characters able to overcome these tensions, but their personal identities give them a perspective that feeds back into their activism - they actually draw on their identity in their fight for justice. Yousafzai acknowledges that Muslims “don’t [all] agree” (Chapter 7), but she firmly believes that “education for females not just males is one of our Islamic rights” (Chapter 23). Her fight is informed by, rather than separate from, her faith. In the film, personal identity also acts as a springboard for activism. For example, the collaborative and highly successful Pits and Perverts fundraiser came about as a result of the “long and honourable tradition in the gay community [of] when somebody calls you a name…you take it and you own it”. Queerness is mobilised to fundraise for the miners, rather than silenced or excluded as others might have it. 

Injustice and Activism : As we explored in the context sections (and as we’ve been exploring throughout), a fight for justice is fundamentally at the heart of both texts. In the film and the memoir alike, we see conservative agendas disempowering certain groups. Yousafzai recounts how pre-existing sexism in Pakistan, where girls found “no point in going to school just to end up cooking, cleaning and bringing up children” (Chapter 3), was exacerbated by the Taliban who closed schools altogether. They would even vandalise and destroy schools - “by the end of 2008, around 400 schools had been destroyed” (Chapter 11). Yousafzai’s fight is really about equality and human rights. The miners and LGSM are fighting their own injustices and inequalities in the film - Prime Minister Thatcher had been closing down mines and stripping miners of their livelihoods. Not only that, but she’d used pretty brutal tactics, calling in the police and withholding income support for newly-unemployed miners who struggled to feed their families through the winter. 

Women’s Education : This isn't the principal fight in Pride , but there are moments where it definitely shines through. In particular, we first meet Sian as a young housewife, but by the end of the film Jonathan had encouraged her to return to school, and we know that she goes onto become the first female MP of her district. Through the strike, she discovered her own passion for trade unionism, and education hugely empowered her to take that passion further. This is particularly important given how much the strike affects men and women alike - consider the significance of ‘Bread and Roses’. In the memoir, the importance of women’s education is a much more central element. As Yousafzai points out, “going to school wasn’t just a way of passing time, it was our future” (Chapter 11). In both texts, education helps people (and women in particular) forge relationships and futures for themselves, and for one another. 

Differences (DIVERGENT Ideas)

Now it's your turn! Here are some questions to get you thinking about the differences between the two texts:

• Activism: what forms of activism are there? how effective can activism be? how are these ideas portrayed in the two texts?
• Solidarity: what does solidarity mean? what are the ways in which people can show solidarity? how are these ideas portrayed in the two texts?

Essay Topic Breakdown

Whenever you get a new essay topic, you can use LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. This essay topic breakdown will focus on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response . 

Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:

Step 1: A nalyse

Step 2: B rainstorm

Step 3: C reate a Plan

Theme-Based Prompt: Compare how the two texts explore injustice.

Step 1: analyse.

This is a theme-based prompt. Both texts have a pretty clear focus on this idea of ‘injustice’, so it’s an important theme to have thought about beforehand. This prompt is quite broad, so you could potentially include a wide range of thoughts and opinions about injustice—you might want to consider angles like who is affected, what its impacts are and what actions can reasonably be taken against it. Also because of how broad this prompt is, try to find answers to these questions from within the texts, but phrase them in a way that doesn’t necessarily refer to a text. This will help you keep your ideas flexible for both texts when the time comes to write. 

Step 2: Brainstorm

I think those angles are a reasonable starting point for brainstorming. In the memoir, Yousafzai and her peers—Pakistani schoolgirls—are the most affected, while the injustices portrayed in the film affect coal miners and the LGBTQ+ community. All of these groups are disempowered and disenfranchised by injustice, and this is an important impact. Note that this is something you can say about both texts, which is exactly how we were trying to phrase our answers.

In terms of taking action against injustice, there’s a wide range of measures across the texts—speaking out, writing for news outlets, organising large-scale fundraisers etc.—and the key takeaway from that might be how diverse these measures are, the different outcomes they generate and whether or not they’re effective. 

Step 3: Create a plan

Because this theme has a lot of rich overlaps between texts, it’s best to integrate discussion of both texts into every paragraph. When we do this for a theme-based prompt, especially a prompt with just one theme, that means every paragraph uncovers a new angle or dimension from both texts about the theme. Learn more about Integrated Text Discussion in How To Write A Killer Comparative .

