collection of personal essays

The 25 Greatest Essay Collections of All Time

Today marks the release of Aleksandar Hemon’s excellent book of personal essays, The Book of My Lives , which we loved, and which we’re convinced deserves a place in the literary canon. To that end, we were inspired to put together our list of the greatest essay collections of all time, from the classic to the contemporary, from the personal to the critical. In making our choices, we’ve steered away from posthumous omnibuses (Michel de Montaigne’s Complete Essays , the collected Orwell, etc.) and multi-author compilations, and given what might be undue weight to our favorite writers (as one does). After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments.

The Book of My Lives , Aleksandar Hemon

Hemon’s memoir in essays is in turns wryly hilarious, intellectually searching, and deeply troubling. It’s the life story of a fascinating, quietly brilliant man, and it reads as such. For fans of chess and ill-advised theme parties and growing up more than once.

Slouching Towards Bethlehem , Joan Didion

Well, obviously. Didion’s extraordinary book of essays, expertly surveying both her native California in the 1960s and her own internal landscape with clear eyes and one eyebrow raised ever so slightly. This collection, her first, helped establish the idea of journalism as art, and continues to put wind in the sails of many writers after her, hoping to move in that Didion direction.

Pulphead , John Jeremiah Sullivan

This was one of those books that this writer deemed required reading for all immediate family and friends. Sullivan’s sharply observed essays take us from Christian rock festivals to underground caves to his own home, and introduce us to 19-century geniuses, imagined professors and Axl Rose. Smart, curious, and humane, this is everything an essay collection should be.

The Boys of My Youth , Jo Ann Beard

Another memoir-in-essays, or perhaps just a collection of personal narratives, Jo Ann Beard’s award-winning volume is a masterpiece. Not only does it include the luminous, emotionally destructive “The Fourth State of the Matter,” which we’ve already implored you to read , but also the incredible “Bulldozing the Baby,” which takes on a smaller tragedy: a three-year-old Beard’s separation from her doll Hal. “The gorgeous thing about Hal,” she tells us, “was that not only was he my friend, he was also my slave. I made the majority of our decisions, including the bathtub one, which in retrospect was the beginning of the end.”

Consider the Lobster , David Foster Wallace

This one’s another “duh” moment, at least if you’re a fan of the literary essay. One of the most brilliant essayists of all time, Wallace pushes the boundaries (of the form, of our patience, of his own brain) and comes back with a classic collection of writing on everything from John Updike to, well, lobsters. You’ll laugh out loud right before you rethink your whole life. And then repeat.

Notes of a Native Son , James Baldwin

Baldwin’s most influential work is a witty, passionate portrait of black life and social change in America in the 1940s and early 1950s. His essays, like so many of the greats’, are both incisive social critiques and rigorous investigations into the self, told with a perfect tension between humor and righteous fury.

Naked , David Sedaris

His essays often read more like short stories than they do social criticism (though there’s a healthy, if perhaps implied, dose of that slippery subject), but no one makes us laugh harder or longer. A genius of the form.

Against Interpretation , Susan Sontag

This collection, Sontag’s first, is a dazzling feat of intellectualism. Her essays dissect not only art but the way we think about art, imploring us to “reveal the sensuous surface of art without mucking about in it.” It also contains the brilliant “Notes on ‘Camp,'” one of our all-time favorites.

The Common Reader , Virginia Woolf

Woolf is a literary giant for a reason — she was as incisive and brilliant a critic as she was a novelist. These witty essays, written for the common reader (“He is worse educated, and nature has not gifted him so generously. He reads for his own pleasure rather than to impart knowledge or correct the opinions of others. Above all, he is guided by an instinct to create for himself, out of whatever odds and ends he can come by, some kind of whole- a portrait of a man, a sketch of an age, a theory of the art of writing”), are as illuminating and engrossing as they were when they were written.

Teaching a Stone to Talk , Annie Dillard

This is Dillard’s only book of essays, but boy is it a blazingly good one. The slender volume, filled with examinations of nature both human and not, is deft of thought and tongue, and well worth anyone’s time. As the Chicago Sun-Times ‘s Edward Abbey gushed, “This little book is haloed and informed throughout by Dillard’s distinctive passion and intensity, a sort of intellectual radiance that reminds me both Thoreau and Emily Dickinson.”

Thirteen Ways of Looking at a Black Man , Henry Louis Gates Jr.

In this eloquent volume of essays, all but one of which were originally published in the New Yorker , Gates argues against the notion of the singularly representable “black man,” preferring to represent him in a myriad of diverse profiles, from James Baldwin to Colin Powell. Humane, incisive, and satisfyingly journalistic, Gates cobbles together the ultimate portrait of the 20th-century African-American male by refusing to cobble it together, and raises important questions about race and identity even as he entertains.

Otherwise Known As the Human Condition , Geoff Dyer

This book of essays, which won the National Book Critics Circle Award in the year of its publication, covers 25 years of the uncategorizable, inimitable Geoff Dyer’s work — casually erudite and yet liable to fascinate anyone wandering in the door, witty and breathing and full of truth. As Sam Lipsyte said, “You read Dyer for his caustic wit, of course, his exquisite and perceptive crankiness, and his deep and exciting intellectual connections, but from these enthralling rants and cultural investigations there finally emerges another Dyer, a generous seeker of human feeling and experience, a man perhaps closer than he thinks to what he believes his hero Camus achieved: ‘a heart free of bitterness.'”

Art and Ardor , Cynthia Ozick

Look, Cynthia Ozick is a genius. One of David Foster Wallace’s favorite writers, and one of ours, Ozick has no less than seven essay collections to her name, and we could have chosen any one of them, each sharper and more perfectly self-conscious than the last. This one, however, includes her stunner “A Drugstore in Winter,” which was chosen by Joyce Carol Oates for The Best American Essays of the Century , so we’ll go with it.

No More Nice Girls , Ellen Willis

The venerable Ellen Willis was the first pop music critic for The New Yorker , and a rollicking anti-authoritarian, feminist, all-around bad-ass woman who had a hell of a way with words. This collection examines the women’s movement, the plight of the aging radical, race relations, cultural politics, drugs, and Picasso. Among other things.

The War Against Cliché , Martin Amis

As you know if you’ve ever heard him talk , Martin Amis is not only a notorious grouch but a sharp critical mind, particularly when it comes to literature. That quality is on full display in this collection, which spans nearly 30 years and twice as many subjects, from Vladimir Nabokov (his hero) to chess to writing about sex. Love him or hate him, there’s no denying that he’s a brilliant old grump.

Cultural Amnesia: Necessary Memories From History and the Arts , Clive James

James’s collection is a strange beast, not like any other essay collection on this list but its own breed. An encyclopedia of modern culture, the book collects 110 new biographical essays, which provide more than enough room for James to flex his formidable intellect and curiosity, as he wanders off on tangents, anecdotes, and cultural criticism. It’s not the only who’s who you need, but it’s a who’s who you need.

I Feel Bad About My Neck: And Other Thoughts on Being a Woman , Nora Ephron

Oh Nora, we miss you. Again, we could have picked any of her collections here — candid, hilarious, and willing to give it to you straight, she’s like a best friend and mentor in one, only much more interesting than any of either you’ve ever had.

Arguably , Christopher Hitchens

No matter what you think of his politics (or his rhetorical strategies), there’s no denying that Christopher Hitchens was one of the most brilliant minds — and one of the most brilliant debaters — of the century. In this collection, packed with cultural commentary, literary journalism, and political writing, he is at his liveliest, his funniest, his exactingly wittiest. He’s also just as caustic as ever.

The Solace of Open Spaces , Gretel Ehrlich

Gretel Ehrlich is a poet, and in this collection, you’ll know it. In 1976, she moved to Wyoming and became a cowherd, and nearly a decade later, she published this lovely, funny set of essays about rural life in the American West.”Keenly observed the world is transformed,” she writes. “The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.”

The Braindead Megaphone , George Saunders

Saunders may be the man of the moment, but he’s been at work for a long while, and not only on his celebrated short stories. His single collection of essays applies the same humor and deliciously slant view to the real world — which manages to display nearly as much absurdity as one of his trademark stories.

Against Joie de Vivre , Phillip Lopate

“Over the years,” the title essay begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” Lopate goes on to dissect, in pleasantly sardonic terms, the modern dinner party. Smart and thought-provoking throughout (and not as crotchety as all that), this collection is conversational but weighty, something to be discussed at length with friends at your next — oh well, you know.

Sex and the River Styx , Edward Hoagland

Edward Hoagland, who John Updike deemed “the best essayist of my generation,” has a long and storied career and a fat bibliography, so we hesitate to choose such a recent installment in the writer’s canon. Then again, Garrison Keillor thinks it’s his best yet , so perhaps we’re not far off. Hoagland is a great nature writer (name checked by many as the modern Thoreau) but in truth, he’s just as fascinated by humanity, musing that “human nature is interstitial with nature, and not to be shunned by a naturalist.” Elegant and thoughtful, Hoagland may warn us that he’s heading towards the River Styx, but we’ll hang on to him a while longer.

Changing My Mind , Zadie Smith

Smith may be best known for her novels (and she should be), but to our eyes she is also emerging as an excellent essayist in her own right, passionate and thoughtful. Plus, any essay collection that talks about Barack Obama via Pygmalion is a winner in our book.

My Misspent Youth , Meghan Daum

Like so many other writers on this list, Daum dives head first into the culture and comes up with meat in her mouth. Her voice is fresh and her narratives daring, honest and endlessly entertaining.

The White Album , Joan Didion

Yes, Joan Didion is on this list twice, because Joan Didion is the master of the modern essay, tearing at our assumptions and building our world in brisk, clever strokes. Deal.

31 page-turning memoirs to read in your lifetime, from searing essay collections to celebrity bestsellers

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• Memoirs are the most personal account of nonfiction events.
• They give readers an engaging narrative that navigates historical hardships or personal triumph.
• The memoirs in this list were chosen for their unique stories and writing style.

Memoirs are hugely popular as readers gravitate towards the personal lens of real events, with the best ones almost reading like fiction. These remarkable, sometimes tragic, always inspirational stories bring us into the lives of people we've never met, giving us a wider understanding of humanity and of the promise one life can hold. 

Each memoir on this list was chosen because it had a unique story with the potential to change how we understand the world. Some follow celebrities and others are a glimpse into the life of someone we probably never would have known. Capturing a human experience within the pages of a book is often raw and emotional, but so many of the memoirs in this list are also funny and highly entertaining. I'm thrilled to share with you my memoir recommendations because I feel these stories demand to be heard.

A formerly anonymous account of an infamous assault

"Know My Name" by Chanel Miller, free with Audible trial, $11.99 on Kindle, $16.20 for paperback

This is the best, most painful, most powerful memoir I have ever had the pleasure to read. I often go into books with no expectations of the author or the plot, so when the first chapters of this book introduced me to Chanel Miller and her story, I was floored. We've heard the name "Brock Turner" over and over, a convicted sexual assailant hailed for his swim records while an anonymous woman's letter circulated the internet. With the publication of this book, Chanel's words beg us to know her name and her story. 

Memorable quote: "It is not a question of if you will survive this, but what beautiful things await you when you do."

An anecdotal Asian American essay collection

"Minor Feelings: An Asian American Reckoning" by Cathy Park Hong, free with Audible trial, $13.99 on Kindle, $15.98 for paperback

"Minor Feelings" is an essay collection on what it means to experience racial stereotyping, historical trauma, and societal invalidation as an Asian American. This is an honest, original, and representative storytelling of identity and culture in a society where one of the most diverse demographics is often reduced to "the preferred minority." Especially with the recent rise of violence against Asian Americans , this is a crucial read, among many , to understand the ignorance and racism endured by Cathy Park Hong and so many others. 

Memorable quote: "Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity.

Michelle Obama's wise and reflective life story

"Becoming" by Michelle Obama, free with Audible trial, $12.99 on Kindle, $11.89 for hardcover

There's something for everyone in "Becoming," no matter your political view or opinion of the Obama family. Michelle's life story is one of challenge and promise, hope, and perseverance. Her book begins with her childhood, through meeting Barack at a law firm, and continues all the way through her time in the White House. Her anecdotes and advice overflow with inspiration, empathy, and patience. Besides being absolutely delightful and refreshing, Michelle Obama's memoir further demonstrates why she's become such an icon for young women to become confident and inspiring women themselves. 

Memorable quote: "At fifty-four, I am still in progress, and I hope that I always will be."

A grief-stricken memoir

"The Men We Reaped" by Jesmyn Ward, free with Audible trial, $10.04 on Kindle, $11.56 for hardcover

Jesmyn Ward (the author of " Sing, Unburied, Sing ") has lived through a lot of death, losing five men in her life in four years. She struggled with the "why" of it all until the answer became clear: though each man died of different causes, they all came back to racial and economic struggles. There is a lot of grief in her story as she navigates the statistics of racial poverty and their personalized effect on her, her family, and her community. 

Memorable quote: "We tried to outpace the thing that chased us, that said: You are nothing."

A series of wildly entertaining restaurant adventures

"Kitchen Confidential" by Anthony Bourdain, free with Audible trial, $12.60 on Kindle, $17.84 for hardcover

Hailed as an iconic chef, traveler, and journalist, Anthony Bourdain's memoir is a trip through all the hilariously bad behavior in the back of every great restaurant. Bourdain held nothing back in his storytelling, exposing the hidden and often dirty secrets to which anyone who has ever worked in a kitchen can attest. His words are that of a seasoned professional, a voice empty of arrogance but full of endearment for the often chaotic nature of the industry.

Memorable quote: "Your body is not a temple, it's an amusement park. Enjoy the ride."

The story of one woman's improbable success

"Educated" by Tara Westover, free with Audible trial, $12.99 on Kindle, $13 for hardcover

Tara came from a Mormon, survivalist mountain family; her father's fears of the end of the world dictated that the children would never receive an education, proper medical attention, or even have birth certificates. When she was accepted to Brigham Young University after spending years teaching herself math and grammar, her life became driven by her thirst for knowledge. Tara writes with poise, patience, and wisdom that radiates through her pursuit of self-identity, going beyond trauma and towards a balance between forgiveness from where she came and passion for where she's going. 

Memorable quote: "'You can love someone and still choose to say goodbye to them,' she says now. 'You can miss a person every day, and still be glad that they are no longer in your life.'"

The fierce account of an unstoppable young woman

"I Am Malala" by Malala Yousafazi, free with Audible trial, $9.99 on Kindle, $8.30 for hardcover

On October 9, 2012, Malala Yousafazi was shot in the head while riding the bus home from school, having tirelessly fought for her right to an education. Malala has since become famous for her human rights advocacy, specifically for Pakistani women, and is the youngest woman to receive a Nobel Peace Prize. Her memoir is the story of the fight for freedom against seemingly impossible odds — about being a daughter in a world that values only sons, and speaking up even when everyone is trying to keep you quiet. 

Memorable quote: " We realize the importance of our voices only when we are silenced."

The contemplative work of a terminally ill neurosurgeon

"When Breath Becomes Air by Paul Kalanithi" free with Audible trial, $9.99 on Kindle, $14.64 for hardcover

What makes a life worth living? At 36, Paul Kalanithi was a life-saving neurosurgeon whose career came to a halt as he was diagnosed with Stage IV lung cancer. Now a patient confronting his own mortality and seeking a broader understanding of this life , Paul digs into all of life's great questions as his own slips away. He lost his battle with cancer while writing this memoir, leaving much for us to think about as we continue on.

Memorable quote: "There is a moment, a cusp, when the sum of gathered experience is worn down by the details of living. We are never so wise as when we live in this moment."

A collection of personal essays on mental illness

"The Collected Schizophrenias: Essays" by Esmé Weijun Wang, free with Audible trial, $9.99 on Kindle, $12.53 for hardcover

By combining research in her personal essays, Esmé Weijun Wang explores schizophrenia both in her own mind and through the lens of our society as we struggle to understand and care for mental illness. The book begins with a technical explanation of schizoaffective disorders and their effects, providing a necessary perspective on which her memoir is based. Her stories are extremely important, a candid telling of exceptionally personal experiences in a world where she and her diagnosis are frequently misunderstood.

Memorable quote: "I tell myself that if I must live with a slippery mind, I want to know how to tether it too."

A father's letter to his son

"Between The World And Me" by Ta-Nehisi Coates, free with Audible trial, $12.99 on Kindle, $14.99 for hardcover

Told in the form of a letter to his son, Ta-Nehisi Coates attempts to answer the biggest questions he's encountered in his life about race, America's history, and how to protect his son from an unforgiving world. The story is profoundly raw and real, one that combines our history with the current political climate and will undoubtedly be hailed for years to come. 

Memorable quote: "You are growing into consciousness, and my wish for you is that you feel no need to constrict yourself to make other people comfortable."

