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The Assignment

After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible. After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible. After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.

• Walter Hill
• Denis Hamill
• Michelle Rodriguez
• Tony Shalhoub
• Anthony LaPaglia
• 141 User reviews
• 89 Critic reviews
• 34 Metascore
• 1 win & 1 nomination

Top cast 38

• Frank Kitchen

• Dr. Ralph Galen

• Honest John

• Nurse Becker

• Doctor Rachel Jane

• Sebastian Jane
• Hotel Manager

• Earl Hawkins

• Office Nurse

• Vladimir Gorski

• Mexican Man

• Stenographer
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia The first draft of the screenplay was written in 1978.
• Goofs At around 48:06, when the main character is videotaping herself, she points a gun directly at the camera from a distance of probably less than a foot. This has the unintended consequence of revealing that the pistol is an Airsoft replica of an M1911 .45 ACP with a much-smaller inner muzzle than that of the real firearm.

[first lines]

Frank Kitchen : I killed a lot of guys. They were worthless pieces of shit, but I killed them, and you're not supposed to kill people. So what happened to me? I guess maybe in the end... it was a lot better than what I deserved. But it takes a long time to work that out. In the meantime, you just want to get get even.

• Soundtracks Blindfold Written by Joseph Hicks Performed by Halo Stereo

User reviews 141

• nicholls_les
• Jun 25, 2017
• How long is The Assignment? Powered by Alexa
• March 3, 2017 (United States)
• United States
• Official site (Japan)
• Vancouver, British Columbia, Canada
• See more company credits at IMDbPro
• $5,000,000 (estimated)

Technical specs

• Runtime 1 hour 35 minutes

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THE ASSIGNMENT

by Liza Wiemer ‧ RELEASE DATE: Aug. 25, 2020

An important plot-driven story about two teens who stand up for what’s right in the face of adversity.

High school seniors and best friends Logan and Cade are asked to defend the indefensible as part of a history assignment; they refuse.

Logan and Cade are not Jewish, but when their history teacher, Mr. Bartley, gives them an assignment in which they are to take on the role of Nazis and reenact the Wannsee Conference of 1942, each taking a side of the “debate” about the Final Solution, they protest. This is not a debate at all but a dehumanizing discussion about the extermination of the Jewish people. Narrated from the perspectives of several different characters, the novel tells a fictionalized story based on the actions of two New York state teens who stood against their teacher, principal, and, eventually, their school district with the help of their families and community. Despite abrupt, sometimes confusing point-of-view switches and somewhat wordy prose, this fast-paced novel will keep readers thoroughly engaged and eager to learn the resolution, rooting for Logan and Cade the whole way. The book contains a small element of romance as well as some references to sexual assault and physical abuse. The book also depicts anti-Semitic actions and related hate crimes. Main characters are assumed to be cisgender, white, and straight. There is diversity among the secondary characters, including one queer character.

Pub Date: Aug. 25, 2020

ISBN: 978-0-593-12316-4

Page Count: 336

Publisher: Delacorte

Review Posted Online: May 31, 2020

Kirkus Reviews Issue: June 15, 2020

TEENS & YOUNG ADULT SOCIAL THEMES | TEENS & YOUNG ADULT SCHOOL & FRIENDSHIP

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More by Liza Wiemer

BOOK REVIEW

by Liza Wiemer ; illustrated by Margeaux Lucas

IF HE HAD BEEN WITH ME

by Laura Nowlin ‧ RELEASE DATE: April 1, 2013

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

TEENS & YOUNG ADULT ROMANCE | TEENS & YOUNG ADULT SOCIAL THEMES

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by Laura Nowlin

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New York Times Bestseller

A GOOD GIRL'S GUIDE TO MURDER

From the good girl's guide to murder series , vol. 1.

by Holly Jackson ‧ RELEASE DATE: Feb. 4, 2020

A treat for mystery readers who enjoy being kept in suspense.

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

TEENS & YOUNG ADULT MYSTERY & THRILLER | TEENS & YOUNG ADULT SOCIAL THEMES

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by Holly Jackson

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The assignment.

• Common Sense Says
• Parents Say 0 Reviews
• Kids Say 0 Reviews

Common Sense Media Review

Violent thriller irresponsibly tackles transgender themes.

Parents Need to Know

Parents need to know that The Assignment is an action/thriller with an irresponsibly handled topic at its core: The main character, an assassin, is given gender reassignment surgery against his will, changing his body from male to female. The content is extremely mature, including graphic nudity (male and…

Why Age 18+?

Brutal shootings/killings. Blood sprays/spurts. Dead bodies. Kicking, beating. S

Full-frontal male and female nudity. Sex scene with thrusting (includes tearing

Frequent strong language includes "f--k," "f--king," "motherf--king," "bulls--t,

Secondary character snorts cocaine on-screen. Scenes of heavy drinking straight

Brands of hormone tablets Premarin and Prevara are mentioned and taken by a char

Any Positive Content?