P1: Injustice is framed as limiting people’s power—we can look at marginalised groups in both texts, from the schoolgirls of Yousafzai’s Pakistan, or the miners and the queer folk from the film.

P2: It’s also something that must be fought. Because it has such a detrimental impact, there is a need for those groups to stand up for themselves and for each other. 

P3: In so doing, injustice may take time to overcome, but that doesn’t mean we shouldn’t fight it. Not all activism can be instantly, wildly successful—partial successes along the way are usually more frequent.

Our contention will try to string those three ideas together: injustice in any society involves some experiencing marginalisation and powerlessness that others do not experience (P1), and it is something that must be fought (P2), even if this is a time-consuming process (P3). Have a go at writing your own essay now if you’d like, or read a free preview of our I am Malala and Pride study guide below!

A Killer Comparative Guide: I am Malala and Pride

How to Write a Killer Comparative Ebook

The Ultimate Guide to VCE Comparative

A Guide to Structuring a Reading and Comparing Essay

Reading and Comparing Essays

‍ How to get A+ in Reading and Comparing

Compare the Pair: A guide to Structuring a Reading and Comparing essay

When Lisa suggested that I blog about what teachers want in their students my immediate response was “Don’t we all want the same things!” We want our students to exhibit the insight and dedication that signals a top class learner. Additionally, it is obvious that teachers want students who are interested in the subject. Interested students make interesting lessons.

However, in my pondering on this question I have realised that for me students who are willing to engage with the text and commit to the task are always preferable.

Especially in English your teachers are looking for your willingness to explore your own ideas rather than rehash what others think. Your fresh perspective is welcome in a world where it’s all been said before… (and again!)

Another thing I like to find in a student is a unique style. There’s something sincere and credible about writing that speaks with its own distinct timbre, its individual structure and its authentic voice. This is the sort of writing that has you wanting to read on rather than doggedly plodding along to the end wishing that they had stuck to the lower word limit.

I can be a touch (*ahem*) pedantic and traditional in my views. I mean I love a page that is neatly written in a legible well-formed hand. There’s no chance of missing your meaning when your teacher can see what you’re saying. And something I instil in my students if they have not come to me already equipped with it is the ability to write on alternate lines only – I need a place to comment. You need a place to edit and this layout guards against sensory overload for your marker. Being willing to pay attention to apparently trivial details like this is the difference between a good student and a top student.

10 popular questions from VCE students answered by a VCE teacher

1. My teacher says I have problems with my expression. What can I do to fix this?

Lisa has already posted one of the best ways to fix your expression: that is to read it aloud. The natural rhythms of your expression will be clearer to you and you will find that your ‘mouth’ often makes corrections as you articulate your prose.

Another excellent way to find your voice is to read quality writing. Make it a habit to read a few pages every day. You can use the books on the VCE reading lists, you can go to your local library, find classics online and look at the opinion columns in the city newspapers. The more you read the better you will be at phrasing your ideas succinctly.

2. Teachers often say, “you need to develop your essay more”. What does this really mean?

This means that you look beyond what the topic statement or prompt demands that you address and explore what it invites you to consider.

Too many students are content to skim along the surface of the text. Take a deep breath and dive right into the depths of the ideas and points of views that are proposed in each text.

Formulate your own ideas and then develop them: explain and elaborate. Pick a thematic concern in one of your texts and follow its progress through the text; that way you will understand it with greater awareness of the author’s intentions.

3. In regards to Text Response, should students be ready to write on both their texts for the exam?

I would encourage students to be prepared for both texts. Apart from the extra analysis practice you get by preparing for both texts, you can never be 100% sure that you have adequately covered all options for the type of reading and responding topic you may face.

However, if you know your text intimately, if you have explored its nuances thoroughly and are so familiar with its narrative that it’s like your best friend then, yes, going into the exam with the plan of responding to one text will be possible.

4. Is it important to make my essay ‘sound’ good by using ‘sophisticated’ language?

One of the criteria for a successful response and a regularly commented upon aspect of a successful essay is your ability to show “strong language skills”.

Having a broad vocabulary base – a word bank – will enable you to express your ideas fluently and with eloquence. Additionally, used appropriately (no Malapropisms please like the student who wrote that “parents these days pamper to their children’s every desire”) some sophisticated words will add gloss to your piece. Think of BIG words as the seasoning of your essay – there to enhance, to titillate your reader to continue, not to overpower her. This is definitely a case where  “less is more”. A little advanced vocabulary adds depth and interest; too much and meaning is sacrificed to effect.