A painfully honest story of getting lost in order to be found

"Wild: From Lost to Found on the Pacific Crest Trail" by Cheryl Strayed, free with Audible trial, $11.99 on Kindle, $16.53 for hardcover

Cheryl Strayed had almost zero hiking experience and no real training when she decided to embark on the Pacific Crest Trail which spans from the Mojave Desert to Washington State. Four years prior, her mother's death spurred a whirlwind of addiction, anger, and heartbreak that pushed her to the point of giving up. The story of her hike is a brutal and honest one. But in order to find herself again, Cheryl needs to come to terms with her mistakes — a journey into which she welcomes us in the form of this book. 

Memorable quote: "How wild it was, to let it be."

One woman's journey from refugee to Congresswoman

"This Is What America Looks Like" by Ilhan Omar, free with Audible trial, $12.99 on Kindle, $16.59 for hardcover

Ilhan was one of seven children being raised by her father and grandfather when her family fled Somalia and found themselves in a refugee camp in Kenya. Surrounded by poverty, starvation, and death, it took four years for her family to reach Virginia. Determined to find her American Dream, Ilhan worked through every hardship to her election to Congress in 2019. Her memoir is an incredible account of Ilhan's determination to not only survive but thrive in environments that could have broken her. It is uniquely eye-opening and transparent, a look into her endurance through the impossible.

Memorable quote: "As a refugee who fled civil war as a child, I am still trying to figure out where I fit in — which is perhaps why the most important note I found sticking to the wall outside my office had only three words. You belong here."

A narrative of incarceration and justice

"Just Mercy" by Bryan Stevenson, free with Audible trial, $12.99 on Kindle, $9.11 for paperback

Bryan was a young lawyer in Alabama when he founded the "Equal Justice Initiative" — a law office committed to defending prisoners wrongly convicted, too poor to afford proper representation, or those not given a fair trial. This memoir focuses on the early days of the firm and one of the first clients, Walter McMillian, a Black man wrongly convicted of murder. If you don't know much about the mass incarceration or racial inequality in America's justice system, this is a great place to start. 

Memorable quote: "Each of us is more than the worst thing we've ever done."

A memoir that will make you feel alright, alright, alright

"Greenlights" by Matthew McConaughey, free with Audible trial, $14.99 on Kindle, $16.95 for hardcover

"Greenlights" is a memoir that radiates with McConaughey's iconic country-boy coolness through the printed words about life lessons, patience, "catching greenlights" and the wisdom that the "yellows and reds eventually turn green, too." Matthew McConaughey's novel reads like an old friend sitting down with you on the front porch as the sun sets on a summer night — it's supremely warm and comfortable, full of wisdom collected from nearly 50 years of Matthew's diaries.

Memorable quote: "Stepping in shit is inevitable, so let's either see it as good luck, or figure out how to do it less often."

An inside look at a rising political figure

"Shortest Way Home: One Mayor's Challenge and a Model for America's Future" by Pete Buttigieg, free with Audible trial, free on Kindle for Prime members, $15.77 for hardcover

At 29, Pete Buttigieg was the youngest elected mayor in the nation and held a vision to revitalize South Bend, Indiana. In recent years, he has emerged onto the national political stage for his unparalleled successes, even holding his mayoral position when he deployed to Afghanistan as an officer in the Navy. His memoir is authentic, endearing, and optimistic. It's also a great way to learn more about Buttigieg's policies, accomplishments, and aspirations for the future of our country. 

Memorable quote: "A river is made drop by drop."

A composition of a noteworthy Supreme Court Justice

"My Own Words" by Ruth Bader Ginsburg, free with Audible trial, $12.99 on Kindle, $9.18 for paperback

This is a collection of RBG's writings and speeches, with each chapter given an introduction to provide historical context. It spans a wide range of topics, from feminism to the inner workings of the Supreme Court. A combination of legal decisions, advice from her mother, and stories of her strides towards gender equality make for a lasting memoir of a woman whose legacy endures.

Memorable quote: "When a thoughtless or unkind word is spoken, best tune out. Reacting in anger or annoyance will not advance one's ability to persuade."

A memoir for a YA audience

"All Boys Aren't Blue" by George M. Johnson, free with Audible trial, $10.99 on Kindle, $14.10 for hardcover

Told in a series of essays, this memoir annotates the struggles of queer, Black boys and men in our society. For some readers, it's a reassurance that there is a place in this world for us to be uniquely ourselves and thrive despite setbacks. For others, it's a call to be the ally that could save a person's life. George M. Johnson's essays address tough subjects like toxic masculinity, consent, and questioning one's gender identity in an accessible way. The book is geared towards a young adult audience, making it a great outlet to explore gender, sexuality, and race by fostering supportive environments and open conversations. 

Memorable quote: "The first person you are ever an activist for is yourself. If I wasn't gonna fight for me, who else was?"

A raw account of the long journey to loving oneself

"Over The Top" by Jonathan Van Ness, free with Audible trial, $11.99 on Kindle, $12.90 for paperback

I absolutely adore "Queer Eye" and Jonathan Van Ness's radiance, encouragement, and clearly genuine love for those around him. I picked up his memoir thinking it would be fun and light, but Jonathan also opens up about some hidden hardships like bullying, trauma, and addiction. Every bit of JVN's sparkling personality shines through his memoir, a demonstration of how bright and shiny we can become.

Memorable quote: "As scary as this can be I want you to know no matter how broken you feel, and how seemingly unlikely it is, we are never too broken to heal."

The dark years of an American musician's childhood

"Hollywood Park" by Mikel Jollett, free with Audible trial, $14.99 on Kindle, $14.74 for paperback

Mikel Jollett was born into the Church of Synanon, one of the country's most infamous cults. By cult law, Mikel was taken from his mother at six months old and raised in their "school," finally escaping years later with his mother and brother. This is the poetic yet painful story of a life both in and out of the cult, peppered with addiction, trauma, and abuse. Ultimately, this memoir is a testament to strength and love. The beginning is told through the perspective of a child, enduring the cruelties of the cult, but the voice morphs as Mikel escapes and begins to experience and understand the world more. 

Memorable quote: "How long can you live with ghosts before deciding to become one?"

The childhood account of an iconic American poet

"I Know Why the Caged Bird Sings" by Maya Angelou, free with Audible trial, $6.99 on Kindle, $15.49 for paperback

This is a precious and painful memoir of a woman who shaped poetry and literature and is an idol to so many today. It spans Maya Angelou's childhood, addressing the abuse she endured and letting other women know they are not alone. This book, which has been banned in many schools and libraries, tells the story of how words saved Maya's life.

Memorable quote: "There is no greater agony than bearing an untold story inside you."

The story of strained yet unconditional familial love

"The Glass Castle" by Jeannette Walls, free with Audible trial, $12.99 on Kindle, $7.09 for paperback

Jeannette Walls spent much of her life hiding the secrets of her nomadic and deeply dysfunctional childhood. One of four children born to wanderer parents, Jeannette's family found themselves settling down in a mining town in Virginia once their money ran out. The dysfunction escalated as her father used destructive means to try and escape the confines of "normal" life, leaving the children desperate for escape. This memoir spent over 440 weeks on the "New York Times" Bestseller list, a balance of bright successes and dark childhood hardships. It's interesting to feel Jeannette's withstanding love for her family, even as we the readers resent them more and more.

Memorable quote: "You should never hate anyone, even your worst enemies. Everyone has something good about them. You have to find the redeeming quality and love the person for that."

One woman's notable spiritual journey

"Eat, Pray, Love" by Elizabeth Gilbert, free with Audible trial, $13.99 on Kindle, $15.67 for hardcover

"Eat, Pray, Love" has become such an undeniable classic in the 14 years since its publication. For a while, it had the reputation of the favorite amongst Mom Book Clubs, but Elizabeth Gilbert's pursuit of fulfillment in every aspect of her life is one we all might need. At 30, Elizabeth Gilbert hit an early mid-life crisis as she found herself deeply unhappy in a textbook-perfect life. The memoir follows her yearlong journey around the world after quitting her job, selling all her belongings, and setting off on a spiritual expedition. 

Memorable quote: "This is a good sign, having a broken heart. It means we have tried for something."

Barack Obama's newest memoir

"A Promised Land" by Barack Obama, free with Audible trial, $17.99 on Kindle, $23.23 for hardcover

I will admit, I'm still in the middle of reading this memoir and I am savoring it for as long as I can. Obama's work fills me with the warmth of nostalgia, even as I'm reading through some of the hardest days of his presidency. His intimate account of the events we saw plastered against the news for years is fiercely engaging, paired with the ease of writing as smooth as his voice. One of a series of future presidential memoirs by him, this one is captivating for the insight of a firsthand experience and the perspective gained in the years since his time in office. 

Memorable quote: "Either you seize what may turn out to be the only chance you have, or you decide you're willing to live with the knowledge that the chance has passed you by."

A uniquely illustrated memoir

"The Fire Never Goes Out" by Noelle Stevenson, $9.99 on Kindle, $12.99 for paperback

A compilation of personal essays and mini-comics, Noelle's memoir is that of the roller coaster of a creative life. This one is for every reader with a creative side who understands the highs and lows of creating art. The memoir spans about eight years. so it's really interesting to see her work morph, pivot, and grow over the course of the book. We've all heard "a picture is worth a thousand words" but I was still surprised at how revealing her artwork was through her transformative young adult years. 

Memorable quote: "Love your younger self, and let them die."

A harrowing holocaust account

"Night" by Elie Wiesel, free with Audible trial, $7.46 for paperback

This memoir is not for the faint of heart. It does not tiptoe around the atrocities of the Holocaust or cushion the horrors within the confines of a concentration camp. T his is Elie's story as his family was taken from their home in 1944 and detained in Auschwitz. It is a short read that will transport you to the center of the pain, the abuse, and the murder of the Holocaust. 

Memorable quote: "To forget the dead would be akin to killing them a second time."

Sylvia Plath's vivid journal entries

"The Unabridged Journals of Sylvia Plath," free with Audible trial, $9.99 on Kindle, $15.49 for paperback

Sylvia Path's journals were first published in 1982, though heavily abridged. This memoir is a compilation of the complete, unedited, and remarkably introspective journal entries of the last 12 years of Sylvia's life until her death at age 30. Her writing is intriguing and intimate and I often had to remind myself of her age — my perception was completely skewed by the maturity in her thoughts. If you ever loved her poetry or "The Bell Jar," this is one to pick up. 

Memorable quote:  "I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life."

Stephen King's advice and anecdotes

"On Writing" by Stephen King, free with Audible trial, $12.99 on Kindle, $14.56 for paperback

Both memoir and mentorship, "On Writing" is a must-read for any aspiring writer, Stephen King-lover, or storyteller. The stories about his life are largely entertaining, dating back to his love for books as a young child all the way through his prominent writing career. The advice and inspiration in his memoir are profound, with so many quotable moments you'll cling to long after you've finished the book. 

Memorable quote: "The scariest moment is always just before you start."

Nelson Mandela's incredible story

"Long Walk to Freedom" by Nelson Mandela, free with Audible trial, $11.99 on Kindle, $23.01 for paperback

When I was given Nelson Mandela's over- 700-page memoir, I was intimidated (to say the least). I'd known the most famous parts of his life — from his imprisonment to him receiving the Nobel Peace Prize — but this memoir blew me away with just how instrumental and powerful his work was. The writing is clear and direct, leaving his life lessons and personal experience to speak for themselves.

Memorable quote: "And as we let our own light shine, we unconsciously give other people permission to do the same." 

An account of healing through non-traditional therapy

"Group: How One Therapist And A Circle of Strangers Saved My Life" by Christine Tate, free with Audible trial, $13.99 on Kindle, $14.49 for paperback

In her memoir about the saving grace of strangers, Christie Tate was a law student when dark thoughts led her to seek therapy and her therapist led her to a psychotherapy group. It's easy to find the dark humor in this memoir and get lost in the problems of complete strangers while happily ignoring our own (at least for a little while). Christie finds a deeper connection and a sense of intimacy with this group of strangers as they discuss sex, childhood, and destructive habits. It's a fantastic normalization of non-traditional therapy practices and a story that's simultaneously entertaining and comically uncomfortable.

Memorable quote: "If you're serious about getting into intimate relationships — becoming a real person, as you said — you need to feel every feeling you've been stifling since you were a kid. The loneliness, the anxiety, the anger, the terror."

An inspirational, gender-focused memoir

"Sissy: A Coming-of-Gender Story" by Jacob Tobia, free with Audible trial, $9.99 on Kindle, $26 for hardcover

I will absolutely never forget the day I wore purple lipstick for the first time and just happened to meet Jacob Tobia, who told me they loved the shade and asked where I got it. This tiny but affirming interaction between strangers is a testament to the kindness that radiates from Jacob everywhere they go — and in their memoir. Labeled "sissy" at a young age, Jacob grew to power a gender revolution alongside transgender, non-binary, and other gender-nonconforming folks. Their book is extremely vulnerable which allows us to take part in their journey and think about gender in ways we haven't before.

Memorable quote:  "I'm sharing this with you because I want you to understand that telling a boy not to wear a dress is an act of spiritual murder."

The story of two famous podcast hosts

"Stay Sexy & Don't Get Murdered" by Karen Kilgariff and Georgia Hardstark, free with Audible trial, $9.99 on Kindle, $26 for hardcover

"My Favorite Murder: is one of the most popular true-crime murder podcasts out there. Since 2016, Karen and Georgia have sat down and swapped well-researched murder stories, telling them for the first time during recording so their reactions are real and hysterical. We've gotten to know these two through their podcast, but their memoir gives a more genuine look into the backstories behind their best advice to not get murdered (my personal favorite being "F** politeness.") Their writing is each reflective and witty, no matter how difficult the subject. 

Memorable quote: "We barely get any time on this planet. Do not spend it pleasing other people."

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Longreads : The best longform stories on the web

Best of 2021: Personal Essays

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Since we started the #longreads hashtag in 2009 to share great reads on Twitter, curation has been the beating heart of Longreads . All year long, we highlight our favorite stories in the weekly Longreads Top 5 . At the end of the year, we love to reflect on and share the pieces that stayed with us, a tradition we’ve kept for 10 years ! Today, we’re kicking off our annual curation celebration with five moving personal essays we loved in 2021. Watch for lists over the next couple of weeks that highlight reported essays, investigative reporting, features, and profiles.

The Gradual Extinction of Softness , Chantha Nguon and Kim Green, Hippocampus Magazine , November 8, 2021

For this category, I’m recommending a moving, lyrical personal essay from Kim Green and Chantha Nguon. Nguon is a co-founder of a women’s social enterprise in rural northeastern Cambodia. For 10 years, these two friends have been collaborating on Nguon’s life story, through interviews and cooking sessions, which will eventually culminate into Slow Noodles , a memoir on food, loss, and recovered family recipes. This excerpt from the memoir-in-progress is an evocative piece on surviving the Cambodian genocide, and remembering the flavors, the memories, and the past that the Khmer Rouge regime tried to erase. It’s also sprinkled with “recipes,” made up of ingredients that reveal details of Nguon’s life, particularly of her childhood in Battambang: “Take a well-fed nine-year-old with a big family and a fancy French-Catholic-school education. Fold in 2 revolutions, 2 civil wars, and 1 wholesale extermination. Separate her from home, country, and a reliable source of food.” I’ve read this gorgeous essay a number of times, and each time I pay attention to new details — aromas, tastes — which make me appreciate it even more. — Cheri Lucas Rowlands

Authors Chantha Nguon and Kim Green on the story they wish they’d written this year:

We both loved “ Cambodian Americans Are Ready to Share Their Cuisine, On Their Terms ” by Maryam Jillani in Condé Nast Traveler . It’s a great primer on Cambodian cuisine that acknowledges the diaspora’s collective trauma without dwelling on it. And we love how she highlights the artistry of chefs we follow and admire. We wish we had written it but are also thrilled that Jillani did it so well.

Aftermath , Briohny Doyle, Griffith Review , October 24, 2021

In her exquisite piece about the human condition in the age of COVID, climate change, and other calamities, Briohny Doyle challenges readers — and herself — to give up the ghost of renewal. “What is an ideal community, a good life,” Doyle asks, “if nothing is renewed, if we are working in and through catastrophe with only what we have now and in the face of what will be?” This question is more than essay fodder. It’s a mantra, an incantation — for us all. — Seyward Darby

Author Briohny Doyle ‘s personal essay recommendation:

I’m a long-time admirer of Vanessa Berry’s writing, which is always marked by assiduous curiosity and intimate detail. Gentle and Fierce — the title of her new collection — describes her writing as much as her animal subjects. This essay, “ Perec’s Cat ” is a wonderful example of her enviably light touch at work.