Gender reassignment surgery is portrayed as an experiment and punishment perform

Main character Frank is a hired killer who commits violent acts and seeks reveng

Gender reassignment surgery, which can be life-affirming (if not life-saving) fo

Violence & Scariness

Brutal shootings/killings. Blood sprays/spurts. Dead bodies. Kicking, beating. Streaming blood. Bloody wounds. Brief images of surgery relating to non-consensual gender reassignment, with gory, bloody cotton/bandages. Hypo needle held to neck. Attempted sexual assault, followed by perpetrator being beaten to death with a baseball bat. Passing mention of death of father and brother. Reference to dog fighting and killing dogs.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Full-frontal male and female nudity. Sex scene with thrusting (includes tearing open condom wrapper). Woman in sexy underwear; there's mention of paying for sex, implying that she's a sex worker. References to "pimps" and "hookers."

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Frequent strong language includes "f--k," "f--king," "motherf--king," "bulls--t," "s--t," "s--thead," "t-ts," "ass," "a--hole," "bastard," "douchebag," "piss," "hell," "goddamn," and "idiot," as well as racial slurs ("chinky" and "Chinaman").

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Drinking, Drugs & Smoking

Secondary character snorts cocaine on-screen. Scenes of heavy drinking straight from liquor bottles. Social drinking. Drugs shown, including hormone tablets taken by lead character.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Products & Purchases

Brands of hormone tablets Premarin and Prevara are mentioned and taken by a character.

Positive Messages

Gender reassignment surgery is portrayed as an experiment and punishment performed against someone's will. The film suggests that revenge can be warranted, offering satisfaction after trauma. However, glimpses of empathy can be found in the darkest of moments.

Positive Role Models

Main character Frank is a hired killer who commits violent acts and seeks revenge after being the victim of non-consensual gender-reassignment surgery. Frank generally shows little regard for others' lives but does have a strong determination to survive and extends empathy toward a dog and a character he has grown to care for, despite her double-crossing behavior. Dr. Rachel Jane puts scientific discovery before others' suffering, cruelly experimenting on unhoused people. She's arrogant and vengeful and shows no remorse for her actions.

Diverse Representations

Gender reassignment surgery, which can be life-affirming (if not life-saving) for individuals, is portrayed here as non-consensual and experimental, used as a punishment. Frank tries to get his surgery reversed, saying he thought it's what he wanted, which plays into damaging narratives about people changing their minds about surgery. Pre-surgery Frank is played by cisgender female actor Michelle Rodriguez in a mustache, beard, and chest plate, and she puts on a deep voice. Post-surgery Frank has a relationship with a woman; during sex, he says "I'll do what I can," implying that intimacy between two female bodies is somehow lesser than heterosexual sex. Offensive moments include a male doctor asking a female doctor whether she commits crimes because she didn't have a good sex life. Female bodies are sexualized, including Frank using his naked breasts to distract other men. A psychiatric hospital is referred to as the "nut house." Racist language is used toward a Chinese character, including "chinky" and "Chinaman." There's some ethnic diversity within the cast -- Rodriguez is Dominican-Puerto Rican and there are actors of Chinese and Middle Eastern descent in supporting roles.

Did we miss something on diversity? Suggest an update.

Parents need to know that The Assignment is an action/thriller with an irresponsibly handled topic at its core: The main character, an assassin, is given gender reassignment surgery against his will, changing his body from male to female. The content is extremely mature, including graphic nudity (male and female full frontal), bloody shootings, beatings, and killings, and brief but semi-graphic sex scenes. Language includes "f--k," "s--t," and "a--hole," plus racist terms like "chinky" and "Chinaman." Characters use drugs, including cocaine, and the main character occasionally drinks alcohol (sometimes too much). Due to the mature (and badly handled) themes and violent and sexual content, the movie is appropriate only for older teens and adults. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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What's the Story?

In THE ASSIGNMENT, a prickly, Shakespeare-and-Poe-quoting surgeon, Dr. Rachel Kay ( Sigourney Weaver ), lives in a psychiatric hospital and is interviewed by Dr. Ralph Galen ( Tony Shalhoub ). She tells her story in flashback. Her brother, in trouble with gangsters, becomes the target of an assassin named Frank Kitchen ( Michelle Rodriguez ). Dr. Kay subsequently kidnaps Frank and performs non-consensual gender reassignment surgery on him as revenge. And so Kitchen awakens in a female body, and, after searching for a way to reverse the procedure (and failing), decides to get his revenge on everyone connected to Dr. Kay -- all the way up to dangerous, well-protected gangster "Honest John" ( Anthony LaPaglia ).

Is It Any Good?

This thriller starts out with a ludicrous and irresponsibly handled idea. Even directed in a pulpy, creative way by Walter Hill (who worked with Weaver on Alien as producer and is best-known for directing action classics like The Warriors and 48 Hrs. ), The Assignment struggles to escape its misguided premise. Certainly the film is inauthentic, casting cisgender female actor Rodriguez to play both pre- and post-surgery versions of a male character. And though The Assignment tries to praise trans people for their courage, its portrayal of gender reassignment surgery as a punishment plays into damaging narratives. When real-life discrimination against trans people is a huge problem in society, it makes it difficult to concentrate on the movie's redeeming features.

Talk to Your Kids About ...

Families can talk about The Assignment 's violence . Does it feel gratuitous or necessary? What impact does the pulpy nature of the filmmaking have? Does associating it with comic book violence change how you view it?