5. In regards to Writing in Context, which is the easiest form to score well in? (for example: short story, essay, poem, speech etc.)

Note: This question is no longer relevant to the current English study design.

No one form is easier than another – it depends on the strength of the individual student. Find your strengths and cater to them. Perhaps you are skilled at taking a stance and validating that position with reasoned and logical rhetoric. If so then you should consider a form of the persuasive genre. If you are an adept storyteller with a flair for creating believable characters then opt for a type of creative response.

The way to excel is more about your authenticity as a writer rather than the type of text you produce.  

6.In regards to Writing in Context, would it be best to stick to a conventional essay structure or write  in the form of a hybrid? (for example, merging creative with expository writing.)

This reminds me of how subjective the marking process can be. I’m not a fan of hybrids, although according to the assessors’ comments there have been some successful results by students who choose to take this approach.

I think the hybrid type of response is better suited to the practiced, confident and polished writers amongst you.

Again, your score won’t depend on the form in which you decide to write your piece but on the degree to which you satisfy the criteria.

7. How should I prepare for the exam?

You should prepare for the exam by reading and rereading, watching and watching again, thinking and challenging those thoughts. You should do this until you come to a point where you know the text so thoroughly that you are equipped with enough knowledge about the text to enable you to respond to any topic with finesse.

You should discuss the texts with your friends, your fellow students, your teachers and your tutors.

You should look at study guides and compare your ideas to those you find in the many guides available.

You should brainstorm topics and write some full-length essays under exam conditions.

8. During the exam, ideally which essays should be approached first, second and last, and why?

There’s no set way of doing the exam. Some students like to attack the part of the exam that they are most confident about first – that can save valuable time for the more challenging section. Do it the way that you feel more comfortable with.

Others find it more useful to do the hardest first and get it out of the way. One successful student I know wrote half of each essay in order and then went back and finished each. Only attempt this approach if you are super confident about your voice and your capability for each section.

9. How can I avoid ‘retelling the plot’?

Only tell the story when it is essential for explanation and elaboration. A great tip was passed on to me by a student who attends one of the bigger boys schools: to test if you are telling the story see how many of your sentences express an opinion – the key word here is opinion, obviously.

Assume that your teachers and markers know the text and use the events from your selected novels, plays or films to validate your ideas. You are required to make relevant textual reference in your discussion as a means of evidencing your thoughts, so you cannot omit all elements of the narrative – just be fussy about what you include.

10. How can I make my conclusions more interesting?

A conclusion should be just what its name implies – it should show the position that you have reached having explored the topic (question, statement, media text). One of the most tedious ways to conclude is the one in which you summarise what you have already written. Another no-no is the restatement of your introduction.

You should make your conclusion show what you have deduced after your exploration of the required task. It is appropriate and useful to comment on authorial message in the conclusion. Just this one amendment from the tired old approach will raise your score.

This guide was written by a past VCE teacher who wishes to remain anonymous. Thank you ‘VF’ for your expert advice!

Sunset Boulevard is usually studied in the Australian curriculum under Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Film is art. And, art serves as a mirror that is a reflection of us as a society. Thus, a major function of art is to show society as it truly is - even if the image itself is unflattering. 

A film d’auteur ; Sunset Boulevard portrays Billy Wilder’s (director) unique artistic personality. Through his cinematic choices, variety of individualistic styles and the use of innovative features (which we will be exploring in this blog) it is evident that Wilder exhibits the world of Hollywood in a very different and even ominous light to what was normally showcased in the 1950s. 

We will now delve into Wilder’s world of film art and gain an insight into how he viewed the industry of Hollywood through his camera.

‍ Note: There will be some sophisticated vocabulary used throughout the blog, so please refer to the glossary (at the end) or the bracketed definitions for the meanings of words that are bolded.

The Golden Era of Cinema

The 1950s Pax Americana social zeitgeist revealed an era in film where any social criticisms of the time were hidden behind the red velvet curtains and silver screens of Hollywood. In this post-war society, disillusionment was very much present within the American psyche. The dawn of the Cold War saw the rise of looming atomic threats, class wars, McCarthyism, spies and infiltrations burgeoning public fears and social paranoia.