Ghosts , Vauhini Vara, The Believer , August 9, 2021

Even as artificial intelligence creeps across science and technology, bulldozing computational problems, we comfort ourselves in the face of such power by thinking there are some things a program simply can’t do. A program can’t be funny, can’t be fraught, can’t be human. And maybe it can’t. But in Vauhini Vara’s gutpunch of an essay, we begin to see the glimmer of otherwise. Unable to write about her sister’s death of a rare cancer years earlier, Vara began feeding the linguistic engine GPT-3 prompts about her sister — and over the course of nine increasingly stirring attempts, their two voices meld in a way that wipes away any preconceptions you might have brought to the piece. This isn’t a warning klaxon about robot overlords; it’s a bracing exploration of what can happen when we finally hold the mirror at the perfect angle. — Peter Rubin

Author Vanessa Angélica Villarreal on “Ghosts”:

“My own writing is largely a practice of communion with the dead—recording forgotten lives, lost records, documenting collective memory. I personally use tarot to tap into my own unconscious and excavate the buried material there, and have noted the recent trend of astrology apps and tarot on TikTok and the uncanny specificity of its algorithms to ensure the right message finds you. It is brilliant to use AI as a divination tool, and to explore what mathematical fabric algorithms might be connected to beyond our understanding.”

Contraindications , Alison Criscitiello, The Alpinist , September 17, 2017

Alison Criscitiello’s essay about her climbing partner Anna Smith has stayed with me for a long time. It starts off as a rollicking adventure story: Two best friends embarking on a climbing expedition to the Indian Himalayas. The affection and admiration the women share spills out of her words, “opposites in almost every way imaginable, end members constantly bringing one another closer to an elusive center.” It is not just an exquisitely told quest: It is also about true friendship — and the joy found in sharing beautiful experiences.

Then it becomes something else. When Criscitiello describes Anna’s death, it is raw; I felt her pain. The essay turns into a survival story: Surviving not only the physical challenge of getting Anna off the mountain, but the grief, shock, and loneliness overwhelming Criscitiello now that she “no longer had Anna tethered to me.” For three days, she stays with Anna before a team arrives to help take her body down. Even then, Criscitiello remains, “guarding her” until Anna is finally cremated “along the shores of the Beas River in the heart of Manali” and her ashes taken home. It is time spent remembering Anna, whose “strength emanated from her core” and whose spark “set my aspirations afire.” — Carolyn Wells

The Grief Artist , Traci Brimhall, Guernica Magazine , January 6, 2021

Brimhall’s essay explores the influence that art, process, and ritual have on dealing with grief and loss as she mourns her mother’s death and the end of her marriage. So many essays deal with grief, but few consider the shape of it through so many disparate lenses. As Brimhall makes art out of the unexpected, she weaves a strand of persistent, insistent hope for the reader. “I love that nothing is wasted,” she writes. “Everything is ripe for transformation.” This essay reminds me that despite the fact that humans struggle with loss and change, maybe we can learn something about ourselves if we choose to lean on process and routine. Maybe too, we can get better at being more human as we deal with things that end, be it a life, a friendship, a marriage, or even just a time in our lives. — Krista Stevens

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Best Essays to Read

AS I SIFT through the pages of my personal collection of the best essays to read, I can’t help but feel a profound sense of connection to the authors who penned these words.

Essays are often written in the first-person, in which writers use their own personal experiences to reflect on a theme or topic for the reader. Many acclaimed authors I love —like James Baldwin and Toni Morrison—combine these pieces into collections of unique social commentary.

Therefore, each essay on this list holds a special place in my heart, and I’ve curated these essays worth reading based on my own, personal taste.

These essays, handpicked from diverse corners of literature, have left a lasting impression on me. They are more than just ink on paper; they are windows into my own thoughts, emotions, and experiences. These essays worth reading come from different times and places, each with its unique voice and perspective.

Some essays to read have provoked introspection, while others have had me bursting into laughter or shedding a tear. They’ve led me through deep philosophical musings and allowed me to vicariously experience the joys and sorrows of people I’ve never met. Among many things, these essays to read are more than just stories; they are my companions on the journey of understanding, empathy, and self-discovery.

As you delve into this collection of my favorite essays to read, I invite you to embark on a personal voyage of exploration. Let these authors be your guides, just as they have been mine, as we traverse the landscapes of their thoughts and experiences together. Whether you seek solace, enlightenment, or simply a good story, I hope you’ll find it within these pages.

So, without further ado, let’s dive into this collection of my favorite essays to read and the best essays to read which I thoughtfully curated. You can be sure that any book recommended on this page is worth your time as I obviously read every single one of them. Here are some of the best essays to read.

The top and best essays to read

These are the top 5 best essays to read. Click on the buttons for more details about the book: from community ratings to book summaries, reviews, and information about the authors.

Our women on the ground by Zahra Hankir Bol.com | Amazon | Waterstones | Bookshop.org

This essay is a volume of stories describing the unique challenges and advantages of several Arab and Middle Eastern female journalists, reporting from some of the most repressive countries in the world and what it’s like.

Notes of a native son by James Baldwin The Book Depository | Bol.com | Amazon | Waterstones | Bookshop.org

A collection of 10 short essays that recollects the lived experience of a black person in the United States and Europe in the 50s.

The Year of Magical Thinking by Joan Didion The Book Depository | Bol.com | Amazon | Waterstones | Bookshop.org

This beautifully written essay intimately explores the aftermath of her husband’s unexpected death and her daughter’s critical illness, capturing her emotional turmoil and the complex process of grief and healing.

Upstream: Selected Essays by Mary Oliver The Book Depository | Amazon | Bol.com | Waterstones | Bookshop.org

This collection of reflective essays by Mary Oliver explores profound insights on life, creativity, and the enduring connection between humanity and the natural world.

Best personal essays

These are my favorite personal essays to read. In this genre of writing,  the writer shares their personal insights, anecdotes, and perspectives on a particular topic, theme, or event. Use the buttons to delve deeper into the details of the book.

Goodbye to All That by Joan Didion The Book Depository | Amazon | Waterstones | Bookshop.org

A personal literary essay about living in New York, United States, while feeling disconnected.

Letters to a young poet by Rainer Maria Rilke Bol.com | Amazon | Waterstones | Barnes & Noble

A collection of insightful correspondence from renowned poet Rainer Maria Rilke, offering guidance and wisdom to a young aspiring poet, exploring themes of solitude, creativity, and the pursuit of an authentic artistic voice.

Why I Write by Joan Didion Bol.com | Amazon | Waterstones | Barnes & Noble

This book explores the motivations and intricacies behind Joan’s writing journey, offering insights into the profound reasons that drove her creative expression.

Related reading lists

• Psychology Books
• Memoires and Biographies
• True Crime Books
• Investigative Journalism Books
• Book Recommendations 2022
• Book Recommendations 2023

By specific topic:

• Best books on creativity 
• Best books on writing
• The Best Books For Women

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Memoir coach and author Marion Roach

Welcome to The Memoir Project, the portal to your writing life.

How to Write A Memoir in Essays

Sorting the Stories — Memoir as Essay Collection

by Linda Styles Berkery

When I told a friend that I was taking a memoir-writing class, she replied, “Your life just isn’t that interesting.” Obviously she was thinking autobiography , not understanding memoir . I ignored her comment and continued to write about the small threads of wisdom I’ve learned.

After many edits, additions, and subtractions, I had built a wardrobe. I had a collection of fourteen personal essays—each one told through the lens of a dress. A Little Black Dress —learning compassion as illustrated by growing up in a funeral home. Memory Gown —naming mistakes as illustrated by a trip to the ER. Red Mini —seeing individuals as illustrated by teaching third grade. Ordinary dresses can bring out profound lessons.

Since all the writing pieces were in essay format, I adjusted Marion Roach Smith’s famous writing math, It’s about X as illustrated by Y to be told in a Z , and made a chart. To my Z factor, (essays) I added color and noted the dress: a turquoise paisley print, a navy maternity dress, an orange Hawaiian muumuu, a yellow sundress from 1941, a blue velvet jumper.

Each essay could stand alone, yet a book kept coming to mind. It was not enough to say I have a collection of “dress stories” of different length and various moods. I had more work to do. Although my structure would not be typical of a book length memoir (Act 1, Act 2, Act 3), even memoir as an essay collection must have an overall arc—a roof overhead, not just dress threads running through. Yes, memoir can be an essay collection, but it still needs structure and order.

I printed each story individually and laid them across my living room carpet. I knew which essay to put first and which would be last, but the other twelve? Originally I was tempted to group them. These three relate to my father’s WWII stories—put them together. Two had childhood dresses. My husband was mentioned in this group. But nothing really worked until my wonderful editor, Robyn Ringler, passed along tips she had learned from her own writing coach.

“Mix them up,” Robyn suggested. “Vary the word count. Don’t try to force the order, but pay attention to the emotions and lessons in the stories. Then, after you collect everything in the order you think might work, read the last paragraph of one story and the first paragraph of the following story and see if that works. You might need to do that process a few times.”

Robyn was right. I did arrange the essays a few times. But since these were, after all, dress stories, I got creative. If I had a photo of the dress, or a scrap of material from the dress, I stapled it to the printed page. Clearing a closet rod, I hung each essay from fourteen skirt hangers and started arranging them for a book. (Don’t try this at home.) I moved them and moved them until I could see a lovely rainbow arc for the entire collection.

When I was finally comfortable with the flow, I released my dress stories from their hangers and returned to the computer to cut and paste the individual essays into one long document. More edits. Moving paragraphs. Breaking up stories into parts. Adding just a bit more here and there. Writing an introduction and a final note to the reader. Two years after I wrote the first “dress story” for a memoir class, the book was published as Reflections: A Wardrobe of Life Lessons. Memoir, like a classic great dress, never goes out of style.

From the Introduction:

The hardest years in life are those between ten and seventy.

—Helen Hayes

At ten, I wasn’t the moody middle child wanting to be noticed, as much as the one who always seemed to notice. I was the sorter of stories, the keeper of traditions. Reaching up, or out, or down, I saw invisible threads that joined people together. I still do. Now, at seventy, I’m connecting more strands. And dresses are coaching my memory.

Three hard white suitcases live under my bed. I yank out the middle one and plop it on the blue star quilt. I’m not loading it up for a trip; it’s already full. I know what’s inside: dresses, scraps of fabric from dresses, and old photos. Clicking on the double locks feels like opening a black box of flight recordings. Messages vibrate from crinkles and creases, stains and frills. Memories rise from cotton, velvet, and silk—fibers from my journey through life.

Wisdom remains on the fold of one dress. I smooth a wrinkle and kindness appears. When I trace my pinky over white lace, I remember letting go. Hope is in there too, along with judgment, loss, compassion, forgiveness…a wardrobe of memories just waiting to be unpacked. Ralph Waldo Emerson said, “Life is a succession of lessons which must be lived to be understood.” I agree. But sometimes a life lesson can also be worn as a dress.

  Excerpt from a middle essay:  Navy Maternity

My first maternity outfit was a long-sleeved navy blue dress from Sears that I bought for my father’s wake and funeral. I wore it again on Father’s Day and then buried it under the lilac bush in my childhood backyard, watering the ground with my tears. The words from a homily echoed in my head. Ritualize where you are now . That’s what I was doing—dressing a wound by burying a dress…

The moment I stepped out of that dress, I felt different. Lighter. Aware. I was carrying a new life—had been all along—but now I could finally breathe. I glanced in the mirror and saw myself as a mother-to-be. I shoved the dress in the bag and tossed it in the car. The dress was easy to remove, but not the grief. Shifting my focus to new life, I decided to take one small step.

The following week, on my final day of teaching elementary school, I drove to my childhood home only two blocks away. I pulled the navy maternity dress from the white plastic bag. My mother was at work. But I didn’t need her. I knew where my father’s garden tools were kept. I grabbed a shovel and began digging in the dirt near the lilac bush—Dad’s favorite bush. It didn’t take long to scoop a hole big enough to bury a death dress…

Excerpt from the final essay: Dressing for a Reunion

At the Hyatt Regency Hotel near Dulles Airport, I’m wearing the same tri-colored dress that I wore for my 50 th  high school reunion in 2016—it’s mostly blue, with bands of black and white. I call it my past-present-future dress. The dress is making an encore appearance in 2017 at a different reunion tonight.  Can it really be called a reunion if we’ve never met?  My husband tells me to hurry. We exit the elevator and enter a full dining room. The celebration begins.

Arms reach across the table to shake my hand. A shoulder nudges close. I feel a tap on my back. Legs move toward me. Fingers clasp. Another arm extends around my waist. Then hugs, so many embraces and tears. I am aware of my middle-ness. I am a quiet middle child, in the middle of a loud story. I am in the middle of history, in the middle of generations, in the middle of Danish fishermen and American flyers. I’m standing in the middle of memory and expectation because I did what middle children do best—I made connections…

Author’s bio: Linda Styles Berkery holds an M.A. from Russell Sage College. Linda taught third grade, led retreats and worked in parish ministry. Her writings on faith/life have been published in various magazines, blogs and books. Her new book is Reflections: A Wardrobe of Life Lessons. 

HOW TO WIN A COPY OF THE BOOK I hope you enjoy Writing Lessons. Featuring well-published writers of our favorite genre, each installment takes on one short topic addressing how to write memoir. It’s my way of saying thanks for coming by. Love the author featured above? Did you learn something in the how-to? Then you’ve got to read the book. And you can. I am giving away one copy, and all you have to do to win is leave a comment below about something you learned from the writing lesson or the excerpt. I’ll draw winners at random (using the tool at random dot org) after entries close at midnight on May 15, 2019. Good luck!

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Related posts:

• Writing Lessons: Picking Small Topics To Write About
• Writing Lessons: Finding Time to Write
• Writing Lessons: How to Write About A Difficult Subject, by Bette Lynch Husted

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Reader interactions.

Amy Laundrie says

April 14, 2019 at 7:37 am

I found this extremely helpful. I’m a columnist for “The Wisconsin Dells Events” and am searching for a way to connect my “Slice of Life” columns into a second memoir. My first, “Laugh, Cry, Reflect: Stories From a Joyful Heart” includes pieces on nature, my pet ducklings, antidotes about my teaching career, and family stories. I appreciate the tips on how memoirists should make sure the last paragraph of one piece ties in with the first paragraph of the next and I think using dresses as a uniting metaphor was brilliant. I’m eager to read your book.

April 14, 2019 at 10:50 am

Dear Amy, I appreciate your kind words. I had a lot of fun using dresses as a thread through the essays. I would love to read your own slices of life columns. Marion has helped all of us go small. Linda

Susan Davies says

April 14, 2019 at 8:05 am

I love this concept! I have been so stuck in my writing, feeling overwhelmed. I had contemplated this approach but was so unsure….this lesson just gave me that push! Wish me luck! Thank you for your lessons! I enjoy them so much!

April 14, 2019 at 10:54 am

Susan, This is great news. I found all the writing lessons to be so helpful in my own work and I am honored that sharing my experience can help nudge you today. It is so good to give back. My editor, Robyn Ringler shared these tips from her own writing teacher so we are helping each other to gain movement. Linda

Laura McKowen says

April 14, 2019 at 8:09 am

Your content is so very helpful, Marion. About nine months ago, I read your book, and then I was on one of your calls. What I learned helped me focus, organize, and finish my manuscript for my first book, a memoir about sobriety. I sent it to my publisher last week. :) Thank you!

April 14, 2019 at 10:57 am

Marion’s content has always been so helpful to me too. Congratulations on completing your story.

David Sofi says

April 14, 2019 at 8:10 am

Excellent lesson and piece by Ms. Berkery. Especially resonating was the bit about Robyn’s advice from her writing coach. I will have that posted on my Writing Wall. I also tingled with her modification of The Algorithm (That is my personal emphasis of Marion’s lesson, it is so insightful and meaningful.)

Linda Berkery says

April 14, 2019 at 8:31 am

Marion’s writing math made each essay possible and I held it in mind throughout the entire book. Robyn RIngler’s advice pulled the entire collection together. Thank you for your comments.

Careen says

April 14, 2019 at 8:14 am

I want this book! Not only for its content, but because it illustrates the principles Marion puts forth.

April 14, 2019 at 11:34 am

Careen, I hope you continue to find help from the writing lessons and the wisdom from Marion. I surely did. Linda

Ginger Hudock says

April 14, 2019 at 8:16 am

This was wonderful post! The book would be something I could relate to because my age (61) and the metaphor of dresses. This is a great and doable way to structure a book as a series of essays. It seems much more doable for me. I am comfortable writing blog posts and magazine articles, but the thought of a long book is overwhelming sometimes.

April 14, 2019 at 11:01 am

Ginger, I am with you on the thoughts of a long book. It seemed too much for me. I was so happy to find that a series of essays was a reachable goal and Marion gave good feedback when I shared that I was attempting to do just that – she reminded me that I still needed an overall arc in order to print them together as a book. I hope you continue.

April 14, 2019 at 8:30 am

Breaking up the writing into smaller, more manageable pieces seems to tame the bigger writing project, sticking to the algorithm in each section. I loved seeing the process of finding the structure of the book, which is my biggest challenge.

April 14, 2019 at 11:40 am

Dear Beth, Smaller pieces worked so well for this collection. And yes, with each essay I made sure to follow the writing math. I kept asking myself what is this about ? Although told through the lens of a dress, it wasn’t about the dress… it was about a universal theme. Thank you for your thoughts. Linda

April 14, 2019 at 8:35 am

I can’t tell you how often I used Marion’s book and notes from her course as I was completing this book. Such good advice.