The film centers on a character who has non-consensual gender reassignment surgery as a punishment. What message do you think this sends about surgery for transgender people? Why is it important to be conscious and careful about portrayals like this on-screen?

How does the movie portray drinking and drug use ? Does it make substance use seem enjoyable? Glamorous? Or does it seem sad/desperate? Are there consequences ?

Movie Details

• In theaters : April 7, 2017
• On DVD or streaming : June 6, 2017
• Cast : Michelle Rodriguez , Sigourney Weaver , Tony Shalhoub
• Director : Walter Hill
• Inclusion Information : Female actors, Latino actors, Middle Eastern/North African actors
• Studio : Saban Films
• Genre : Action/Adventure
• Run time : 95 minutes
• MPAA rating : R
• MPAA explanation : graphic nudity, violence, sexuality, language and drug use
• Last updated : November 6, 2023

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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The Assignment

“ The Assignment ” is a film that arrives in theaters having already inspired vast outpourings of anger from two groups —the transgender community, which appears to be offended by its very premise, and action buffs, who are put off both by the premise (albeit for different reasons) and what they feel is a lazy execution that fails to offer the requisite thrills. While I am sympathetic to the complaints of both groups (somewhat more for the former) and recognize that it is indeed deeply flawed in many areas, I cannot quite agree with either. This is a modestly scaled B-movie by one of the best genre filmmakers of our time, Walter Hill , that has enough skill and personality going for it to make it worth checking out, even if it doesn’t quite live up (or down, depending on your perspective) to its borderline sleazy premise.

And what is that premise, you ask? In a nutshell, Frank Kitchen ( Michelle Rodriguez … just keep reading) is a ruthless San Francisco hitman who runs afoul of Dr. Rachel Kay ( Sigourney Weaver ), a brilliant but deranged surgeon who has lost her license for conducting various rogue experiments. Frank kills Dr. Kay’s brother, and the good doctor seeks vengeance and experimental research into the importance of physical identity on the psyche. She arranges with crime boss Honest John Hartunian ( Anthony LaPaglia ) to have him grab Frank and bring him to her secret lab, where she proceeds to perform gender reassignment surgery on him. Dr. Kay asserts that the surgery will take away Frank’s desire to kill. Needless to say, Frank sees things a little differently, and, once she discovers that the surgery cannot be reversed, she methodically hatches a grisly revenge plot on everyone involved with her transformation from Honest John and his goons all the way up to Dr. Kay. Helping Frank in her quest is Johnnie ( Caitlin Gerard ), a nurse with whom Frank had a one-night stand before his transformation and who doesn’t seem particularly nonplussed by recent developments, though it seems that she may be harboring a few secrets of her own.

At first blush, one can easily understand why the transgender community might be a tad put off by the very existence of “The Assignment,” but the actual film is nowhere near as offensive as it might initially seem. For one thing, the film as a whole is so willfully and deliberately pulpy in tone (I could easily see a short version of this tale fitting perfectly into the confines of a “ Sin City ” film) that it is hard to take the alleged provocations on display with any degree of seriousness—this is a film that is so archetypal in nature that the sort-of sweethearts at its center are literally named Frank(ie) and Johnnie. Additionally, to suggest that Frank is meant to represent all transgender people is nonsense because he is clearly not one himself, and, outside of the obvious physical construct, little about him changes after undergoing his forced surgery. I would also point out that no less of a filmmaker than Pedro Almodovar used the notion of unwilling gender reassignment surgery as a plot point in his own unabashed genre exercise, “ The Skin I Live In ,” and no one seemed especially put off by it even though the deployment there was arguably more questionable from a taste perspective than what is seen here.

That said, “The Assignment” is still a problematic work in many ways from a purely cinematic perspective. The screenplay by Hill & Denis Hamill (which Hill has been toying with since the late ‘70s) is an awkward construction with much of the story presented in a series of flashbacks, as the now-incarcerated Dr. Kay recounts the story to another psychiatrist ( Tony Shalhoub ). This concept is especially problematic since Hill is at his best when he allows characters to define themselves purely through their actions instead of relentlessly explaining themselves as they do here. The film also screams out for a more overtly stylized visual treatment in the vein of something like his great “ Streets of Fire ”—a fact underlined by the occasional bits of black-and-white photography and comic book-style transitions—that might have also helped to underscore the kind of pulpy approach Hill was clearly going for. Another big problem, at least at first, is the casting of Michelle Rodriguez as Frank. There is nothing wrong with her performance but the early scenes in which she portrays the male version of Frank, complete with a wildly unconvincing beard and a lingering close-up of his genitalia for good measure, do inspire a few bad laughs right when the film is trying to establish itself. For some viewers, it may never recover from that.