Thus, cinema itself became a form of escapism from the bleak and depressing real world; crafting an illusion of reality where the line between the American dream and reality was deviously blurred.

Yet even such a glamorous industry could not conceal the moral ambiguities of the era. To what was originally a light-hearted comedy film, this cynical film noir is a Hollywood-on-Hollywood story that is far from an entertaining vaudeville act for the masses. Through the wide range of cinematic auteurist techniques that Billy Wilder utilises within the film, he portrays a dark edge to the folie de grandeur of Hollywood and its illusions.

Hence, while it’s essential that you use standard techniques like camerawork and editing (as it is a motion picture), it would further elevate your analysis if you interspersed a diverse range of cinematic features into your essay including features like sound, costuming, colour/spatial composition and broader themes which relate to the social context of that time. This is because it is important to notice that everything the director uses in the film is there for a reason.

If you would like to see more on camerawork and editing, you can refer to our Analysis of Film Techniques in Sunset Boulevard blog post. 

Film Noir & German Expressionism

The Golden Age of Hollywood was a time when synchronous sounds and colour films were commonplace. 

So, why did Wilder use black and white colour composition?

Perhaps it was to pay homage to the previous era of silent film or it was just another mordant elegy to those decades. Either way, the truth lies within film noir.

Film noir (French for ‘Dark film’) is a style of film with dark and pessimistic/cynical moods evoked through visual compositing using chiaroscuro (low-key lighting) . It is perhaps one of the most important cinematic features used in Sunset Boulevard as it conveys an emotion and atmosphere within the film which cannot be done through scripted words or actions. 

Through the restrictions of the Hays Code (a set of guidelines censoring what could be shown on screen), film producers were unable to easily question the moral codes and regulations of society. However, by using film noir, Wilder was subtly able to employ innuendos, double entendres and wit to satirise the dark underbelly of Hollywood and the underlying obsession with stardom exhibitionism and fame.

While the burlesque American musicals and Western comedies reflected an illusionary reality for movie audiences of that time, the convoluted storylines/plots of film noir mysteries and thrillers reflected the complexities and hidden moral intransigence of society. More importantly, the characters aren’t the ones who resolve the mystery but instead the audiences themselves.

Common Features of Film Noir Incorporated Within Sunset Boulevard :

• Anti-hero protagonists: characters who lack a moral centre and turn to corruption, like Joe Gillis who embodies a bitter, hard-boiled and cynical character who has deep flaws. Although he is confronted with the fact that the pursuit of the Hollywood dream is neverending, when he ends up at Norma’s garage he gives into her fantasies and forms his own tragedy.
• Femme-fatale: ‘deadly woman’ who is manipulative using her femininity and sexual allure for her own goals. Norma Desmond upholds this sort of archetype as she entraps Joe Gillis as her editor for her Salome script, so she can make her “comeback”.
• Location: Usually shot in New York or Los Angeles (like this film), revealing a city with a glamorous facade and a gritty underworld of lush morbidity and moral ambiguities.
• Lighting: Stark/harsh while creating effective shadows which usually shroud the characters. Dark shadows and chiaroscuro lighting within Norma’s mansion emphasise her haunted nature as she is stuck in the dark of the past, unable to see the light of the outside world.
• Narration: Has a pessimistic and cynical undertone. The third-person omnipresent narration is from the ghost of Joe Gillis himself; witnessing his own murder, calling the dead man a ‘poor dope’ when in hindsight it is his past self whom he critiques.
• Colour: The use of a monochromatic colour scheme (black and white) is the main idea of film noir, eliciting a feeling of the past.
• Use of flashbacks : At the beginning of this circular narrative , we are confronted with the present (which actually is the denouement - the murder); however, through the flashback in Joe’s perspective, we start from the beginning (the past) and travel through time to the present. The past and the present become one.

German Expressionism (containing Gothic themes) is used in tandem with film noir. Originating in the late 1940s, the depressing aftermath of a post-WWII society had left a pervading sense of doom and dejection, striking a chord with those disillusioned throughout Europe. As a nod to the genre of Gothic Horror, Expressionism draws upon elements and symbolisms prevalent within horror stories such as Dracula .

As seen in Sunset Boulevard , Norma lives in a dilapidated mansion that mimics an archetypal haunted mausoleum; depicting her as a character from a horror story. 