Elizabeth says

April 14, 2019 at 8:38 am

I flipped through my closet in my mind – many ideas there for essays, including the ban on trousers for women in my high school in the sixties, and the godawful bloomers for gym class. Thank you!

April 14, 2019 at 11:09 am

Oh Elizabeth, Our minds must run similar. There is a story about those gym “dresses” from my first P E class at Russell Sage College. And oh yes, a mini dress from my teaching days, when women were not allowed to wear pants, but COULD wear a mini dress three inches above the knees. Keep flipping through your closet in your mind. Clothing is so rich to draw out the memoir essays. Thank you for your post. Linda

Ruth Crates says

April 14, 2019 at 8:59 am

I continue to look for a way to write my memoirs. Essays might be a good fit for me. I love how Linda used an unlikely subject…. dresses – to relate her life experiences. If I don’t win the book, I will buy it…I loved the exerpt about burying her grief. We can all relate to that.

April 14, 2019 at 4:30 pm

Dear Ruth, I do hope that you will continue to write memoir. I found that essays were a perfect length. Mine ranged from about 800 to 1200 words in the book. Some had several parts but each one could be read alone which helped me continue. I am happy whenever someone considers the book, the proceeds are going to assist a local thrift store, called ReStyle, from Unity House in Troy. When we have some book signings we are also inviting readers to donate a gently used dress. So my unlikely thread of dresses is really being put to good use. Linda

April 14, 2019 at 4:34 pm

Isn’t it amazing how an idea can take off in so many directions! A wonderful way to help others.

April 14, 2019 at 4:40 pm

If you are in the Albany-Troy area look for several benefit book signings on the Facebook page: Reflections: A Wardrobe of Life Lessons

Cynthia C says

April 14, 2019 at 9:04 am

Incredibly helpful hearing about the writing process! I love reading how these authors make decisions about how the final product will look.

April 14, 2019 at 4:36 pm

Cynthia, I always loved reading the writing lessons from Marion’s posts. I was fascinated with the whole process of structure. Linda

Cassandra Hamilton says

April 14, 2019 at 9:41 am

Great post. I appreciate Linda Styles Berkery sharing her process. By breaking her subject into essays she was able to work ideas in smaller sections. I like how when she focused on the larger piece, the book, she turned to a visceral and visual method: hanging up her essays, each represented by a dress, to sort and rearrange until she felt they were right. I would think the photos of the dresses also evoked in her thoughts and feelings and helped her to pack her writing with vivid descriptions. I’m inspired with her process and how she cleverly teased us with snippets of her new work. Thank you!

April 14, 2019 at 4:44 pm

Dear Cassandra, Thanks for your comments. You are right about the visual part. It really helped me to organize the flow of the essays and the overall arc of the book. (And at one point when I realized that I didn’t have a green dress – it brought up a life lesson from an old memoir of a green gym dress!) Linda

Cheryl Hilderbrand says

April 14, 2019 at 10:08 am

Since the excerpts offered here resonated so strongly, I can’t wait to read the rest of the book. Is it just women our age who grew up with dresses who are so emotionally connected to fabric, and tucks, and gathers? A quilt made from childhood dresses keeps me warm, but I worry that I should put it away so that it’s scrapbook, memory-spurring nature can be preserved. The advice from Ms. Berkery’s editor was something I needed to hear . Thank you Marion, Linda, and Robyn.

April 14, 2019 at 4:49 pm

Dear Cheryl, I do think that dresses meant a lot more to us than they do to the next generation. My own adult daughters rarely wear dresses, but they still have emotional and memories attached to clothing. My husband saved his race t-shirts and had them made into a quilt! He no longer runs, only walks due to an injury, but that quilt hangs over his couch reminding him of all those races. Robyn Ringler’s insights (my editor for the book) were so valuable in getting this collection to print. I am glad to pass her advice along. Linda

Jen Chambers says

April 14, 2019 at 10:17 am

I find this very helpful- it solidifies a concept that I’ve been working on for some time of using essays as memoir in my own work. Using a literal thread to hold the narrative together made a great metaphor here. I am intrigued by the structural ideas and hope to get the book!

April 14, 2019 at 5:18 pm

Dear Jen, Thank you for your comments. I hope you continue to use essays as memoir. It really helped me to keep going.. I could focus on one essay at a time. Indeed I kept them in separate folders on my computer until I recognized how to make “dress stories” into a literary closet collection. Best regards,’ Linda

Debbie Morris says

April 14, 2019 at 10:28 am

I’ve had an idea brewing for years now, and this style has opened up a completely new way to join them yet keep them separate. I thoroughly enjoy the teachings here as well as that wonderfully inspiring sampling of essays. I feel energized, thank you!

April 14, 2019 at 6:03 pm

Dear Debbie, Thanks for the comments. I hope this idea keeps brewing and maybe finds a similar outlet. Linda

Barbara Womack says

April 14, 2019 at 10:38 am

I love this concept and have been inspired to use a similar approach in my own (somewhat stalled) writing.

I can’t wait to read this book!

April 14, 2019 at 6:06 pm

Dear Barbara, I am glad to hear about your writing. I wish you well on the journey and am happy that you found this approach to be helpful. Linda

Ann Hutton says

April 14, 2019 at 10:44 am

Excellent! I’m sharing this with a memoir writing group I facilitate. Meanwhile, I call out a “Yes!” to visually laying out your pages to really SEE what you’ve got and how it might fit together. Once I taped 260 pages to three walls in an empty office in order to look at the structure of a memoir manuscript. That’s when I realized that I did indeed have a beginning, middle, and ending! And looking for repetitions or other glaring mistakes was easier this way, rather than trying to read through pages on a computer screen.

Many thanks!

LInda Berkery says

April 14, 2019 at 6:11 pm

Dear Ann, Wow that must have been some wall sight! Yes, I think we sometimes need a visual way to keep us moving forward. Glad that worked for you and thank you for the comments. Best to your writing group. If you send me a personal message on Facebook page for the book. I will send you my “chart” with all the essays. My editor used that page for a talk she was giving on memoir writing. Linda

Merrie Skaggs says

April 14, 2019 at 10:49 am

Linda’s wardrobe structure is brilliant. I learned that I might be able to include an essay I wrote about my dad in my memoir. Also, Linda’s words spoke to me on several levels, or with various threads as she might say. I am still in the unraveling stage of my memoir writing and relish the connections since I am a Marion disciple, have seen my 70th birthday, and taught third grade. I learned much from your charming writing and the lessons you shared. Thank you, Linda, and thank you to our guru Marion. I’m not going to wait to win your book; I plan to buy it, read it, and learn from it now. “. . .bury a death dress. . .” My heart strings are still vibrating.

Linda Styles Berkery says

April 14, 2019 at 11:13 am

Dear Merrie, I am so happy to meet another over 70 writer of memoir. My father’s journey through his WWII experience rescued in the North Sea by Danish fishermen and as a POW is another thread through the collection. The proceeds from this book are also being used to help ReStyle, the thrift store run by Unity House in Troy, NY – my hometown. So buying the book supports a great cause. Thank you. Linda

Carol Gyzander says

April 14, 2019 at 11:00 am

I love the connecting device of the dresses! The first essay excerpt was interesting, but then I found myself curious about how it would be used in the next…and the next…

April 14, 2019 at 4:53 pm

Carol, I am so glad that you found yourself curious about the dresses used and the lessons they told. Sometimes I found myself pondering how a certain dress or saved piece of fabric could bring out so many memoires. What was going on? – You start writing and then you find more and more life experiences coloring the page. Linda

Jan Duffy says

April 14, 2019 at 11:15 am

Thank you Marion for another excellent post. The idea of basing a series of personal essays on a collection of dresses is so good. As I was reading the excerpts I felt as though I was Linda’s alter ego, experiencing every emotion that she did. Good work, I hope I can be as successful in my writing endeavors.

marion says

April 14, 2019 at 2:31 pm

Dear Jan, You are most welcome. Isn’t this a lovely, helpful post? Linda did an excellent job with this and with the book. I am delighted to see you here. Please come back soon. Best, Marion

Thank you Jan and Marion for your kind remarks. Several readers have commented that they felt they were standing right with me as they read. So we touched universal topics – close to our hearts. Linda

Karen Elizabeth Lee says

April 14, 2019 at 11:42 am

Thank you for writing this piece. I have been struggling with structure for my memoir for almost a year! writing short pieces as that is how it seems to be unfolding but then questioning myself – “Is this the right or acceptable format?” “Can I do it this way?” Your insight gives me the courage to follow this path – the essay path – to see where it will lead me! thank you.

April 14, 2019 at 4:57 pm

Dear Karen, I never started out to write a book or a collection. I just began with one essay of a brown plaid dress – a short piece for a writing assignment. I casually remarked, “I could probably write a lot more essays through the lens of a dress…” and I received such encouragement to continue. See where the short pieces lead you. Perhaps you have a collection rather than a traditional memoir book. Blessings for your good work. I am happy that this piece could encourage you. Linda

Cheryl A Kesling says

April 14, 2019 at 2:19 pm

Thank you, Linda, for sharing your story. I’m a 72-year-old struggling writer working on a memoir since 2014. It seems life keeps flying in front of me to the point of building a wall too high to see over. I’ve journaled, keeping track of unimaginable tragic moments and survival. I’ve written words on paper for a critique group but never seems to hit the mark, or at least to my satisfaction. Maybe I’m too hard on myself. Your memoir essay structure is something I’ve been thinking about for a long time but I know that each essay needs a reason or a lesson learned, and that is been my problem. Knowing what lessons I’ve learned is hard to put on paper when one holds back emotions. I’m sure reading your book would be helpful. Maybe making a chart as you did from Marion’s math and color coding for different periods ( as told in a Z- the essay) and using one metaphorical object to push the essays along is the answer for me as well. Thank you again.

April 14, 2019 at 5:06 pm

Dear Cheryl, Thank you for your heartfelt comments. Some essays (lessons) needed space and time before I could write about them. We all tend to be hard on ourselves. Keep writing. and Keep journaling. I found that going back to journals and circling some key memoires allowed me to move toward an essay. But journal writing is different than writing for print and I had to allow some pieces to stay in a journal and not try to force them to be an essay. But making the chart using X, Y, and Z was the most important formula I learned from Marion.

Etty Indriati says

April 14, 2019 at 3:11 pm

I love the excerpt of Linda’s book as it reflects the “what it is about” in Marion’s online course The Memoir Project that I took; and Linda cleverly wrote her book into chapters of personal essays. It makes me want to read the whole book! It is also inspires me to not giving up writing a memoir.

April 14, 2019 at 5:09 pm

Dear Etty, Marion’s outline is a wonderful way to start. I hope you can read the whole book and please don’t give up writing memoir in whatever form it takes. I think reflecting through writing is a blessing. Thank you for the comments. Linda

iliana says

April 14, 2019 at 7:23 pm

Linda, thanks so much for sharing aspects of your writing process! Cut and paste, and I really mean printing the pages, cutting where needed and rearranging, gluing them on another blank page, was my graduate advisor’s way of writing and editing articles, reports and proposals. That’s how I wrote my thesis too, hands on, feeling it. Looking at a dress as a metaphor, so clever! Looking forward to reading your book :)

April 14, 2019 at 7:36 pm

Seems like I did something like that old fashioned cut and paste on my TYPED thesis back in the day. Thanks for your kind remarks. Linda

KRISTA L RUSKIN says

April 14, 2019 at 7:28 pm

OMG. I’ve been struggling with not having lived “an important life” and yet wanting to write a memoir for my kids. My father died when I was 31. I often wished I had received more lessons from him and had them for my kids. In recording my own, 20 years later, on the upside of my life lessons, I’m hoping they see the possibilities for their lives even in The dark days. The idea of writing bits and and pieces of varying length and letting them tell me how to structure the book is liberating. Thank you!

April 15, 2019 at 9:00 pm

Dear Krista, I am happy that you can see your life as memoir worthy as it surely is. My father died when I was 26 and yet his influence is strongly felt in this collection. I wish you all the best for your writing. Linda

Lisa Sonora says

April 15, 2019 at 8:43 am

So many take aways here!

I haven’t read all of the comments, but skimmed, so hope to offer something not shared yet.

First, that you ignored your friends comment about writing about your life.

Then… using Marion’s algorithm for each of the essays (described in the second paragraph) —brilliant!

I too, am a student of Marion, and have been so STUCK on trying to figure out the algorithm for my memoir.

Your piece gave me the idea to look closer at the individual pieces within the book and trying to name what those are really about.

I just love the image of you hanging up your essays like dressed in the wardrobe, and laughed out loud at “don’t try this at home”. Because, yeah, I would try that at home — it make sense to give the writing some physical form that relates to the subject to help see it differently.

Congrats on the publication of your book, Lynda — I cannot wait to read it!

April 15, 2019 at 9:07 pm

Dear Lisa, Thank you for such great comments. Yes, hanging up those dress stories was crazy but a fun way to really see them in place. And it was wonderfully refreshing too. We often need to trust our own instincts sometimes more than the voices of dear but sometimes bossy friends! Best to you for your own writing. Linda

Cathy Baker says

April 15, 2019 at 8:47 am

I love everything about this post as I’m working on a book with mini-memoirs on our building my future writing studio, Tiny House on the Hill. After reading this post, I might consider having fewer chapters with a higher word count. I always learn so much from you, Marion, as well as those you coach. Thank you!

April 15, 2019 at 9:09 pm

I love the idea of mini-memoirs! Great! Thanks for your comments. I have also learned so much from Marion and her writing posts. Linda

Tammy Roth says

April 15, 2019 at 11:51 am

I’m always looking for clever ideas of arranging memoir topics and this is just brilliant. Thank you for sharing the process.

April 15, 2019 at 9:14 pm

Dear Tammy, Arranging those memoir essays was made easier using Robyn’s advice along with Marion’s wisdom. I was honored to share the process with so many interesting writers. Thank you for your comments. Linda

April 16, 2019 at 8:35 pm

Oh my! This came at the most perfect time. I am trying to write a memoir and it keeps running through my mind that I should try doing it in essays. I lost my son to suicide, so it’s about grief, hope, and faith. I loved what Robyn shared with you about connecting the last paragraph of one to the beginning of the next. The excerpts are wonderful. I can’t wait to read the book. Thank you for sharing your wisdom.

April 16, 2019 at 9:01 pm

Dear Faith, I am glad that Robyn ‘s idea might help you find your way through a collection of essays. She suggested the last paragraph and the first one should flow for the reader but they can still stand alone as individual essays. I wish you blessings in your writing. Linda

Naomi Johnson says

April 16, 2019 at 10:51 pm

I LOVED the wonderful advice from her editor, while she was still working out the overarching structure: “pay attention to the emotions and lessons in the stories . . .. Then . . . read the last paragraph of one story and the first paragraph of the following story and see if that works.”

Lovely, indeed!

April 17, 2019 at 7:00 pm

Thank you for your comments. Robyn Ringler and Marion offer such valuable suggestions. And I am grateful. Linda

Melanie says

April 17, 2019 at 2:49 pm

I’m in the process of structuring my next book now. I was right there, with descriptions of white suitcases containing “…fabrics from my journey through life.” I could hear the crinkle of crinoline, and I was reminded of one of my absolute favorite couplets by Joni Mitchell: “Everything comes and goes, marked by lovers and styles of clothes…” As I enjoyed all the other places the piece had taken me, I asked myself, “Do I have milestones (like these dresses) that mark the milestones of my life?” And I realized, I DO! I am a songwriter, so of COURSE, every milestone has a song! Thanks, Marion & Linda for such beautiful and inspiring work.

April 17, 2019 at 5:23 pm

You are most welcome, Melanie. Please come back soon. Best, Marion

April 17, 2019 at 7:06 pm

Thank you for your comments and the great quote! Love it. And nice for me too as my maiden name was Styles. I am glad that you found yourself asking questions about your own milestones.

Teresa Reimer says

April 20, 2019 at 9:12 pm

What a wonderful idea to hang each story and it’s inspiration on a clothes hanger. Organization and expanding on the theme! Can’t get much better than that.

April 22, 2019 at 6:15 pm

Teresa Thanks for your comments. Yes it was definitely different but fun! Linda

Donna P says

April 29, 2019 at 11:36 am

Dear Linda,

Your ideas, along with Marion’s brilliant advice, strike a real chord with me. I, too, have been struggling with the concept of essays within a memoir. Due to health issues, I have not given my book as much attention lately. I’m going to paste this article to my forehead to keep it top of mind! Truly inspirational at a time when I really needed it. Thanks to you and to Marion. I will definitely buy the book.