For those who can get beyond that, “The Assignment” contains plenty of points of interest. Sigourney Weaver is pretty much a blast throughout as the snidely condescending doctor who sets all of the events into motion. As for Rodriguez, once she sheds the beard, her performance improves greatly. Obviously, we know she can do the steely-eyed badass stuff as well as anyone else but she also gets a couple of quieter moments amidst the chaos where she displays a more vulnerable side without stepping out of character—in one, she consults a doctor about whether the surgery can be reversed and begins shyly inquiring about certain personal details regarding her new equipment. In the other, she is about to go to bed with Johnnie when she realizes that she has no idea of how to approach lovemaking from a female perspective. (“You’ll do fine,” she is reassured in a line that is both funny and strangely touching.) As for Hill, while he is clearly working with a lower budget than usual here (with Vancouver substituting, not too convincingly, for San Francisco), he is still able to establish a convincingly noir attitude toward the material and the scenes of violence are done in a spare and economical style that is a relief from the over-the-top pyrotechnics of most current action films. (He also gets bonus points for employing Giorgio Moroder to deliver a cheerfully retro synth score.)

It is easy to see how the dramatic excesses of the plot could prove offensive to the transgender community, though I can just as easily see “The Assignment” one day becoming a cult favorite in the way that the once-controversial “ Cruising ” would eventually find some fans within the gay community that once scorned it. As an exercise in unapologetic pulp fiction, it gets the job done in a smart, efficient and slyly subversive manner. As the latest entry in the Walter Hill filmography, it definitely belongs on the second tier. Even though it may not be the equal to a classic like “ The Driver ” or “Streets of Fire,” it will do until that next masterwork does come along.

Peter Sobczynski

A moderately insightful critic, full-on Swiftie and all-around  bon vivant , Peter Sobczynski, in addition to his work at this site, is also a contributor to The Spool and can be heard weekly discussing new Blu-Ray releases on the Movie Madness podcast on the Now Playing network.

• Sigourney Weaver as Dr. Rachel Kay
• Caitlin Gerard as Johnnie
• Michelle Rodriguez as Frank Kitchen / Tomboy
• Tony Shalhoub as Dr. Ralph Galen
• Paul McGillion as Paul Wincott
• Anthony LaPaglia as Honest John Hartunian

Writer (story)

• Denis Hamill
• Walter Hill
• Giorgio Moroder
• Raney Shockne

Cinematographer

• James Liston
• Phil Norden

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http://tvtropes.org/pmwiki/pmwiki.php/Film/TheAssignment2016

The Assignment (2016)

This film provides examples of:

• Asshole Victim : Everybody who Frank murders (except for maybe Sebastian, but even he's a jerk who threw away the money that his sister provided to pay his debt) are criminals whom he notes no one will miss.
• Attempted Rape : Post sex reassignment, Frank is nearly raped by the sleazy owner of the hotel that he was put in. Frank overpowers and beats up the guy, then flees the premises.
• Attractive Bent-Gender : Post unwilling sex reassignment, Frank appears in a very attractive female form (played by Michelle Rodriguez in both cases, though the first in makeup obviously).
• Big Bad : Dr. Rachel Jane, the main villain of the film, who's a mad doctor .
• Big "NO!" : Frank yells this after seeing he's been made physically female.
• Body Horror : Being made physically female serves as this for Frank, especially at first.
• Bond Villain Stupidity : Dr. Rachel Jane, instead of killing Frank (possibly after extended surgical torture) subjects him to an involuntary sex reassignment and leaves him alive that way, with ample ability to track her down. Later, when her mooks catch him, they also didn't search him at all it seems since they miss his hidden gun which he uses to shoot them after waking up.
• Crosscast Role : Michelle Rodriguez plays Frank, a male hitman (by means of a fake beard and some prosthetics initially) who's subjected to an Easy Sex Change by a Mad Doctor who wanted revenge on him because he had killed her brother. For the rest of the film, he looks like Rodriguez normally does (obviously the reason for this).
• Cut Lex Luthor a Check : If Jane could perform an Easy Sex Change that could make you look like Michelle Rodriguez , she should have been able to make enough money to buy whatever revenge she wanted. It's possible however that marketing her techniques would expose that it had been perfected by running an underground clinic where she experimented on homeless people (she's a Mad Doctor , after all).
• Easy Sex Change : It's unclear just how long, but within very little time Jane performs a full set of sex reassignment surgeries on Frank, altering his cheeks, throat, nose and genitals. This isn't possible, willing or not, as he'd need time for recovery from each one. There's no indication that he was held very long however. Of course, since he's played by Michelle Rodriguez , he comes out with her appearance (which is also implausible).
• Even Evil Has Loved Ones : Dr. Rachel Jane is coldly indifferent to most people, and views them as simply test subjects. However, she still feels something for her brother, and sought out the hitman who killed him in revenge. That hitman in question, Frank, is also an example. He has a girlfriend he's obviously fond of, and takes care of a pit bull who'd been forced to fight. Additionally, he's got some close Latino friends.
• Evil vs. Evil : Frank is a hitman who freely admits he's bad and has killed many people. Dr. Rachel Jane, his nemesis, is a mad doctor who experimented on homeless people for medical research, and subjects him to involuntary sex reassignment for revenge when Frank kills her brother.
• Fan Disservice : Michelle Rodriguez as Frank shows full frontal nudity. However, as it's after he had been heavily bandaged and underwent extensive surgery, along with them being entirely unwilling procedures which freak him out, this is far less sexy than might be the case otherwise.
• Fanservice Extra : Near the beginning, Sebastian has a sex worker over in very revealing clothes. Frank's girlfriend Johnnie also appears briefly topless, and he interrupts one of his targets having sex with a naked Asian woman.
• Fingore : In the very last scene, it's revealed that Frank cut off Jane's fingers after shooting her (presumably so she couldn't do surgery ever again).
• Frame-Up : After shooting Jane's mooks , Frank makes it appear like her assistant killed them before being shot himself by putting the murder weapon into his hand. The police buy this, and don't believe her that he did it.
• Gender Bender Angst : Frank is very unhappy he was subjected to a forced sex reassignment, and even looks into a surgery that could at least somewhat undo this. However, he settles for vengeance against the mad doctor who did this instead as he's told it would never be the same.
• Gender Bender : Frank gets a full sex reassignment via magic plastic surgery , and the result is him then going from physically male to looking like Michelle Rodriguez (who played him in both cases).
• Get Out! : Frank yells this to one of his allies.
• Guns Akimbo : Frank wields guns in both hands multiple times during the film.
• Hitman with a Heart : Frank is shown to have a soft side. He's got some good friends, loves dogs (adopting one who'd been used for fighting) and displays genuine affection for his girlfriend.
• Hollywood Law : Dr. Rachel Jane is said to have been ruled incompetent to stand trial, so she's put into a mental institution instead, where a psychiatrist evaluates her to see if she's become competent (he decides she's not after attacking him). We see no indication she would be incompetent though, which simply means that they are able to understand the proceedings and aid in their defense. Jane is quite intelligent, so there's every indication she could do both of those things. Being ruled incompetent usually requires that a defendant be severely mentally impaired from disability, a mental illness, brain damage or senility.
• Hoist by Their Own Petard : After his unwanted sex reassignment, Frank gets back at Dr. Jane by mutilating her hands so she could never operate again .
• If It's You, It's Okay : After Frank's unwilling sex reassignment surgery, his girlfriend Johnnie has no problem continuing their relationship, suggesting this or else that she was bisexual all along. Given she is The Mole for Jane, it could also simply be Pragmatic Pansexuality , keeping Frank happy and under control.
• Interrupted Intimacy : Frank interrupts one of his targets when the guy is having sex with a woman.
• The Loins Sleep Tonight : After his involuntary surgery, Frank tries to have sex with his girlfriend (having been made physically female). However, he isn't able to feel anything, and consults a doctor who tells him sensation won't come back for around six months.
• Mad Doctor : Dr. Rachel Jane is an arrogant though highly skilled surgeon with delusions of grandeur who's been stripped of her license for illegal experiments. After that, she operates illegally in an underground clinic, performing more experiments on homeless people for what she claims is advancing medical knowledge. However, when a hitman murders her brother, she subjects him to a sex reassignment both to punish and change him (supposedly) for the better. After he kills most of her employees, plus shooting her, in revenge, she's found out by the police and sent to a mental institution.
• Magic Plastic Surgery : Frank ( Michelle Rodriguez heavily made up to look male) becomes a female version of himself physically (Rodriguez as herself) after undergoing involuntary sex reassignment surgeries. This would in reality require long recovery time between each procedure and have visible scarring (the mad doctor who did it was just that good ).
• Male Frontal Nudity : Early on Frank shows this stepping out of the shower, perhaps to emphasize his appearance before he's given an unwilling sex reassignment.
• Man, I Feel Like a Woman : Frank feels up his new breasts after realizing what's happened, while looking at himself in the mirror. He seems more repelled than anything however.
• Morally Ambiguous Doctorate : Dr. Rachel Jane was a surgeon whose unethical and illegal experiments meant she lost her license. This didn't stop her though-she just went underground with them. However, this is contrasted with normal psychiatrist Dr. Ralph Gales who's assessing her and considers what she did completely wrong and notes she betrayed her oath as a physician.
• The Needs of the Many : Dr. Rachel Jane says her experiments on homeless people were for this, to advance medical knowledge which would benefit millions. Their lives, in comparison, meant nothing to her.
• Pet the Dog : Literally when Frank kills a Russian dog fighter and adopts the pooch, due to having a soft spot for dogs. And again when he learns Johnnie's partly responsible for what happened to him, but is too in love with her to execute her, so he sends her off to Reno for safety and possibly a new life.
• Professional Killer : Frank Kitchen is a hitman, and the plot is sparked by him murdering Dr. Rachel Jane's brother over an unpaid debt he owed to criminals.
• Revenge : Dr. Rachel Jane wants revenge on Frank, the hitman who murdered her brother. So she gets a crime lord to kidnap him, then performs a sex reassignment (partly to "help" him in her view). He's horrified, then seeks revenge on her in turn, along with employees of the gangster who helped kidnap him for Jane, then them and also her mooks .
• Roaring Rampage of Revenge : After learning what was done to him, Frank goes after the criminal employees of gangster "Honest John" who helped Dr. Jane to do this, killing them off before he gets John himself, then Jane and her mooks after this. Jane survives, but is left stuck in a mental institution with no fingers, courtesy of Frank cutting them off.
• Tomboyish Name : Johnnie, Frank's girlfriend. It's unclear if this is short for anything. Aside from this however she isn't a tomboy at all in her appearance or actions.
• Understanding Boyfriend : Johnnie takes it to extreme heights, as she's completely unperturbed by Frank's new appearance, and has no questions or comments beyond noting how different he looks when she first sees him post sex reassignment. She stays with him afterward, completely accepting, without hesitation. It also seems she's entirely aware that he's a hitman, and doesn't mind at all. Then it's revealed that she was the one to set him up for the surgery in the first place at the behest of Dr. Jane, whom she'd been working for the whole time getting her the drugs for her experiments, and stayed around him to keep an eye on him.
• Understatement : Frank's girlfriend notes that he looks different after his involuntary sex reassignment, but makes no further comment. This is putting it very mildly. It's a wonder she recognized him. Before he had a beard and larger nose, as the most obvious examples. It makes sense when it's revealed she knew about this all along, as Jane's spy, and would have expected these changes.
• Villain Protagonist : Frank admits right in the opening voiceover monologue that he's a bad guy, and has probably deserved even more than what was done to him after he killed so many people. However, he isn't completely bad, and is seeking revenge on people that are on his level or even worse than him.
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The Assignment Movie