Long shadows stretch eerily throughout vast dark hallways.  A tall windy staircase, symbolic of the time portal she is stuck in.  Curtains always almost fully drawn.  ‍ Nösferatu-like candelabras swaying in the dim light.  A funeral for a dead monkey corpse. 

Such filmic elements all add to the personality of Norma’s character - as an arch-ghost of the story from the buried past.

While not every aspect of film noir and Expressionism will be relevant when you are writing for your given essay topic, it is important to try to occasionally refer to them wherever you can in your writing just like the example below:

‍ There is a dissonant tension in the mansion, referred to as the ‘grim Sunset mansion’; it works as a metaphor to the fatalistic and tragic meaning of Hollywood’s own dangerous veneer which forever traps victims within their glorious ‘heydays’ after rejecting them into its gutter. The Expressionist horror accompaniment of chiaroscuro in tandem with the mise-en-scene of the ‘ ghost of a tennis court’ and an empty swimming pool, all shadow the haunting ‘paralysis’ of Norma’s own faded dreams. ​​While obliviously sitting enclosed by her shrine of photographs, ‘crowded with Norma Desmonds', Norma eventually becomes a prisoner of a carefully curated exhibit that Hollywood had set up, as she is seen signing headshots for fans, and eerily impersonating the performers of a bygone Hollywood.

Sound & Music in Sunset Boulevard

Sound and music in film create a specific atmosphere and mood which can sometimes be unattainable in the visuals of a black-and-white film like Sunset Boulevard . Thus, sound and music both play a vital role in the film by heightening mood and emotional responses from characters, foreshadowing narrative developments and placing emphasis and attention on certain actions and events.

Franz Waxman’s ( Sunset Boulevard ’s musical producer) music score morphs together variations of musical cues, composition styles and repetitive thematic notes. He stated that he had to enter and understand the characters’ minds to write their music. 

‍ ‘Film music is heard only once—not many times as concert music is. […] It should have simplicity and directness. It must make its point immediately and strongly. The emotional impact must come all at once.’ - Waxman

Hence, Waxman constructed leitmotifs as a representation of the main characters and the time in which they live. Below are some examples of the musical leitmotifs he uses:

• Norma’s theme - she receives a classical 1920s off-kilter tango during her dancing scene where she is stuck in the past dwelling on her heydays when she met Rudolph Valentino at parties. However, her musical motif mostly represents her declining state of mind emoted by solo alto flute mysterioso and low and pulsating string notes.
• Joe’s theme is characterised by bebop, (jazz-style music for the 1950s urbanite youth) conveying his nonchalant and breezy attitude with prominent saxophonic tunes.
• Love theme between Betty and Joe - being played as the pair are working away on their own script in a deserted studio and when they take a stroll through the studio backlot; the music accompaniment is a tender and lyrical string line, with a muted solo trumpet.

From the onset of the film, the large orchestral brass-led sound gradually becomes the central theme of the film as it dramatises the initial rush of the homicide squad and newspapermen.

Below is an example of how you might talk about how the music aids the tensions of the scene:

‍ Waxman’s melodramatic and foreboding minor score establishes a sense of impending peril, while the allargando (broadening) of the brass sections heightens the initial tensions of the film. The underlying vibrato of the strings is unnerving and uncomfortable, as it acts in coalescence with the diegetic sound of the blaring sirens which echoes an eerie and unsettling tone .

‍ Note: Waxman’s music score is a non-diegetic sound (coming from outside of the film world), while the sirens blaring is a diegetic sound (coming from within the world of the movie).

There is a range of diegetic sound that comes from within the world of the film that you may hear as you are watching the movie. For example:

• Joe’s typewriter when we witness the serpentine glide of the camera into his exposed room
• The camera flashes in the opening scene and the loud and abrupt car noises from the car chase scene
• The telephone ringing as Max calls Joe at the party
• The band playing tango music during Norma and Joe’s dancing scene

Furthermore, musical repetition is also very common within the film as some themes are repeated but transformed or altered musically to convey a contrasting mood. For example, in the scene where Joe tries to flee from Norma but Norma eventually murders him; the music being played is a tortured, slow-motion version of the opening car chase theme. Hence, the musical repetition of Joe’s opening car chase theme signifies how it foreshadows the tragic ending that he faces as he continues to chase the unattainable dream of Hollywood.