April 29, 2019 at 12:34 pm

Dear Donna, Thank you for sharing your thoughts. Marion’s advice really helped me stay focused on each individual essay. And I am so happy to know that sharing my experience making a collection of essays could help you move your own writing along. Best to you for your writing. Linda

Gail Gaspar says

Essays in the form of a wardrobe of dresses, yes. I am wondering if my memoir will take the form of essays unified by a theme (I adore metaphors) and you have illustrated how it can done. As a coach, I am happy you listened to your inner voice and not to the friend who remarked, “Your life just isn’t that interesting.” I appreciate how you show, don’t tell, about what each dress represents. The image of your dress stories hanging in your closet is an excellent reminder of how creative and expansive the writing process can be – when we allow it.

Laurie says

May 1, 2019 at 3:10 pm

Marion – This is my first visit to your blog and site. So much info! Thank you! I too am working on a memoir that right now is a collection of stories. This truly resonated with me as I am stuck as to how to pull them together into a book. Linda – your insights and suggestions couldn’t have been more on target. I have already printed them out and moved them about – but I think I need to write a few more – and then piece them together – reading the last para / first para – and adding bits as you suggested. I LOVED reading the excerpt of the book – what a wonderful way to tie the stories together by the dresses. As a writer – I loved that creative idea to tie it all together – and as a reader – each except you shared – I could apply to my own life and my own past closet of dresses! Well done! I would be tickled to win the book and read more!

May 1, 2019 at 5:47 pm

Dear Laurie, Thank you for your thoughtful remarks. Finding Marion’s blog and site is certainly a real gift. I was fortunate to take a class when she was teaching in Troy before everything went online. But look how many more people can be reached. I am delighted that you could relate to the dress stories and find memories arriving from your own closet. I loved making the book a collection/ wardrobe of stories. All the best to you with your own memoir. Linda

May 2, 2019 at 11:52 am

What a lovely way to seamlessly piece together a book! I’m in awe of your process and inspired by the concept! I’ve always struggled to let go of certain garments because of the memories associated with them. Now I understand why: Not only does each one offer a memory, but you’ve proven each one tells a story. I can’t wait to visit your story-closet and read more!

May 2, 2019 at 8:59 pm

Dear Susan, Thank you for your kind remarks. I hope you do visit my “story-closet” as well as peek at some life lessons from your own wardrobe. Linda

Maggie Yoest says

May 3, 2019 at 10:57 am

I am new to memoir writing and have been encouraged by Susan and Marion. Hopefully, as I stay with this, some of the fear will dissipate and the courage to share myself and my view will grow. Thank you both!

May 3, 2019 at 4:00 pm

Maggie, I hope you continue with memoir. Marion is a wonderful guide. Linda

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• BOOK RECOMMENDATIONS

The Best Essay Collections to Add to Your TBR List

Discover big ideas in small doses.

Anyone who has read very much of it knows that some of the best prose around is happening in nonfiction. From personal essays to political ones, cultural criticism to travelogues, these 10 books represent some of the best essay writing of the last century, spanning continents and languages, tackling subjects that range from political unrest to pulp fiction—and everything in-between. 

So, if you’re ready to expand your mind and change your outlook, add these essay collections to your TBR list today!

A Day in the Life of Roger Angell

By Roger Angell

While you may not recognize Roger Angell’s name, you probably know who he is. The stepson of legendary author E. B. White, Angell has worked for the New Yorker in various capacities for decades, including as a frequent contributing writer. 

He has written about all sorts of subjects, especially baseball, and this unique collection pulls together a variety of his best-loved pieces, including his famous Christmas poems, a variety of parodies, and a “tense correspondence over a short fiction contest that pays only in baked goods.”

Related: "Your Horoscope," by Roger Angell

My Seditious Heart

By Arundhati Roy

A New York Times  bestseller and Booker Prize winner, Arundhati Roy is many things, and in My Seditious Heart  she proves that among those is an “electrifying political essayist” ( Booklist ). 

Collecting essays from two decades of her life, this “lucid and probing” ( Time Magazine ) book presents a lifetime of battling for social and political justice and human rights, from American capitalism to the Hindu caste system and beyond. “The scale of what Roy surveys is staggering,” writes The New York Times Book Review . “Her pointed indictment is devastating.”

Want more great books? Sign up for the Early Bird Books newsletter and get the best daily ebook deals delivered straight to your inbox.

Men Explain Things to Me

By Rebecca Solnit

In these “personal but unsentimental essays” ( The New York Times ), National Book Critics Circle Award-winning author Rebecca Solnit provides the perfect “antidote to mansplaining” ( The Stranger ). 

From the title essay, which explores why men talk over women and what the ultimate cost of that is, to essays about Virginia Woolf and marriage equality, Solnit’s unsparing prose has been called “ essential feminist reading ” by The New Republic – and simply “essential” by Marketplace .

Collection of Sand

By Italo Calvino

Newly translated into English for the first time by Martin McLaughlin, this “brilliant collection of essays” and travelogues, the last piece of new writing published by the legendary Italo Calvino before his death, “may change the way you see the world around you” ( The Guardian ). 

From antique maps to Japanese gardens, Calvino takes us on a tour of the world, but also of his own mind, in the process heightening our appreciation of the visual world around us. 

Slouching Towards Bethlehem

By Joan Didion

In her first work of nonfiction, one of America’s most “dazzling” prose stylists ( The New York Times ) also establishes herself as a singular voice on American culture, painting a vivid portrait of a nation in the midst of tumultuous change. 

First published in 1968, Slouching Towards Bethlehem has become a modern classic , hailed as “a rare display of some of the best prose written today in this country” by the New York Times Book Review . No wonder Time Magazine chose it as one of the 100 best and most influential nonfiction books to date.

Related: Joan Didion: Her Books, Life and Legacy

Essays After Eighty

By Donald Hall

A former Poet Laureate of the United States, Donald Hall has “wrought his prose to a keen autumnal edge” in his waning years, according to The Wall Street Journal . This collection of essays written, as the title implies, after he turned 80, sees Hall reflecting on his life, on his career, on writing itself, and on the view out his window. 

“Alternately lyrical and laugh-out-loud funny ” ( The New York Times ), these essays show that Hall has never lost his deft touch, nor his passion for life and all of its mysteries, whimsies, and wonders.

Freedom Is a Constant Struggle

By Angela Y. Davis

Author of such classic works as Women, Race, and  Class, Angela Y. Davis made a name for herself as an activist and scholar with a penetrating insight into social issues. 

In this new collection of essays, she tackles some of the most pressing issues that affect our present moment , from the Black Lives Matter movement to Palestine and beyond, calling upon us all to imagine a better world – and do the important work required to make it possible.

Illuminations

By Walter Benjamin

A German cultural critic who has been called one of most original thinkers of the 20th century, Walter Benjamin fled Germany in 1932, as the Nazi party rose to power, and died in exile before the end of the second World War. 

Hannah Arendt, herself one of the most influential political theorists of the modern age, hand-assembled this collection of some of Benjamin’s most famous and most important essays, including his legendary “The Work of Art in the Age of Mechanical Reproduction” to form this unforgettable book from a unique mind.

Tell Me How It Ends

By Valeria Luiselli

An American Book Award Winner and a finalist for both the Kirkus Prize and the National Book Critics Circle Award, this “essay in forty questions” is a “moving, intimate” account of serving as a translator for undocumented children facing deportation ( The New York Times Book Review ). 

As a volunteer worker, Luiselli translated these forty questions from a court form to ask undocumented children who were under threat of deportation. By structuring her writing around them, she helps to put a vitally human face on children who are thrust into an often-uncaring system in this book that is, “Worth of inclusion in a great American (and international) canon of writing about migration” ( Texas Observer ).

Maps and Legends

By Michael Chabon

The Pulitzer Prize-winning author of The Amazing Adventures of Kavalier & Clay “makes an inviting case for bridging the gap between popular and literary writing” ( O, The Oprah Magazine ) in this appreciation of everything from pulp fiction to comic books, horror to westerns. 

By writing about the stories that move him, speak to him, and inspired him to write, Chabon also talks about his own identity as an author, and what storytelling means to all of us, whether he’s writing about Superman or Sherlock Holmes.

Related: 12 Michael Chabon Books You Won't Be Able to Put Down

Keep Reading: 10 Essential Essay-Length Memoirs You Can Read Online for Free

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The Best Reviewed Essay Collections of 2021

Featuring joan didion, rachel kushner, hanif abdurraqib, ann patchett, jenny diski, and more.

Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

Today’s installment: Essay Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. These Precious Days by Ann Patchett (Harper)

21 Rave • 3 Positive • 1 Mixed Read Ann Patchett on creating the work space you need, here

“… excellent … Patchett has a talent for friendship and celebrates many of those friends here. She writes with pure love for her mother, and with humor and some good-natured exasperation at Karl, who is such a great character he warrants a book of his own. Patchett’s account of his feigned offer to buy a woman’s newly adopted baby when she expresses unwarranted doubts is priceless … The days that Patchett refers to are precious indeed, but her writing is anything but. She describes deftly, with a line or a look, and I considered the absence of paragraphs freighted with adjectives to be a mercy. I don’t care about the hue of the sky or the shade of the couch. That’s not writing; it’s decorating. Or hiding. Patchett’s heart, smarts and 40 years of craft create an economy that delivers her perfectly understated stories emotionally whole. Her writing style is most gloriously her own.”

–Alex Witchel ( The New York Times Book Review )

2. Let Me Tell You What I Mean by Joan Didion (Knopf)

14 Rave • 12 Positive • 6 Mixed Read an excerpt from Let Me Tell You What I Mean here

“In five decades’ worth of essays, reportage and criticism, Didion has documented the charade implicit in how things are, in a first-person, observational style that is not sacrosanct but common-sensical. Seeing as a way of extrapolating hypocrisy, disingenuousness and doubt, she’ll notice the hydrangeas are plastic and mention it once, in passing, sorting the scene. Her gaze, like a sentry on the page, permanently trained on what is being disguised … The essays in Let Me Tell You What I Mean are at once funny and touching, roving and no-nonsense. They are about humiliation and about notions of rightness … Didion’s pen is like a periscope onto the creative mind—and, as this collection demonstrates, it always has been. These essays offer a direct line to what’s in the offing.”

–Durga Chew-Bose ( The New York Times Book Review )

3. Orwell’s Roses by Rebecca Solnit (Viking)

12 Rave • 13 Positive • 1 Mixed Read an excerpt from Orwell’s Roses here

“… on its simplest level, a tribute by one fine essayist of the political left to another of an earlier generation. But as with any of Solnit’s books, such a description would be reductive: the great pleasure of reading her is spending time with her mind, its digressions and juxtapositions, its unexpected connections. Only a few contemporary writers have the ability to start almost anywhere and lead the reader on paths that, while apparently meandering, compel unfailingly and feel, by the end, cosmically connected … Somehow, Solnit’s references to Ross Gay, Michael Pollan, Ursula K. Le Guin, and Peter Coyote (to name but a few) feel perfectly at home in the narrative; just as later chapters about an eighteenth-century portrait by Sir Joshua Reynolds and a visit to the heart of the Colombian rose-growing industry seem inevitable and indispensable … The book provides a captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker … And, movingly, she takes the time to find the traces of Orwell the gardener and lover of beauty in his political novels, and in his insistence on the value and pleasure of things .”

–Claire Messud ( Harper’s )

4. Girlhood by Melissa Febos (Bloomsbury)

16 Rave • 5 Positive • 1 Mixed Read an excerpt from Girlhood here

“Every once in a while, a book comes along that feels so definitive, so necessary, that not only do you want to tell everyone to read it now, but you also find yourself wanting to go back in time and tell your younger self that you will one day get to read something that will make your life make sense. Melissa Febos’s fierce nonfiction collection, Girlhood , might just be that book. Febos is one of our most passionate and profound essayists … Girlhood …offers us exquisite, ferocious language for embracing self-pleasure and self-love. It’s a book that women will wish they had when they were younger, and that they’ll rejoice in having now … Febos is a balletic memoirist whose capacious gaze can take in so many seemingly disparate things and unfurl them in a graceful, cohesive way … Intellectual and erotic, engaging and empowering[.]”

–Michelle Hart ( Oprah Daily )

5. Why Didn’t You Just Do What You Were Told by Jenny Diski (Bloomsbury)

14 Rave • 7 Positive

“[Diski’s] reputation as an original, witty and cant-free thinker on the way we live now should be given a significant boost. Her prose is elegant and amused, as if to counter her native melancholia and includes frequent dips into memorable images … Like the ideal artist Henry James conjured up, on whom nothing is lost, Diski notices everything that comes her way … She is discerning about serious topics (madness and death) as well as less fraught material, such as fashion … in truth Diski’s first-person voice is like no other, selectively intimate but not overbearingly egotistic, like, say, Norman Mailer’s. It bears some resemblance to Joan Didion’s, if Didion were less skittish and insistently stylish and generated more warmth. What they have in common is their innate skepticism and the way they ask questions that wouldn’t occur to anyone else … Suffice it to say that our culture, enmeshed as it is in carefully arranged snapshots of real life, needs Jenny Diski, who, by her own admission, ‘never owned a camera, never taken one on holiday.’” It is all but impossible not to warm up to a writer who observes herself so keenly … I, in turn, wish there were more people around who thought like Diski. The world would be a more generous, less shallow and infinitely more intriguing place.”

–Daphne Merkin ( The New York Times Book Review )

6. The Hard Crowd: Essays 2000-2020 by Rachel Kushner (Scribner)

12 Rave • 7 Positive Listen to an interview with Rachel Kushner here

“Whether she’s writing about Jeff Koons, prison abolition or a Palestinian refugee camp in Jerusalem, [Kushner’s] interested in appearances, and in the deeper currents a surface detail might betray … Her writing is magnetised by outlaw sensibility, hard lives lived at a slant, art made in conditions of ferment and unrest, though she rarely serves a platter that isn’t style-mag ready … She makes a pretty convincing case for a political dimension to Jeff Koons’s vacuities and mirrored surfaces, engages repeatedly with the Italian avant garde and writes best of all about an artist friend whose death undoes a spell of nihilism … It’s not just that Kushner is looking back on the distant city of youth; more that she’s the sole survivor of a wild crowd done down by prison, drugs, untimely death … What she remembers is a whole world, but does the act of immortalising it in language also drain it of its power,’neon, in pink, red, and warm white, bleeding into the fog’? She’s mining a rich seam of specificity, her writing charged by the dangers she ran up against. And then there’s the frank pleasure of her sentences, often shorn of definite articles or odd words, so they rev and bucket along … That New Journalism style, live hard and keep your eyes open, has long since given way to the millennial cult of the personal essay, with its performance of pain, its earnest display of wounds received and lessons learned. But Kushner brings it all flooding back. Even if I’m skeptical of its dazzle, I’m glad to taste something this sharp, this smart.”

–Olivia Laing ( The Guardian )

7. The Right to Sex: Feminism in the Twenty-First Century by Amia Srinivasan (FSG)

12 Rave • 7 Positive • 5 Mixed • 1 Pan

“[A] quietly dazzling new essay collection … This is, needless to say, fraught terrain, and Srinivasan treads it with determination and skill … These essays are works of both criticism and imagination. Srinivasan refuses to resort to straw men; she will lay out even the most specious argument clearly and carefully, demonstrating its emotional power, even if her ultimate intention is to dismantle it … This, then, is a book that explicitly addresses intersectionality, even if Srinivasan is dissatisfied with the common—and reductive—understanding of the term … Srinivasan has written a compassionate book. She has also written a challenging one … Srinivasan proposes the kind of education enacted in this brilliant, rigorous book. She coaxes our imaginations out of the well-worn grooves of the existing order.”

–Jennifer Szalai ( The New York Times )

8. A Little Devil in America by Hanif Abdurraqib (Random House)

13 Rave • 4 Positive Listen to an interview with Hanif Abdurraqib here

“[A] wide, deep, and discerning inquest into the Beauty of Blackness as enacted on stages and screens, in unanimity and discord, on public airwaves and in intimate spaces … has brought to pop criticism and cultural history not just a poet’s lyricism and imagery but also a scholar’s rigor, a novelist’s sense of character and place, and a punk-rocker’s impulse to dislodge conventional wisdom from its moorings until something shakes loose and is exposed to audiences too lethargic to think or even react differently … Abdurraqib cherishes this power to enlarge oneself within or beyond real or imagined restrictions … Abdurraqib reminds readers of the massive viewing audience’s shock and awe over seeing one of the world’s biggest pop icons appearing midfield at this least radical of American rituals … Something about the seemingly insatiable hunger Abdurraqib shows for cultural transaction, paradoxical mischief, and Beauty in Blackness tells me he’ll get to such matters soon enough.”