A hit man seeks revenge after being knocked out and awakening to discover he has been surgically turned into a woman.

Who's Involved:

Michelle Rodriguez, Caitlin Gerard, Sigourney Weaver, Tony Shalhoub, Anthony LaPaglia, Walter Hill

Release Date:

Friday, April 7, 2017 Limited

Plot: What's the story about?

Hitman Frank Kitchen (Michelle Rodriguez) is given a lethal assignment, but after being double-crossed, he discovers he’s not the man he thought he was—he’s been surgically altered and now has the body of a woman. Seeking vengeance, Frank heads for a showdown with the person (Sigourney Weaver) who transformed him, a brilliant surgeon with a chilling agenda of her own.

official plot version from sabanfilms.com

3.21 / 5 stars ( 14 users)

Poll: Will you see The Assignment?

Who stars in The Assignment: Cast List

Michelle Rodriguez

The Fate of the Furious, F9  

Sigourney Weaver

Avatar: Fire and Ash, Avatar 5  

Tony Shalhoub

Cars 2, Cars  

Anthony LaPaglia

Annabelle: Creation, Pearl  

Caitlin Gerard

Insidious: The Last Key, Smiley  

Who's making The Assignment: Crew List

A look at the The Assignment behind-the-scenes crew and production team. The film's director Walter Hill last directed Dead For A Dollar and Bullet to the Head . The film's writer Walter Hill last wrote Dead For A Dollar and What Ever Happened to Baby Jane? .

Walter Hill

Screenwriter

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Watch the assignment trailers & videos.

Theatrical Trailer

Production: what we know about the assignment.

• Michelle Rodriguez is to play the hitman while Sigourney Weaver is the scalpel-wielding doctor.
• Based on a story by Denis Hamill.

Filming Timeline

• 2016 - May : The film was set to Completed  status.

Cameras start rolling November 9, 2015 in Vancouver.

The Assignment Release Date: When was the film released?

The Assignment was a Limited release in 2017 on Friday, April 7, 2017 . There were 18 other movies released on the same date, including Smurfs: The Lost Village , The Case for Christ and Going in Style . As a Limited release, The Assignment will only be shown in select movie theaters across major markets. Please check Fandango and Atom Tickets to see if the film is playing in your area.

The Assignment DVD & Blu-ray Release Date: When was the film released?

The Assignment was released on DVD & Blu-ray on Tuesday, June 6 , 2017 .

The Assignment VOD & Digital: When was the film released digitally?

The Assignment was released across all major streaming and cable platforms on Friday, April 7 , 2017 . Digital rental or purchase allows you to instantly stream and download to watch anywhere and anytime on your favorite devices. Available from various digital retailers including Amazon Video, iTunes, Google Play, Apple, Vudu and others.

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Also known as

• Tomboy, A Revenger's Tale

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• Mon., Jun. 12, 2017 from Amazon
• added the US Blu-ray release date of June 6, 2017
• added the US DVD release date of June 6, 2017
• Sun., Mar. 19, 2017 from Saban Films
• added Theatrical Trailer to trailers & videos
• added the US VOD release date of April 7, 2017
• added a poster to the gallery
• added photos to the gallery
• added a synopsis
• set the MPAA rating to R for graphic nudity, violence, sexuality, language and drug use
• added a running time of 95 minutes

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The Assignment (2016)

Directed by walter hill.

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Description by Wikipedia

The Assignment is an action crime thriller film directed by Walter Hill and co-written by Hill and Denis Hamill. The film stars Michelle Rodriguez, Tony Shalhoub, Anthony LaPaglia, Caitlin Gerard, and Sigourney Weaver.

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Currently available on 6 streaming services.

The Assignment (1997)

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Currently you are able to watch "The Assignment" streaming on Amazon Prime Video, Amazon Prime Video with Ads or for free with ads on Tubi TV. It is also possible to rent "The Assignment" on Apple TV, Amazon Video, Microsoft Store online and to download it on Apple TV, Amazon Video, Microsoft Store.

Jack Shaw has experienced the terror first-hand. He's a top CIA agent who's tracked international killer-for-hire Carlos "The Jackal" Sanchez for over twenty years and barely survived Carlos' devastating bombing of a Parisian cafe. Now, he finally gets a break when he discovers Carlos' dead ringer: American naval officer and dedicated family man Annibal Ramirez.