Another example is when Norma prepares for her ending close-up and she descends the staircase into a complete state of megalomania - the music shares the harmony of the tango theme but is transformed into a distorted parody. Through the bombardment of notes, alternation of tremolos (reiteration of notes) and the use of dramatic chromaticism (interspersing of obscure chords) it represents the dramatic changes in emotion and the deterioration of Norma’s mental sanity in the finale.

Costuming & Appearance in Sunset Boulevard

In contrast to a multicoloured film which can showcase a variety of decorative aspects within the setting and characters, creating a black-and-white film has its drawbacks. Especially with a vibrant and overly-decorous character like Norma Desmond, the production cast needed to go the extra mile with costuming to provide a clear visual portrayal of different moods, impressions, influences and the backgrounds of characters. 

Edith Head’s ( Sunset Boulevard ’s costume designer) costuming in the film plays an integral part in building characterisation and forming a clear contrast between the character personas.

‍ ‘For black and white picture you must have more of everything’ - Head

If we take a look at Norma Desmond’s clothing, hers reflects the Byzantine indulgences of the silent era. The garish avalanche of accessories, oversized jewellery and the prominence of fur and peacock feathers are typical of silent era glamour. It also aligns with the gaudy decorations and art nouveau of the interior of her mansion, representative of her conspicuous wealth.

Norma also embodies a vampiric character which Head portrays through Norma’s hair concealed under a turban; her large, dark glasses; her dark, silk clothing and her long, looser silhouette gowns (emblematic of the antiquity of the 1920s). Norma’s showy indulgence in her decorative wealth and clothing is not only emblematic of her persona but is also portrayed through her over-dramatised theatrical gesticulations which accompany and further give insight to her deranged state.

The recurring motif of the leopard print (on her turban, her gowns and on her automobile), becomes significant, as Head purposefully uses this print to symbolise Norma’s predatory nature - Norma entraps and uses others like puppets for her selfish motives. The leopard print is portrayed mainly when she is with Joe, representing the way she has him like a ‘monkey dancing for [her] pennies’. 

On the other hand, Betty completely contrasts in her appearance and her attire. Her simple wardrobe consists mainly of dull suits, coats and skirts. With clothing that is less garish and having higher, modest necklines with neat, simple makeup and hair and with very little jewellery or fabric embellishments, Head not only portrays Betty’s young age but also her modesty and innocence.

Joe’s wardrobe deliberately changes throughout the film. Early on in the film, he is seen jobless, trying to make ends meet, wearing a flimsy, ill-fitting jacket and baggy trousers seemingly cut from an early bolt of polyester. After meeting, Norma complains about Joe’s style and takes him on a shopping spree to the best tailor in Hollywood, loading him up with well-tailored suits, six dozen shirts and a masculine (vicuna) overcoat that emphasises his build. He is also accessorised with custom-made shoes, cufflinks, watches, a gold cigarette case and a platinum key chain. While Joe’s fancy wardrobe symbolises new wealth, it’s not his own, but Norma’s. His monetary dependence on Norma leaves him helpless and humiliated when the salesman at the tailor insultingly adds ‘as long as the lady’s paying for it’. With the continual allusions to men’s clothing rather than women’s throughout the film, Joe becomes the one objectified as an object of Norma’s ownership. The contrast between Joe and Norma’s wardrobes shows the clear power imbalance between them, and thus, an overturn in gender norms.

The Legacy of an Eerily Timeless Film

Within the industry of Hollywood - whether in front of or behind the cameras - writers, producers, agents and stars (new and former) collectively are all victims of an exploitative and ruthless industry running on schadenfreude (thriving on individuals' misfortune). 

Whether it’s Betty’s tale of rejection, Joe’s ‘lack’ of writing talent or Norma’s long-forgotten time of fame, Sunset Boulevard unveils the perils of unbridled star adulation, the pursuit of fame and celebrity culture.

Whilst adopting auteurist principles, director Wilder paints a truthful and grotesque self-portrait of Hollywood’s true face, highlighting the ephemeral nature of an industry’s sickening star system; one that creates and exults stars and just as quickly forgets them. 

Through this seminal cautionary tale, Wilder seeks to confront a timeless audience with the intoxicating culture of the screens which has become a common reality nowadays and saturates many of modern-day social spheres.