–Gene Seymour ( Bookforum )

9. On Animals by Susan Orlean (Avid Reader Press)

11 Rave • 6 Positive • 1 Mixed Listen to an interview with Susan Orlean here

“I very much enjoyed Orlean’s perspective in these original, perceptive, and clever essays showcasing the sometimes strange, sometimes sick, sometimes tender relationships between people and animals … whether Orlean is writing about one couple’s quest to find their lost dog, the lives of working donkeys of the Fez medina in Morocco, or a man who rescues lions (and happily allows even full grown males to gently chew his head), her pages are crammed with quirky characters, telling details, and flabbergasting facts … Readers will find these pages full of astonishments … Orlean excels as a reporter…Such thorough reporting made me long for updates on some of these stories … But even this criticism only testifies to the delight of each of the urbane and vivid stories in this collection. Even though Orlean claims the animals she writes about remain enigmas, she makes us care about their fates. Readers will continue to think about these dogs and donkeys, tigers and lions, chickens and pigeons long after we close the book’s covers. I hope most of them are still well.”

–Sy Montgomery ( The Boston Globe )

10. Graceland, at Last: Notes on Hope and Heartache from the American South  by Margaret Renkl (Milkweed Editions)

9 Rave • 5 Positive Read Margaret Renkl on finding ideas everywhere, here

“Renkl’s sense of joyful belonging to the South, a region too often dismissed on both coasts in crude stereotypes and bad jokes, co-exists with her intense desire for Southerners who face prejudice or poverty finally to be embraced and supported … Renkl at her most tender and most fierce … Renkl’s gift, just as it was in her first book Late Migrations , is to make fascinating for others what is closest to her heart … Any initial sense of emotional whiplash faded as as I proceeded across the six sections and realized that the book is largely organized around one concept, that of fair and loving treatment for all—regardless of race, class, sex, gender or species … What rises in me after reading her essays is Lewis’ famous urging to get in good trouble to make the world fairer and better. Many people in the South are doing just that—and through her beautiful writing, Renkl is among them.”

–Barbara J. King ( NPR )

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RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Writing Tips Oasis - A website dedicated to helping writers to write and publish books.

How to Write a Collection of Essays

By Georgina Roy

Table of Contents

1. Defining the genre

2. the writing process, 3. choosing the right essays, 4. publishing multiple collections, 5. selecting compatible themes, 6. the importance of arrangement, 7. chronological arrangement, 8. arranging for impact, 9. dealing with difficult themes, 10. the importance of second opinion, 11. analysis: are you offering something new, 12. presenting radical ideas, 13. writing and language style, 14. pre-publication options, 15. publishing the collection of essays.

Welcome to Writing Tips Oasis and our newest guide – how to write a collection of essays.

This guide will be different than others, and this is due to the fact that the type of work you’re trying to publish will not fall into a traditional genre – and by that, we mean literary fiction, non-fiction, and genre fiction , including everything from chic lit to dystopian fantasy and science fiction.

If we can call philosophy a genre – and not an academic discipline – then that’s where a collection of essays would belong to. However, philosophy is not isolated from other scientific studies, it encompasses learnings from many other academic disciplines, from history to psychology. A collection of essays may touch upon these, however, most often, a collection of essays is the place where a writer shares their own views and perspective on the world, the life they’ve lived, and the lessons they’ve learned along the way.

In other words, a collection of essays can be quite a niche, and that comes with its own consequences. In this guide, we will analyze the different aspects and things that you need to be careful about when writing a collection of essays, and, at the end, we will take a look at the publishing process and how it differs from publishing a fiction or a non-fiction book.

A collection of essays might fall under the umbrella of philosophy – barely, but it has an even more difficult time falling into a genre. It’s a mix of autobiography, memoir, and, well, blog posts, and as such, it can be a tough ordeal to even find the right audience for it.

For example, you may want to explore the things you learned while in your teens, and maybe your essays will provide a fascinating insight into what it’s like to be a teenager and what you would’ve liked to know at that age. However, who will read that? The teenagers you’re writing about may be more interested in reading YA vampire novels, people in their early twenties or even thirties may not be so keen to go back to those years – or even think about what they should have known at that age – and people who are older than that may have different things on their minds, which means your book of insightful essays may fall into the hands of other writers or a small group of people who like to think about those things.

Similarly, you may want to document everything you’ve learned as a new parent. Now, that, is a different story altogether, because there will be a lot of people who will relate to that – and be interested in reading it in order to see what they could learn from you. So, from a pure business and marketing point of view, a collection of essays on parenthood will have a better chance at attracting many readers than a collection of essays on being a teenager.

So, what can you do?

Well, for starters, write the essays first. So, let’s cover that aspect before we continue.

The writing process of a collection of essays is quite different compared to a novel or a non-fiction book. Could you decide upon each title in your collection and sit down to write them? Of course, but would those essays be genuine? Chances are, they would sound more like textbook passages, or, even worse, schoolwork assignments.

As such, what you really need to have when you decide to publish a collection of essays are written essays. Whether these will be written over the course of a year, five years, or a decade, is up to you and your writing habits. However, there is one truth that we may be able to claim with relative certainty: all writers write essays. If you’re a writer and you’re not writing essays at the moment, chances are you haven’t noticed that you do. For example, many writers would write essays as a warm up to writing in their novel. Moreover, what are non-fiction books these days but the author’s knowledge and opinion on a certain, specific topic? Of course, good non-fiction novels are supported by facts and a lot of research, but at the core of it, they are still a series of essays in a very specific, very narrow even, topic.

Of course, now, you may find yourself thinking that you should better give up on your goal to publish a collection of essays because you have none at the moment. Our advice is twofold. First, dig into your writing – especially your free writing, musings in your notebooks or forgotten word files in your laptop. Chances are, there is a lot of wisdom hiding in there. Second, make a habit to write down your thoughts. Life is chaos, that’s true, but we learn something every day, and we create the narrative of our lives through our thought processes. Start creating the habit to write these things down, as often as you can. Soon, you will begin to want to do it, because writing can also serve as a form of therapy where we make sense of things. Before you realize it, you will begin to write essays, and you may have enough essays to publish in a collection within a few months or a year.

But, the process does not end there. If the first goal is to have the essays already written, the second goal is to choose the right essays.

Let’s take a look at what that means.

In the first section, we talked about two different types of collections of essays, teenage years and parenthood. But, those two are nothing but examples of the themes and topics that your collection of essays will cover. In other words, you can have collections of essays on many aspects of life. From finding love in a busy world to being a new pet owner after a lifetime of fear of animals, for example. Dealing with hypochondria, dealing with mental illnesses, becoming a parent, choosing not to be a parent and the consequences of that – both personal and social and where and how they meet. You can have collections of essays on sociology, social issues, psychology, even history – if you can offer a different perspective on past events.

The opportunities are endless. Meanwhile, chances are, your essays will revolve around your own life, and what you learn along the way. This means that there will be a variety of topics that you will cover in your essays.

As such, welcome to the one and only rule of writing and publishing an essay collection: choose the correct essays, essays that will revolve around either a single topic or a variety of topics that will revolve around a similar theme or phase in life. You will write many essays in the course of your writing career – even more so if you decide to adopt the habit of writing things down – but that does not mean that every essay you’ve ever written will get to be published. To double down on it even, not every essay you’ve written will be publishable in the first place.

But, of those that are publishable, they will cover a variety of topics, each topic as different from the other as night and day, and those essays will ideally belong in different collections. So, let’s cover that first before we continue on what it means to combine different themes and topics in a single collection.

Some authors have found their niche and publish their essay collections and that is what their career as an author is based upon. Can you do the same?

The answer to that question is complicated. In theory – yes, you can. If you have enough material for many different collections, then you have completed the first step in achieving such a goal. The second step, unfortunately, depends on the wheel of fortune and lady luck herself. You can self-publish, yes; but will your first publication be successful without the backing (and the marketing team) of a publishing house that specializes in publishing essays? Moreover, will you even have the luck to get published traditionally without an agent – who, yes, also specializes in authors who write essay collections?

However, you can publish different collections of essays even if you are predominantly a fiction author. Look at how many authors from the 20 th century, like Bukowski, Bradbury, Vonnegut, and yes, even Stephen King have published their collections of essays throughout the years. Stephen King’s On Writing is one of the most famous books that aspiring writers are recommended to read (and again, consider this mention a recommendation too, because Stephen King is the king of writer discipline, which is what has made him so prolific over the years).

So, maybe after you analyze your essays, you will realize that you have material for three or four different collections. Which then begets the task of organizing the essays into a cohesive whole.

And that’s when you need to begin to think in terms of themes.

Before you even begin to think about which essays to select for your collection, you need to decide on the theme or themes that you will talk about. As writing essays can often be a stream-of-consciousness effort rather than a planned one, you may be tackling different themes as you write them. So, when the moment comes to decide which theme will be prevalent in the essays, you may feel strangled by the need to choose just one.

However, that is the furthest thing from the truth. The goal here is to not promise something that you will not deliver upon – in the title, in the description, in the blurb of the book. If you wish to gather all the essays you’ve written while living in a certain town – whether your hometown or not – then, by all means, allow the reader to understand that the town will be what connects all of them. On the other hand, if you wish to cover your life experiences as an expat for example, or what living as an expat has taught you, then make sure to keep within that margin. The difference between the first and the second example is that the first one is a lot narrower. To continue with the example, let’s say that you were born in one town, but are writing about your experiences while living in another town. In this case, your essays about your hometown will not belong in that collection.

On the other hand, if what connects all your essays together is your life as an expat (still continuing on the other example above), then you can include not only essays about your hometown, and the new town where you moved, but you can include every other essay where your perspective as an expat comes into play.

Again, these two are just examples. You may wish to write about being a feminist (or, as is the case of Roxane Gay, about being a Bad Feminist), and what that means to you. In this case, you would include all the essays where the ideas you express come from that aspect – and it doesn’t matter whether you are talking about the interpretation of dreams or the most prevalent pop culture ideas of the current times.

As such, do not mix essays that do not have a correlation between them. For example, you should not really mix essays on the prevalent homelessness in NYC, while in the same collection, include an essay about what partying at Columbia University was really like. Not only are those two topics quite disconnected from one another, but it would also be in bad taste and give an impression that you, as the writer, are unaware of your own privilege.

Once you make a decision on what would be the theme or aspect about yourself or your life that will connect all of the essays in your collection, you can begin to think about the arrangement of the essays.

How you arrange the essays in your collection is just as important as the essays themselves. There are a few different ways that you can do this: chronologically, for impact, or, to create a cohesive narrative whole.

First and foremost, each essay you have chosen needs to present a point and argue for or against that point, based on your perspective. A collection of essays is not a memoir or an autobiography that will recount past events or experiences – but, an essay will contain those past experiences, along with a certain amount of established, confirmed research findings if you’re dwelling into themes and topics where you need the support of such findings to argue your points. But, an essay needs to have a point, it should end on an abrupt note where it feels unfinished, even if that note may seem powerful to you personally.

A collection of essays, in turn, needs two things: each essay needs to correspond well with the overall theme that connects all of them, and, ultimately, it needs to form a cohesive collection of ideas on the established theme. Whether this will be done through a chronological arrangement, an arrangement for impact, or through an arrangement that hints at a narrative without delving too much into fiction, will depend on both the theme and the author themselves – or, upon you as the author. But, once you decide on which path to take, then make sure to stick to it to ensure that reader gets to close your book after reading all of your essays with the feeling that they have, by reading your essays, gained a new perspective of the theme you are talking about in the essays.

Since it’s impossible to distil these different arrangements without using examples, we will go back to our two previous examples: a collection of essays written in one town, and a collection of essays about your (supposed) life as an expat. And, since we mentioned three ways, we will add another example theme, which can be feminism.

Of our previous examples of themes, the example of life as an expat works best for chronological arrangement of essays. There will be a difference in the essays one would have written in the beginning of such a major change in life, and as time goes along, those essays will have gained a different tone and perspective.

There are other themes that can benefit from chronological arrangement. For example, coming of age in a certain country, coming of age in a certain time period (the 60’s, the 70’s, the 80’s and so forth), coming of age in the time period of the early to late 2000’s, and the major worldwide changes that ensued as a result of the technology boom, or, growing up with a smartphone in hand (something that we assume newly fledged adults will be writing about in the next decade).

The common correlation between all of these themes is time: as time passes, the perspective changes. There is always a change in the tone from the first to the last essay, and the last essay should wrap things up and offer a conclusion on the overall theme presented in the collection. In the end, reading such a collection makes the reader feel that they have gone through a philosophical journey just as much as the author did, and are able to understand the author’s perspective and ideas – even if they don’t agree with them.

Another title for this section could be “arranging due to impact” because there are two different paths the author can take here. First, you can arrange the essays to create a different impact with each of them. Meaning, each essay’s impact will be calculated and placed specifically in that spot in the collection because that essay will be more painful, powerful, or maybe, more humorous than the ones before and after it. Depending on the difficulty of the themes you’re tackling, you might want to arrange the essays in such a way so as to not overwhelm your readers.

To go back to our example, let’s say that your collection is about living a single town. Life in a single town, in which case you can have essays about life, which yes, will include death and birth and everything in between. For example, if your first essay is about death, grief, or mourning, you may have exhausted the reader completely, even though they’ve just begun reading your collection of essays.

However, on the other hand, maybe you do want to start with a bang and then continue on with the other essays. In this case, you want to ensure that you do not use up the most powerful essays all at once in the beginning of the collection, because then your readers might not stick around when the individual themes and topics of the essays become lighter.

In the end, when it comes to arranging for impact – or as a result of the impact of the individual essays – you are the one who should make the final decision on which way you will go. However, it’s very important to keep this impact in mind because ultimately, you want the readers to enjoy reading your collection, even if it deals with difficult themes (and, truthfully, though often humorous, most collection of essays do deal with difficult themes that would make most people even a little uncomfortable). So, the idea is to ease your readers into it before presenting them with some of the most difficult essays – essays that would have a great emotional impact on the readers.

Which brings us to arranging with hints of narrative – and dealing with difficult themes.

When it comes to dealing with difficult themes – or, perhaps the better word here would be traumatic themes – like rape, grief, mourning, murder, suicide, – arranging the essays in such a collection can be a huge challenge.

And the truth is that there is no “correct” way of arranging the essays when it comes to themes like these. Your readers will always fall into two categories: people who have gone through that traumatic experience, and people who haven’t. And each individual from both groups will experience your collection differently.

The reason why we mentioned arranging the essays with a hint of a narrative is because when it comes to themes like dealing with trauma and grief, arranging the essays in such a way can give the reader hope – especially if you do have essays that focus on the aspect of healing. If that’s the case, you have the opportunity to divide the essays in three parts (just like a novel has a beginning, a middle, and an ending). You have the essays that talk about life before the traumatic event, the traumatic event, the post-traumatic period, and the healing period.

Please note that this doesn’t mean that you need to create a fictional story or to rewrite your essays so that they read like fiction, or a string of loosely connected short stories. If you do that, you’ve delved either into fiction territory, or the territory of a memoir or an autobiography (about a certain time period of life). What we talk about is having the essays arranged in such a manner as to show the process of dealing with the trauma and healing.

Or, in other words, you are not always right. Here, we will get a bit away from difficult themes and talk about the other type of difficult topics that we are dealing with today: social issues. As the year 2020 showed, the world is full of social injustices based on race, religion, ethnicity, wealth, sexual orientation, gender (or non-gender) … we can go on and on.

And you may have some strong opinions on these issues. That, however, automatically, will not make you right. In fact, these issues are so complicated, and each person’s views will differ so much that the writer’s background always gets involved into the importance of their opinion – which is not necessarily a good thing – but it happens. Even when a woman writes about what it means to be a feminist, there may be other women who will disagree with her views. Or, a person of color might write about what it means to be oppressed, and then another person of color may come forward and dispute all of those claims. Alas, that is the world we live in.

The best thing you can do is try to get a second opinion – not from a friend, a lover, or a family member, or a person who you know will agree with your views. Quite the opposite actually. Have your essays read by someone who may actually disagree with your views. Have your essays beta read by strangers whose opinion you cannot gauge before you give them your collection. Try to get as many unbiased opinions as possible, and then listen to their feedback.

And this isn’t just because you’re not always right. Additionally, there will always be the chance that some people will not understand your essays. Maybe you did not express your views in the correct manner (which happens quite often), maybe you said something that can be easily taken in a negative connotation out of context – which can later on be posted in reviews of your collection. And don’t forget that cancel culture exists – these days, any public figure can get “cancelled” really quickly because of a wrong word in a wrong spot in a single sentence. It’s not just about not offending a person, a group of people, or a whole nation or gender, it’s about not having your career ruined before it has even begun.

We’ll talk more later about the difference between being honest in your views and being offensive, but first, let’s take a look at what you would be offering in the essays themselves.

Like with any other genre of fiction or non-fiction niche, before you start with the publishing process of your essay collection, read other author’s collections – yes, in the particular theme or topic you wish to tackle.

Read as many as you can. And then, start analyzing.

In fiction, it is advisable to read as many novels in your genre so that you will ensure that you will not publish something that has been seen before. For example, you may have a great idea about a love story between an overbearing, overprotective Alpha-male, and a not-quite-submissive heroine who still needs the hero to rescue her on occasion. And if you thought how that sounds like Twilight (and its adult spawn, 50 Shades of Grey ), you’d be correct.