Videos: Trailers, Teasers, Featurettes

Where does The Assignment rank today? The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

The Assignment is 8505 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 4360 places since yesterday. In the United States, it is currently more popular than Intruders but less popular than Tales from the Darkside: The Movie.

Streaming charts last updated: 9:21:20 AM, 09/16/2024

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The Assignment

Where to watch.

Watch The Assignment with a subscription on Prime Video, rent on Fandango at Home, Apple TV, or buy on Fandango at Home, Apple TV.

What to Know

The Assignment 's premise is bizarrely intriguing; unfortunately, it's also just one of many ingredients fumbled in a disappointing misfire from director Walter Hill.

Critics Reviews

Audience reviews, cast & crew.

Walter Hill

Michelle Rodriguez

Frank Kitchen

Sigourney Weaver

Dr. Rachel Kay

Tony Shalhoub

Dr. Ralph Galen

Caitlin Gerard

Anthony LaPaglia

Honest John Hartunian

More Like This

Related movie news.

Liza Wiemer

Award-winning author, educator, and public speaker, the story behind the assignment.

• THE ASSIGNMENT – Curriculum Guides and Teacher Info
• Out and About: A Tale of Giving
• Life Imitates Art
• Visit HELLO? Sites
• Contributor to Small Miracles from Beyond
• Contributor to Small Miracles of the Holocaust
• Waiting for Peace
• Extraordinary Guidance
• Author Visits
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• On July 25, 2016, I received a message on Facebook from librarian Wendy Watts Scalfaro asking if I would be interested in coming to her Syracuse-area high school to conduct workshops about my YA novel, Hello? . It’s important that I mention that Wendy and I had never met in person. We were Twitter friends and she was taking a “Teacher’s Write” class that was a part of
• In September 2016, Wendy contacted River’s End Bookstore to arrange for a book signing and I finalized the event on December 7, 2016. We set the date for Tuesday, April 4, 2017
• I traveled to the Syracuse area on Sunday, April 2, 2017. I had a full-day school visit on the 3rd. On the 4th, I decided to leave extra early for Oswego. It was pouring and my windshield wipers could barely keep up. I was concerned about driving in those conditions, especially since River’s End Bookstore was quite a distance away. At one point, I wondered why Wendy had contacted this bookstore when there were at least a half-dozen bookstores within the Syracuse area. I was truly baffled. It took me nearly an hour to get to Oswego. At this point, I was desperate for caffeine and ended up stopping at this grocery store.
• It’s hard to tell from the photo, but this parking lot is slightly bowl-shaped. I had pulled into a spot on the right side of the photo, but because of the amount of rain, the lot was flooded. I didn’t want to get out of my car because I was wearing knit Ugg boots and my feet would have been soaked through immediately. So, I did something I normally wouldn’t do to pass the time: I went on Facebook.
• That’s when I saw this article posted by my aunt.
• I clicked on the link. To my shock, I discovered that this antisemitic school assignment debating the Holocaust took place in Oswego. I contacted my aunt. I contacted writer friends, attaching the link to my text message, saying, “Can you believe I’m in this town?” I spoke to fellow author, Gayle Rosengren, and told her and my aunt that I needed to figure out a way to get in touch with Archer Shurtliff and Jordan April, the two teens courageous teens who refused to do the assignment. Although they and one other student did an alternative, that left over 70 students who created a memorandum from the Nazis’ point-of-view. Even though the assignment had been completed, Archer and Jordan were determined to never have anyone else be in a position of having to do this assignment. I was impressed by their conviction and very much wanted to let them know that I thought that they were brave and their actions heroic. The problem, however, was that I had no idea how to get in touch with them. It’s not like I was speaking at a local high school. Finally, I made the decision to ask the bookstore owner for his help. I planned to purchase copies of my YA novel Hello? and ask him to send them to the teens along with a personal note. I was nervous. What if the owner disagreed with the teens’ stance and advocated in favor of the assignment?
• I decided the risk was worth it. At this point, my expectations for the evening were low. It was still raining and I wasn’t sure how many people would come out in the rain to hear me speak. I arrived a half-hour early, and once again rehearsed how I would approach the owner about my special request.
• In a blink of an eye, everything changed. I took four steps into the bookstore and immediately recognized Jordan. I stopped in my tracks and said, “Oh my goodness! It’s the world-famous Jordan!” Her face morphed from confused to surprised. “How do you know who I am?” she asked. I showed her my phone. It turned out that Jordan worked at the bookstore.
• I did purchase my book for both teens and inscribed it with a message of gratitude. That night, I had a three-way call with Jordan and Archer. I was amazed by their strength, courage, and determination. I was in awe of their decisiveness: the assignment was wrong. No one should advocate for genocide.
• That evening, I could barely sleep so I wrote about the experience. Those thoughts turned into an article that was published on several sites. Here’s one of them: Opinion: No justification for high school assignment debating genocide . When I returned home, author Clara Kensie said to me, “You have to write a YA novel about this.”
• It might seem like it was an easy decision, but it wasn’t. The day before had been one of the most challenging I’d had as an educator and speaker and I admit that I wondered, Is this what I’m supposed to be doing with my life? It was a bad moment. And then it got worse. That evening, I received the sixtieth + rejection for a YA novel that I had worked on for over six years: “Thank you for your query. Sorry it’s taken me an embarrassingly long time to get back to you. I’m afraid XXXXX is a pass for me. I’m just not connecting in the “must have” way that I’d need to offer representation. Best of luck,” ____Agent Z
• I was done. Clearly, writing was not what I was supposed to do with my life. So, I called my elder son Justin and told him that I’d reached my end and that maybe I should attend UW-Milwaukee and get a master’s degree in psychology. Justin, oh-son-of-mine, said what I’ve said to him on many occasions. “This will pass. It was one bad moment. Don’t give up.”
• Obviously, I didn’t. But that’s because I couldn’t turn my back on all the amazing series of events that lead up to what transpired the very next day. I believe in miracles. I believe in Divine Providence. For me, writing this novel has been an experience of that faith.
• Early on in my research, I connected with Syracuse University Professor Emeritus, Alan Goldberg, Coordinator Spector/Warren Fellowship and Director Regional Holocaust & Genocide Initiative, School of Education. Professor Goldberg was one of the individuals who spoke out against the real assignment and was involved in creating new curriculum to be used in New York Schools. For me, what was remarkable is that Professor Alan Goldberg shares the same name as my father, Alan Goldberg. It was the first time in my life I’d ever met someone who had the same name as my dad.
• On November 3, 2017, an author friend of mine, Debbi Lakritz, told me about the Jewish Children’s Book Writers & Illustrators’ Seminar, which was to take place on Sunday, November 12th in New York City. At this point, I had finished several drafts of my new novel and was ready to find an agent. This seminar sounded like a fantastic opportunity. There were several issues, however. The cost of the conference and buying a plane ticket. Money was extremely tight. My husband had been freelancing for several years and we were definitely struggling. I talked to my husband about the event and my concerns. Without any hesitation, he encouraged me to go. I contacted Evie Saphire-Bernstein, the program manager at the Jewish Book Council. Despite missing the deadline, she welcomed and encouraged me to be a part of the event. Her kindness was the open door I needed. So I signed up and bought my plane ticket.
• At the seminar, I met some fantastic people, many have become friends. I also reconnected with Lizzy Mason, a publicist from Bloomsbury (now Page Street), who spoke at the event. We’d met on several occasions at Book Expo America events and so seeing her made this event even more special. We discussed this novel, and from that conversation Lizzy became one of my biggest cheerleaders. I also received valuable feedback from two agents: “This is an important topic, but you need to rewrite your novel from third-person omniscient to first person. I got the message and promised myself that I would start again. But the most incredible thing that transpired at the seminar was a meeting Random House publicist Josh Redlich. I introduced myself right after his panel discussion, shared the elevator pitch for The Assignment. He said, “I know who would love this book. Send it to Beverly Horowitz. I sent myself a email with her name…and…
• Many rewrites later, I was ready to send my manuscript out to agents again. This time, I received requests for the entire novel almost instantly. One of those agents was Steven Chudney, who turned out to be my dream agent. When it was time to submit to editors at publishing houses, I asked Steven to include Beverly. He put her on the top of the list.
• Within a few weeks we had an offer from Beverly. So, there you have it. What a journey! Thank YOU, dear reader, for being a part of it.