‍ Sunset Boulevard ultimately poses a warning to the audience of a much wider cultural disturbance of Hollywood’s addiction to the vanity of celebrity fame, excessive media consumption and the obsession of ‘needing to be seen’ - a warning which reverberates louder than ever within modern society today.

Arch-ghost: main ghost-like character (like in a horror film). ‍ Auteurist: (used for film directors) having a distinctive artistic style in their films. ‍ Burgeoning : starting to increase or grow (rapidly). ‍ Byzantine: clothing and accessories that are richly patterned and coloured, yet conservative originating from olden-day Istanbul. ‍ Chiaroscuro : low-key lighting which produces an effect that contrasts light and shadow in black-and-white films. ‍ Denouement: the finale/ending of the story arc, where conflicts and matters are revealed and resolved. ‍ Elegy: a poem that mourns the loss of something (the loss of the silent era in this case). ‍ Film D’auteur: a film that reflects the artistic personality of the film director/screenwriter. ‍ Foile de grandeur: delusions of grandeur. ‍ Intransigence: refusal to change one’s views and agree on a different reality. ‍ Leitmotifs: A recurrent theme/motif throughout a musical/literary composition. ‍ Megalomania: extreme state of delusional obsession with grandeur and of oneself. ‍ Nösferatu-like: (Dracula-like), synonymous with vampire. ‍ Pax Americana social zeitgeist: the state of national prosperity in American Society after WWII. ‍ Redolence: strongly emblematic or nostalgic. ‍ Solo alto flute mysterioso: Solo flute played in a lower key that is guided to be played to evoke a mysterious mood. ‍ Synchronous sounds: Audio coming from the screen that lines up with what is shown on the screen. ‍ Urbanite : someone who dwells/lives in the city or enjoys an urban city lifestyle. ‍ Vaudeville: light musicals or entertainment acts popular in the 1900s, usually serving only a comedic or entertaining purpose.

Text Response  is seen, often, as ‘bipolar’: weeks of inactivity followed by sharp spikes of panic as you churn out 20,000 words in six days. If not, students fall for the “quantity=quality” trap, pumping out essay after essay as their one form of study.

Don’t get me wrong. Diligence is key. But here’s what many miss :  Essays are the  END PRODUCT,  not the starting point. To begin, foundations are required:

Step 1: Deliberate Reading

Remember: the better and sooner you engage with your text, the easier to write on it. So. Even when first reading,  have a pen in hand ! At this stage, nothing fancy is needed ---annotate what you can. Circle, highlight and underline anything that catches your attention.

Afterwards, a helpful tip is the “21 words” exercise, which forces you to summarise the text’s messages as  early prep  for topic sentence construction.

“Macbeth, a dark, brooding tragedy, explores the corruptive effects of extreme ambition through the moral decay of a great man.” (21)

“Whilst seemingly about human flaw, Macbeth declares that all mortals are in fact vulnerable to supernatural forces beyond their control.” (21)

LESSON LEARNT:  First impressions matter. The author ALWAYS seeks to make readers feel and think a certain way. Even before you write, you should be tapping into these currents as best you can. All early thinking,  guaranteed , will turn into priceless essay ammunition because you’ve given time for your thoughts to develop and mature.

Step 2: Understanding Context

VCE English involves the study of some sophisticated literature. Authors/filmmaker have used the written word to  comment  on past and present society. For a high score, then, you too must understand these contexts.

---Joseph Mankiewicz’s 1950s film  All About Eve : a satirical jab at the post-war ideal of a traditional nuclear family ---Hannah Kent’s  Burial Rites:  critiquing the patriarchy of 19th century Iceland

Step 3: Note taking

Now we’ve gained some understanding of the text, time for rigorous and more detailed analysis. There are three tiers involved.

1. Chapter summaries

Basically a timeline of significant moments: what happens and what is said. Note the  STRUCTURE  of the text: is it chronological or non-linear? Is it a circular narrative? Why is this structure  employed , and what is its literary function for the broader story?

2. Event significance

This is where we begin to understand not only WHAT HAPPENS and WHAT IS SAID, but WHY. Go back to each chapter and write down the significance of each defining moment. What does it show about a character or theme? Does it reveal an author’s viewpoint on a certain idea?