The same applies to non-fiction niches too. You may have a great idea about a cookbook full of your grandmother’s southern cooking recipes. But then, you do your research and discover that there are about a hundred books out there on southern cooking, and about half of them have the same recipes that you thought were unique to your grandmother’s kitchen.

The same applies to essay collections. You may think that you have great ideas and great insight into life, the universe, and everything, but you may also discover that about a hundred other authors have already said the same thing in different words.

However, do not despair! The chances of that particular scenario happening with a collection of essays is quite slim (but not impossible). Worst case scenario, a few of your essays may present ideas that have been explored by other authors. But, that doesn’t mean that your particular individual perspective will not offer anything new to the table. Because of that, read as many collections as you can, and then analyze your own essays. Decide which essays fall into the category of “no one has said this before” and the category of “someone has talked about this, but they haven’t proposed this idea’ and “people have already talked at length about this, and I’m not really offering anything new.”

And, even better news: the chances of your essays falling into the third category are even slimmer, unless you’re talking about how it’s really bad to hit and abuse street animals, for example. In other words, your essays would need to be written about universal topics with views that are easily shared by most good and kind people in the world. On the other hand, if you’re proposing new and radical ideas about what society should do to protect these street cats and street dogs, then, most of the same good and kind people in the world would probably be all ears.

So, what happens when you do have radical ideas?

First and foremost, the term “radical idea” is both vague and specific, because an idea that was radical fifty years ago is a normal and accepted idea today. An idea that goes against the established common norm is a radical idea, even if it may seem like a normal idea to you, personally. Some radical ideas are positive, however, some can be quite negative. And then, there are the ideas that appeared radical at a first glance, but in reality, they are what should have been the norm all along (like, for example, women having the right to vote and the right to equal wages in comparison to men).

As such, the first thing to do is to analyze – in the same way as in the previous section – whether your ideas can or would be considered radical by your readers. The second step is to see whether you are presenting your ideas properly. As we talked before, you do not want to be misunderstood, because that can be something that will kill your career before you’ve even begun it properly, and this can be especially important if you are planning on making a career as a public speaker and writer of essay collections.

To put it into an example, let’s use feminism as a theme here. Today, the word feminist can often be correlated with a person who believes in equal rights for all genders. On the other hand, a feminist can be also correlated with a person who believes that women need and should not only get special rights, but also special treatment. And, the line between those two gets really, really blurry quite often, so much so that, as we’ve mentioned before, a feminist can read an essay written by another feminist and disagree with the writer and call their views radical (and maybe even harmful).

The best thing to do to avoid being mislabeled and misunderstood is to be very clear in your essays that you do not discard the established norm – or the general view of the idea, but that your idea also deserves merit and consideration. To go back to feminism, or, even deeper, rape culture. Today, it is widely considered that one in five women will be the recipient of unwanted sexual and/or romantic attention. A study in the The New England Journal of Medicine suggested that this number can be lessened by teaching young girls and women to speak up when they feel that their boundaries are being threatened. However, it would be easy for that statement to be misinterpreted as “we need to teach women how to defend themselves, but there is no need to teach men about consent.”

You might think, “Oh, they are my essays, and I will write them in any writing style I want.”

You’d be very wrong.

The language and writing style is your choice – however, remember what we talked about in a previous section: you do not wish to alienate your readers by false advertising. Meanwhile, different topics will require a different writing style. For example, observations about life in the modern small town will sound the best written in a language style that would be easy to follow and understand. You might even call it, workman-like prose that does not ask the readers to have had a high SAT score to understand.

On the other hand, if you’re writing about grief and dealing with grief, your language style will have a different requirement. Yes, it’s okay to use workmanlike prose in it too; but, since you would also want to add credibility to your opinions through established psychological research, you might want to find a balance between an academic style and workmanlike prose.

Moreover, you have essays on topics that require a more academic-sounding voice, like societal issues and similar topics. In this case, it’s best to lean slightly towards a more formal, more academic prose that will convince the readers that you know what you’re talking about.

The good news is that this is an issue you would have to deal with in the editing process – after you have chosen your essays and determined their arrangement in the collection. When the time comes for you to edit the collection – and editing is necessary, even if your essays have already been written – you can work on the writing style and use of language in your prose. That is to say, you will not be changing your views or opinions on anything, you will basically be tightening the prose.

Another thing to ensure when you’re editing the essays (which is the final step before starting the publication process), is that all of the essays use the same writing style – regardless of whether the style is humorous, serious, academic, or workmanlike prose. Even so, we would not recommend using workmanlike prose too much in your essays as this can harm your credibility and make people feel that they are reading your blog posts in print – or eBook version of them. Your writing style needs to reassure the readers that your opinions are worth reading about, that they are worth something, and that your insights into the topics you’re talking about are valuable and worth paying for (since ultimately, readers would be buying your essay collection, and you want to ensure that they have gotten their value for the money).

Finally, you would have to proofread your collection. In this step, you should pay attention to spelling and grammar mistakes, yes, but also, pay attention to repetitive words and phrases. When you’re writing in free form (or free writing), you may tend to use the same phrases over and over again without even realizing it. If your essay collection will be beta read, then ask your beta readers (even if they are your friends), to tell you about the phrases that you use most often. In fact, a good beta reader will tell you this even without you asking for that.

Finally, your collection will be ready and in mint condition. And the question that arises after that is: what now?

Well, let’s take a look at some of your options.

First and foremost, understand that publishing any book requires a lot of patience. The road to a successful release of a book is long and difficult, and it will ask you to work for a long time before you will see the fruits of your labor. This is true for any book.

Sure, you might say, but how did this author or that author do it? Well, the answer to that is: it doesn’t matter. It doesn’t matter what the experience was for another author because each author will have their own unique story of how they got published, and, even if you follow their way step by step, you still might not get the same result because publication – successful publication – depends half on luck, and half on the quality of your work.

However, the good news is that there are some things that you can do to make the road to publication for your own essay collection easier.

1) Get out there: Meaning, establish yourself online. Create professional social media accounts for yourself, create a website and a blog. Make sure you’re not an unknown commodity because in that case, publishers will not bet on your book collection being successful, which will make it more difficult for you to get traditionally published. And, if you’re self-publishing, the same applies. A self-published book by an author with a large following online will get more traction, because you would already have a fan base waiting for your book – even if that fan base is small.

2) Get published in magazines: Both online and in print. This will require you to do your homework – meaning, do a lot of research. There are plenty of online magazines out there, as well as magazines that are still in print. Analyze your essays. The good news is that you can publish your essays individually in these magazines to gain traction, and then you will be able to attract publishers for the whole collection. The bad news is that you need to pitch your essays to the right magazines. First, you want to get published in magazines that have a large reader base. Second, you need to make sure that the content and writing style will match the magazine’s style and content. However, you can try to get published in many different magazines, which in this case, can be very helpful because it might enable you to gain traction as an essay writer (or a columnist) quicker. In other words, depending on the content of your essays, you can seek out different types of magazines that will match different essays from your collection.

3) Be a columnist or a guest blogger: Seek out bloggers who have a wide audience and try to be a guest blogger on their blog. Make sure, again, that the topics of your essays will match the topics of the blogger, and, make sure that that particular blogger is a person whom you would not mind to be associated with later on. On the other hand, when it comes to magazines, instead of trying to sell your essays to them, try to become their guest columnist. Again, this doesn’t mean that you need to track down a cooking magazine and try to write a column for them. The magazine should be publishing material that fits you as a writer and fits the themes that you like to write about, especially because a column is a piece that is very close to an essay – meaning, the writer shares their own personal opinion about a certain theme, topic or an issue.

To conclude here, before you begin the publishing process – of which we’ll talk about next – try to make a name for yourself out there. For example, some vloggers from YouTube have landed publishing deals due to garnering a big following there. Having a platform that will wait for your work to get published can be a huge help in having a successful publication that will kick-start your career as a writer – even if you’re not getting traditionally published.

As with any other publication process, you can take two different routes: self-publishing, or traditional publishing. And, if you think that one or the other is easier, you’d be terribly wrong, because both routes are difficult, and, as we’ve already said in this guide, it will require patience.

First, getting an online platform – or getting followers online on social media and websites like YouTube or even Twitch, can be a huge help. It’s not a guarantee that when you publish your essay collection, it will be a major success. You may sell a lot of copies, but the general feedback might not be as optimal as you’d hoped (and nothing will hurt your ratings like bad reviews or Goodreads and Amazon, the two platforms that people use the most these days when they choose the next books).

But, let’s talk about the two publishing processes so far.

Self-publishing: it can be done through Amazon and other platforms, but Amazon also offers print-on-demand, which means that you can get published both in print and in eBook format easily. In this case, your job will involve becoming your own marketing consultant, your own publicist, and your own sponsor for ads and other paid promotion options. And yes, this can be a huge cost for you, and you will not have the guarantee that your investment will pay off. What you can do is ensure that the book has a catchy title and a blurb. Focus on who you are: what makes you unique? Is it your cultural background, or is it your personal experience with the topics you would be covering in your essay collection? Whatever makes you, the writer, unique, needs to be put in the blurb for your essay collection. Read other books’ blurbs.

For example, Roxane Gay’s extremely successful Bad Feminist has what makes her unique in the title: she considers herself an unconventional feminist, and the essays in that essay collection all revolve around that topic. On the other hand, you have Aleksandar Hemon’s The Book of My Lives , which chronicles his life in Sarajevo before the war, and his life in Chicago while his hometown is under siege, where the only thing he was able to do was watch from afar. The one similarity it has with Bad Feminist is in the title: it immediately points to what makes the author unique and what makes their perspective unique. So, your book collection’s title itself should point out to both what makes you, as the writer, unique, and it should point to the topics you are talking about in your essays.

Meanwhile, don’t forget about the cover. Again, it should suit the themes and topics you are covering, and, it should look professional and well done. If you have the skills to create a cover on your own, that’s great, but if your cover looks like something a teenager created while writing fanfiction on Wattpad (and even on that platform, fanfiction covers have become better and better), then you might consider hiring a professional to do it for you.

Traditional publishing: you might think that getting traditionally published will save you the headache of dealing with everything we’ve described above. Again, you’d be wrong. Getting traditionally published means finding a publisher for your novel. Many publishing houses do not accept unsolicited manuscripts, no matter how well written they are, and if they do, you might end up in the slush pile that gets touched upon once or twice every quarter. With a lot of other manuscripts, essay collections written by authors like yourself.

To avoid this, you would need an agent, someone who will pitch your essay collection to the correct publishing houses that, in turn, might want to sign you on. First, you need the right agent – someone who is established in the niche that is essay collections, and who has successfully worked with other authors who’ve published similar works, like biographies, autobiographies, and memoirs. Even so, your best bet might be an agent who’s worked with author’s who’ve published essay collections – or at least one or two authors. Next, it would be a good idea if the agent also has experience in publishing essay collections in similar topics to the ones in your collection.

Furthermore, the publishing house you will be aiming for – if you have a good agent, they will probably already know which publishing houses would be interested in publishing your work. However, if you do not have an agent yet and you still want to send your manuscripts to publishing houses that do accept unsolicited manuscripts, make sure it’s the right publishing houses – meaning, again, they will have published similar work before. Do not send your manuscript of essay collections to a publishing house – or an imprint of a publishing house – that publishes collections of short stories or anthologies. First, they will probably not sign you on, second, even if they do, their audience is not the right audience for your essay collection.

Again, even if you do get an agent, that agent will need something to work with, and not just your essays and the topics you’re covering. For example, sure, you might have written several essays on race and social injustice, but, today, there are many essay collections that deal with that topic, so, there has to be something about you – or your essays – that sets your work apart from all of those that have come before. Moreover, a publisher might reject your manuscript simply because you’re an unknown author who hasn’t established themselves yet, and, even though your essays are well written and have great insights into many problems of the world today, they might not sign you on because they don’t believe that your essay collection will sell well.

That’s why we can’t recommend this enough: create an online presence for yourself, first and foremost. Even if it takes you a year to actually publish your essay collection, start building that online presence right now. Moreover, there are different ways to use social media in a way that will benefit you, the author, and your brand (or the brand you will build around your name as an author). Be careful not to post something or say something online that will backfire on you in the future.

If you want to self-publish, do not do it immediately. Start with the online presence. Then, create a book page for your book on Goodreads. Set up a publication date some months in the future, and create a pre-order page on Amazon. Create a website and a blog, and connect your online presence with the website and the blog. Send out ARCs (advanced reading copies) to reviewers who have a following, and, more importantly, who have reviewed essay collections before. Try to gain traction by being a guest blogger with bloggers who focus on similar themes as yours, and who, ideally, have a large platform themselves and are willing to have you on their blog.

Ultimately, whichever publication route you take, prepare yourself for a lot of work and a lot of patience. It might be a while before your work sees the light of day. Make sure that your essays in the collection have a timeless value (for example, if your essay is talking about a topic that was prevalent and specific when you originally wrote it in 2014, it might not be quite relevant in 2021). More importantly, once you start building your author’s brand online, do not stop, and do not quit. Keep going, even if it takes you a while to build your platform – because, without it, all of your effort might not lead to the commercial success you want. And again, while a platform is no guarantee, it certainly will help to an extent.

Georgina Roy wants to live in a world filled with magic. As a screenwriting student, she is content to fill notebooks and sketchbooks with magical creatures and amazing new worlds. When she is not at school, watching a film or scribbling away in a notebook, you can usually find her curled up, reading a good urban fantasy novel, or writing on her own.

20 Must-Read Queer Essay Collections

Laura Sackton

Laura Sackton is a queer book nerd and freelance writer, known on the internet for loving winter, despising summer, and going overboard with extravagant baking projects. In addition to her work at Book Riot, she reviews for BookPage and AudioFile, and writes a weekly newsletter, Books & Bakes , celebrating queer lit and tasty treats. You can catch her on Instagram shouting about the queer books she loves and sharing photos of the walks she takes in the hills of Western Mass (while listening to audiobooks, of course).

View All posts by Laura Sackton

I love essay collections, and I love queer books, so obviously I love queer essay collections. An essay collection can be so many things. It can be an opportunity to examine one particular subject in depth. Or it can be a wonderful messy mix of dozens of themes and ideas. The books on this list are a mix of both. Some hone in on an author’s own life, while others look outward, examining current events, history, and pop culture. Some are funny, some are very serious, and some are decidedly both.

In making this list, I used two criteria: 1) queer authors and 2) queer content. There are, of course, plenty of wonderful essay collections out there by queer authors that aren’t about queerness. But this list focuses on essays that explore queerness in all its messy glory. You’ll also find essays here about many other things: tornadoes, step-parenthood, the internet, tarot, activism, online dating, to name just a few. But taken together, the essays in each of these books add up to a queer whole.

I limited myself to living authors, and even so, there were so many amazing queer essay collections I wanted to include but couldn’t. This is just a drop in the bucket, but it’s a great place to start if you need more queer essays in your life — and who doesn’t?

Personal Queer Essay Collections

How to Write An Autobiographical Novel by Alexander Chee

It’s hard for me to put my finger on the thing that elevates an essay collection from a handful of individual pieces to a cohesive book. But Chee obviously knows what that thing is, because this book builds on itself. He writes about growing roses and working odd jobs and AIDS activism and drag and writing a novel, and each of these essays is singularly moving. But as a whole they paint a complex portrait of a slice of the writer’s life. They inform and converse with each other, and the result is a book you can revisit again and again, always finding something new.

I Hope We Choose Love by Kai Cheng Thom

In this collection of beautiful and thought-provoking essays, Kai Cheng Thom explores the messy, far-from-perfect realties of queer and trans communities and community movements. She writes about what many community organizers, activists, and artists don’t want to talk about: the hard stuff, the painful stuff, the bad times. It’s not all grim, but it’s very real. Thom addresses transphobia, racism, and exclusion, but she also writes about the particular joys she’s found in creating community and family with other queer and trans people of color. This is a must-read for anyone involved in social justice work, or immersed in queer community.

Here For It by R. Eric Thomas

If you enjoy books that blend humor and heartfelt wisdom, you’ll love this collection. R. Eric Thomas writes about coming of age as a writer on the internet, his changing relationship to Christianity, the messy intersections of his queer Black identity. It’s a lovey mix of grappling and quips. It’s full of pop culture references and witty asides, as well as moving, vulnerable personal stories.

The Rib Joint by Julia Koets

This slim memoir-in-essays is entirely personal. Although Koets does weave some history, pop culture, and religion into the work — everything from the history of organs to Sally Ride — her gaze is mostly focused inward. The essays are short and beautifully written; she often leaves the analysis to the reader, simply letting distinct and sometimes contradictory ideas and images sit next to each other on the page. She writes about her childhood in the South, the hidden and often invisible queer relationships she had as a teenager and young adult, secrets and closets, and the tensions and overlaps between religion and queerness.