The Assignment

In Theaters: March 3, 2017 (limited)

On DVD/Blu-ray: June 6, 2017

R | 1h 35m | Action, Adventure, Thriller

A rogue cosmetic surgeon ( Sigourney Weaver ) known only as "The Doctor" performs a complete male-to-female gender reassignment surgery on an ace assassin named Frank Kitchen ( Michelle Rodriguez ) as an act of revenge, in order to cause him enormous psychic pain.

When the hit man wakes up and finds he's now a "hit woman," he set out for revenge on the doctor with the help of a nurse who goes by the name Johnnie ( Caitlin Gerard ).

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All images are copyrighted by their respective copyright holders and/or producers/distributors.

• Tomboy, a Revenger's Tale
• (Re)Assignment

• Caroline Chan

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• "A deliciously transgressive and smart classic B movie."  Todd McCarthy : The Hollywood Reporter
• "[It] gracelessly mashes together hardboiled crime-melodrama cliches and an unintentionally funny 'Oh no! I'm a chick now!!' gender-change narrative hook."  Dennis Harvey : Variety
• "The filmmaker’s touch is completely lost here, and the only danger the film winds up posing is to the time spent by those who choose to watch it."  Kevin Jagernauth : The Playlist
• "The film's dialogue is entertainingly hard-boiled, and the performances knowing without ever being arch."  Keith Uhlich : Slant
• "Walter Hill (...) has enough skill and personality going for it to make it worth checking out, even if it doesn’t quite live up (...) to its borderline sleazy premise (…) Rating: ★★★ (out of 4)"  Peter Sobczynski : rogerebert.com
• "Gender-switching hitman thriller is staggering misfire (...) a strong contender for 2016’s worst movie (…) Rating: ★ (out of 5)"  Benjamin Lee : The Guardian

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