Put these thoughts into “essay” sentences.  This way, you are constantly practicing how to ANALYSE complex ideas . Come SAC or exam time, you will have already honed your written expression to a far more sophisticated level and what’s more, increased your familiarity with  RELEVANT CONCEPTS. This approach is far more efficient than starting off by writing essays on random topic questions. Build up the knowledge base first!

3. Language

Now, it’s time to elevate your analysis to the divine by understanding the text’s CONSTRUCTION: HOW significant events, significant people are portrayed, and what it all means. Go back to each chapter and look for compelling language/filmic devices, including its impact:

Metaphor Juxtaposition Imagery Sentence length Setting Word choices Intertextual references Symbolism/motifs Camera angles Diegetic/non-diegetic sound

Step 4: Themes and Characters

After close reading and closer analysis, we come to the last stage: bringing all the elements together by zooming BACK OUT FOR A BIG PICTURE VIEW OF THE TEXT: its themes and underlying ideas, its central characters, and the lasting messages conveyed as a result.

Notes on Themes

By now, a ‘theme’ no longer has to be a one word affair like in our younger years: “identity” “friendship”, “tragedy”, “ambition”, “evil” etc. Rather, a theme is closely linked to the text’s  views and values:  put simply, it can express opinion.

E.g. “The struggle for personal identity”

“The unbreakable bonds of childhood friendship”

“The vulnerability of all ordinary men to extraordinary tragedy”

“The harms of excessive ambition”

“The pervasiveness of evil”

Once you’ve identified the themes, use the notes you’ve made on  context, plot, significant events and language , to help support your interpretation.

Notes on characters

Using the previous evidence you’ve gathered, you can now also make detailed and insightful character studies. Obviously, a focus on their defining traits, relationships and flaws is important.

However, in Year 12, what is more crucial is understanding what the character  represents. After all, an author will never craft someone out of thin air. Just like a theme, a character is used as a vehicle to express opinions on the nature of society and humans in general.

Now you’ve finished the four steps. Using your understanding of 1) big ideas and 2) close evidence, you’re ready to start writing!

Of course, along the way, there are a few extra tricks one can deploy.

• Read academic/critical/high scoring essays

Exposing yourself to the widest possible range of academic literature---whether it be your friend’s 20/20 essay or a New York Times review on the text----is a sure fire way to juice up vocab.

• Keep reading the text

Whenever you’ve got spare time, open up the book or film you’re studying and refresh your memory! This way, you’ll really internalise what you’re studying. Quote learning will be easier, you’ll form a genuine attachment to the characters… overall, the insights will flow all the faster. To learn more about studying for Text Response, read our Ultimate Guide to VCE Text Response .

Happy studying!

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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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Caulfield, J. (2023, August 14). How to Write a Literary Analysis Essay | A Step-by-Step Guide. Scribbr. Retrieved September 3, 2024, from https://www.scribbr.com/academic-essay/literary-analysis/

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Research trends in communication and tourism: a systematic review and a bibliometric analysis.

1. Introduction

1.1. communication and the relationship through tourism, 1.2. tourism, 2. methodology, 3.1. bibliometrics, 3.2. systematic review, 3.3. annual scientific production, 3.4. source production over time, 3.5. production of the most relevant authors over time, 3.6. most relevant affiliations, 3.7. scientific production of the countries, 3.8. production of the most quoted countries over time, 3.9. coupling grouping, 3.10. keyword co-occurrence, 3.11. research trends in communication and tourism, 4. discussion, 5. conclusions, author contributions, institutional review board statement, informed consent statement, data availability statement, conflicts of interest.

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Salgado Moreno, A.L.; Forero, J.A.M.; Revilla, R.G.; Moure, O.M. Research Trends in Communication and Tourism: A Systematic Review and a Bibliometric Analysis. Adm. Sci. 2024 , 14 , 208. https://doi.org/10.3390/admsci14090208

Salgado Moreno AL, Forero JAM, Revilla RG, Moure OM. Research Trends in Communication and Tourism: A Systematic Review and a Bibliometric Analysis. Administrative Sciences . 2024; 14(9):208. https://doi.org/10.3390/admsci14090208

Salgado Moreno, Angie Lorena, Jorge Alexander Mora Forero, Raquel García Revilla, and Olga Martinez Moure. 2024. "Research Trends in Communication and Tourism: A Systematic Review and a Bibliometric Analysis" Administrative Sciences 14, no. 9: 208. https://doi.org/10.3390/admsci14090208

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