I Can’t Date Jesus by Michael Arceneaux

This is another fantastic humorous essay collection. Arceneaux somehow manages to be laugh-out-loud funny while also delivering nuanced cultural critique and telling vulnerable stories from his life. He writes about growing up in Houston, family relationships, coming out, and so much more. The whole book wrestles with how to be a young Black queer person striving to make meaning in the world. His second collection, I Don’t Want to Die Poor , is equally wonderful.

Tomboyland by Melissa Faliveno

If you’re wondering, this is the book that contains an essay about tornadoes. It also contains a gorgeous essay about pantry moths (among other things). Those are just two of the many subjects Faliveno plumbs the depths of in this remarkable book. She writes about gender expression and how her relationship with gender has changed throughout her life, about queer desire and family, about Midwestern culture, about place and home, about bisexuality and bi erasure. Her far-ranging essays challenge mainstream ideas about what queer lives do and do not look like. She asks more questions than she answers, delving into the murky terrain of desire and identity.

Something That May Shock and Discredit You by Daniel M. Lavery

Is this book even an essay collection? It is, and it isn’t. Some of these pieces are deeply personal stories about Lavery’s experience with transition. Others are trans retellings of mythology, literature, and film. All of it is weird and smart and impossibly to classify. Lavery examines the idea of transition from every angle, creating new stories about trans history, trans identity, and transformation itself.

Brown White Black by Nishta J. Mehra

If there’s one thing I love most in an essay collection, it’s when an author allows contradictions and messy, fraught truths to live next to each other on the page. I love when an essayist asks more questions than they answer. That’s what Mehra does in this book. An Indian American woman married to a white woman and raising a Black son, she writes with openness and curiosity about her particular family. She explores how race, sexuality, gender, class, and religion impact her life and most intimate relationships, as well as American culture more broadly.

Blood, Marriage, Wine, & Glitter by S. Bear Bergman

This essay collection is an embodiment of queer joy, of what it means to become part of a queer family. Every essay captures some aspect of the complexity and joy that is queer family-making. Bergman writes about being a trans parent, about beloved friends, about the challenges of partnership, about intimacy in myriad forms. His tone is warm and open-hearted and joyful and celebratory.

Forty-Three Septembers by Jewelle Gómez

In these contemplative essays, Jewell Gómez explores the various pieces of her life as a Black lesbian, writing about family, aging, and her own history. Into these personal stories she weaves an analysis of history and current events. She writes about racism and homophobia, both within and outside of queer and Black communities, and about her life as an artist and poet, and how those identities, too, have shaped the way she sees the world.

Pass With Care by Cooper Lee Bombardier

Set mostly against the backdrop of queer culture in 1990s San Francisco, this memoir in essays is about trans identity, being an artist, masculinity, queer activism, and so much more. Bombardier brings particular places and times to life (San Francisco in the 1990s, but other places as well), but he also connects those times and experiences to the present in really interesting ways. He recognizes the importance of queer and trans history, while also exploring the possibilities of queer and trans futures.

Care Work by Leah Lakshmi Piepzna-Samarasinha

This is a beautiful, rigorous collection of essays about disability justice centering disabled queer and trans people of color. From an exploration of the radical care collectives Piepzna-Samarasinha and other queer and trans BIPOC have organized to an essay where examines the problems with the “survivor industrial complex,” every one of these pieces is full of wisdom, anger, transformation, radical celebration. It challenged me on so many levels, in the best possible way. It’s a must read for anyone engaged in any kind of activist work.

I’m Afraid of Men by Vivek Shraya

I’m cheating a little bit here, because technically I’d classify this book as one essay, singular, rather than a collection of essays. But I’m including it anyway, because it is brilliant, and because I think it exemplifies just what a good essay can do, what a powerful form of writing it can be. By reflection on various experiences Shraya has had with men over the course of her life, she examines the connections and intersections between sexism, transmisogyny, toxic masculinity, and sexual violence. It’s a heavy read, but Shraya’s writing is anything but. It’s agile and graceful, flowing and jumping between disparate thoughts and ideas. This is a book-length essay you can read in one sitting, but it’ll leave you with enough to think about for many days afterward.

Gender Failure by Ivan E. Coyote and Rae Spoon

In this collaborative essay collection, trans writers and performers Ivan E. Coyote and Rae Spoon play with both gender and form. The book is a combination of personal essays, short vignettes, song lyrics, and images. Using these various kinds of storytelling, they both recount their own particular journeys around gender — how their genders have changed throughout their lives, the ways the gender binary has continually harmed them both, and the many communities, people, and experiences that have contributed to joyful self-expression and gender freedom.

The Groom Will Keep His Name by Matt Ortile

Matt Ortile uses his experiences as a gay Filipino immigrant as a lens in these witty, insightful, and moving essays. By telling his own stories — of dating, falling in love, struggling to “fit in” — he illuminates the intersections among so many issues facing America right now (and always). He writes about the model minority myth and many other myths he told himself about assimilation, sex, power, what it means to be an American. It’s a heartfelt collection of personal essays that engage meaningfully, and critically, with the wider world.

Wow, No Thank You by Samantha Irby

I’m not a big fan of humorous essays in this vein, heavy on pop culture references I do not understand and full of snark. But I absolutely love Irby’s books, which is about the highest praise I can give. I honestly think there is something in here for everyone. Irby is just so very much herself: she writes about whatever the hell she wants to, whether that’s aging or the weirdness of small town America or snacks (there is a lot to say about snacks). And whatever the subject, she’s always got something funny or insightful or new or just super relatable to say.

Queer Essay Anthologies

She Called Me Woman Edited by Azeenarh Mohammed, Chitra Nagarajan, and Aisha Salau

This anthology collects 30 first-person narratives by queer Nigerian women. The essays reflect a range of experiences, capturing the challenges that queer Nigerian women face, as well as the joyful lives and communities they’ve built. The essays explore sexuality, spirituality, relationships, money, love, societal expectations, gender expression, and so much more.

Untangling the Knot: Queer Voices on Marriage, Relationships & Identity by Carter Sickels

When gay marriage was legalized, I felt pretty ambivalent about it, even though I knew I was supposed to be excited. But I have never wanted or cared about marriage. Reading this book made me feel so seen. That’s not to say it’s anti-marriage — it isn’t! It’s a collection of personal essays from a diverse range of queer people about the families they’ve made. Some are traditional. Some are not. The essays are about marriages and friendships, parenthood and siblinghood, polyamorous relationships and monogamous ones. It’s a book that celebrates the different forms queer families take, never valuing any one kind of family or relationship over another.

Nonbinary: Memoirs of Gender and Identity Edited by Micah Rajunov and Scott Duane

This book collects essays from 30 nonbinary writers, and trans and gender-nonconforming writers whose genders fall outside the binary. The writers inhabit a diverse range of identity and experience in terms of race, age, class, sexuality. Some of the essays are explicitly about gender identity, others are about family and relationships, and still others are about activism and politics. As a whole, the book celebrates the expansiveness of trans experiences, and the many ways there are to inhabit a body.

Moving Truth(s): Queer and Transgender Desi Writings on Family Edited by Aparajeeta ‘Sasha’ Duttchoudhury and Rukie Hartman

This anthology brings together a collection of diverse essays by queer and trans Desi writers. The pieces explore family in all its shapes and iterations. Contributors write about community, friendship, culture, trauma, healing. It’s a wonderfully nuanced collection. Though there is a thread that runs through the whole book — queer and trans Desi identity — the range of viewpoints, styles and experiences represented makes it clear how expansive identity is.

Looking for more queer books? I made a list of 40 of my favorites . If you’re looking for more essay collections to add to your list, check out 10 Must-Read Essay Collections by Women , and The Best Essays from 2019 . And if you’re not in the mood for a whole book right now, why not try one of these free essays available online (including some great queer ones)?

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Hekate: Keys to the Crossroads: A collection of personal essays, invocations, rituals, recipes and artwork from modern Witches, Priestesses and ... Goddess of Witchcraft, Magick and Sorcery. Paperback – Illustrated, March 8, 2006

Purchase options and add-ons, additional details.

Hekate: Keys to the Crossroads is a collection of personal essays, invocations, rituals, recipes and artwork from modern Witches, Priestesses and Priests who work with Hekate, the Ancient Greek Goddess of Witchcraft, Magick and Sorcery.

Hekate is one of the most fascinating Goddesses of the Ancient World. Loved, feared, hated and worshipped by people throughout history, the Witch Goddess of the Crossroads, facing three-ways, with her three faces, remains an image of power and awe in the modern world today, amongst those who understand and respect her power.

This book brings together the experiences and perceptions of more than twenty modern day Witches, Priestesses and Priests all of whom work with this awesome Greek Goddess in the UK today. Through their essays, rituals and artwork they present a unique view into the realms of this multi-faceted and popular Goddess.

Part I - Hekate's History, Myths & Powers Here author and Priestess Sorita d'Este presents a detailed and comprehensive study of the history, myths and powers of Hekate. This invaluable section offers the reader insights to some of the roles, relationships and powers Hekate held in the Ancient World.

Part II - Hekate's Witches This section contains essays by sixteen Witches, Priestesses and Priests who work with Hekate on a regular basis. Each contribution is as unique as the person who wrote it, clearly illustrating through both their differences and similarities that the many faces presented by Hekate in the ancient world continue on today in the twenty-first century. Hekate is a Goddess of transformation, initiation, childbirth, death and rebirth. She is the Mistress of Magick, Witchcraft and Sorcery. She is the key-bearing Goddess of Night who illuminates the paths through the mysteries with her bright torches, guarding the entranceways and guiding travellers through the realms of Heaven, Earth and Sea. Powerful and respected by Gods and mortals alike, she has the power to bestow gifts and blessings upon those who call upon her with honour and truth.

Part III - Recipes, Rites & Rituals A collection of modern invocations, pathworkings, incense and food recipes, together with a group mystery play of the Abduction of Persephone by Hades in which Hekate plays a key role.

Combining the best of research with a wide range of experiences this compact volume opens doorways in to many of Hekate's realms. It is a unique journey - enchanting, funny, scary, magickal and daring, challenging and informative. Whether you find yourself agreeing or disagreeing with the perceptions you will find within, one thing is certain: there is always more to learn and experience when it comes to Hekate!

• Print length 156 pages
• Language English
• Publisher Avalonia
• Publication date March 8, 2006
• Dimensions 5.5 x 0.36 x 8.5 inches
• ISBN-10 1905297092
• ISBN-13 978-1905297092
• See all details

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Editorial Reviews

Good book. Very interesting with a lot of personal experiences.

I really like this book- some of the reviews I read about it stated the spelling was really bad, but this book is from England- I lived there & learned a lot of words are spelled differently(which I probably wouldn't have known if I wasn't there) I like reading about people's personal experiences, and with so many in one book it's nice to read all of the different stories. - Tara W, Amazon reviewer

Great read. Very informative

I like the varying details from different people regarding Hecate and special ceremonies. I really like this book and very happy I purchased it. - Sandra Waine, Amazon reviewer

Accurate, personal, and a must-read

To be honest, I almost passed this book by because of its home-spun appearance. I was afraid that it was just another pseudo-spiritual, misinformed New Age compiliation by people who don't really know the subject. I went ahead and bought it anyway, and I am so glad that I did! Do not let the apparent simplicty of this book fool you. Although written in everyday language, the content is among the best I've seen on the subject of Hekate. It is well-researched, and avoids (and actually debunks, much to my delight) many of the most common misconceptions of this amazing deity that even many pagans are guilty of perpetuating.

My only peeve is with Part II, the personal essay portion of the book. I loved hearing the multiplicty of voices and perspectives, but it's obvious that the essays were published exactly as they were submitted; there are numerous typos, grammatical errors and other issues that could easily have been remedied with even a simple editing job. These errors detract from what are otherwise very engaging pieces.

This charming and informative book should be essential reading for anyone interested in Hekate. As a scholar of religion with a personal appreciation of Hekate, I've already done much research on Her and therefore did not really learn anything "new" in Part I ("Hekate's History"), but the rest of the book definitely gave me new things to ponder. It was spiritually uplifting and thought-provoking...which is, I suppose, the point. Although academically sound, this is much more than a book for academics. It is a book for practitioners, and anyone interested in developing a relationship with Hekate would be wise to read it. - Lynne M. Meyer, Amazon reviewer

About the Author

Product details.

• Publisher ‏ : ‎ Avalonia; Illustrated edition (March 8, 2006)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 156 pages
• ISBN-10 ‏ : ‎ 1905297092
• ISBN-13 ‏ : ‎ 978-1905297092
• Item Weight ‏ : ‎ 2.31 pounds
• Dimensions ‏ : ‎ 5.5 x 0.36 x 8.5 inches
• #623 in Paganism
• #1,561 in Witchcraft Religion & Spirituality
• #1,967 in Magic Studies (Books)

About the author

Sorita d'este.

"Bring it to Life, Bring it to Light, Bring it to Love, Bring it to Truth"

Sorita d'Este is an author, researcher and publisher who manifests her knowledge and passion for the Mysteries through her work.Her research and writing pushes at the boundaries of Western Esoterica and beyond, often questioning and challenging the status quo and inspiring others towards experiential mysticism with firm foundations build on lessons learned from history, standing positively in today and looking with enthusiasm towards the future. She passionately believes that it is possible to manifest creativity, positivity, love and enchantment through the creation of independent, free-thinking and more spiritual communities, with firm foundations in truth, natural balance and generosity.

She is the author of more than 20 published books, including Hekate Liminal Rites, Artemis Virgin Goddess of the Sun and Moon, Visions of the Cailleach and The Isles of the Many Gods. She has also edited 6 anthologies, including Hekate Her Sacred Fires, Priestesses Pythonesses and Sybils and Horns of Power. Her work has also been published in numerous books, magazines, journals and part-works. For a more complete list of her published work, see Bibliography in the Books section.When she is not writing herself, nor walking the liminal boundaries in the gaps between civilisation and the wilderness, she works as a publisher, bringing the work of others into print.

She is the founder and owner of Avalonia, a small independent publisher of books on magic, myth and folklore. Avalonia's mission is to expand the esoteric horizons by publishing books which pushes at the boundaries, presenting fresh and new research on a wide range of subjects, authors published by Avalonia include David Rankine, Jan Fries, Paul Harry Barron, Katie Gerrard, Kim Huggens, Christopher Alan Smith, Jim Baker, Marion Pearce and Georgi Mishev. You can find out more by visiting www.avaloniabooks.co.uk

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Need help submitting your writing to literary journals or book publishers/literary agents?  Click here! →

How To Publish A Collection Of Essays

by Writer's Relief Staff | Craft: Short Story Writing , Submit A Book For Publication , Submit A Short Story Or Essay , Submit Your Writing | 7 comments

Review Board is now open! Submit your Short Prose, Poetry, and Book today!

Deadline: thursday, april 18th.

At Writer’s Relief we are often asked how writers can get their collection of essays published, and we recommend the following tips to help essay writers approach editors and literary agents with greater confidence and success.

How can I generate an editor or agent’s interest in my book of essays?

Publication credits . If you’ve previously published essays in reputable literary journals, make sure to include these credits in your query letter . We highly recommend that you build your publication credits before approaching an editor or agent with a collection of unpublished essays. The market for an essay collection is limited unless you have significantly newsworthy experiences or have a background that proves your writing has mass appeal. Wide publication credits will help indicate readers’ interest in your work.

If you are still in the process of building credits, investigate local venues for your essays—newspapers, newsletters, etc. There are also free specialty publications covering every imaginable topic (check out coffee shops and bookstores) that may be receptive to personal essays). Start locally but aim for national exposure for the best results. If you’ve published a personal essay in a reputable national literary magazine, you’ve increased your odds of selling a collection by quite a bit.

Theme . Collections do well when they include essays with a common theme. For example, David Sedaris is best known for his humorous essays, and C.S. Lewis once published a collection of religious essays. Other themes may include women’s studies, travel, sports, or city life. Unique themes get attention—people love to read about real-life experiences that are highly unusual—but even the most outrageous stories must be backed by good writing.

How can I find editors or literary agents who work with essay collections?

Research, research, research . Study the essay collections at local bookstores and libraries—and don’t forget to investigate the nonfiction areas such as travel, cooking, or parenting. Note who publishes these collections and what kind of essays are selling. Check the books’ acknowledgment pages for possible references to literary agents or editors.

Study book reviews and buy compilations of essays (for example, The Best American Essays ) to learn where each was published. And don’t forget about networking. Writers’ groups, college English departments, conferences—get to know fellow writers and ask questions.

Search for literary agents who welcome essay collections. You can find thousands and thousands of resources online and in bookstores. You’ll need to examine literary agency listings carefully in order to determine which are best for you. And, if you’re short on time, Writer’s Relief can help you. We maintain a database of information—current and constantly updated—to help you target your submissions more successfully. We’ve been helping writers get their work published since 1994.

Interesting, always go the independent route. Learn to believe in your own merit. Take your time when writing. Don’t get into this industry with the mindset that you are going to make copious amount of money. Frankly, the writung industry has been depreciated by too many 2nd-rate writers.

My essay project is “Integral Perspective Of The Human Factor In A Mechanical, Digital World Environment”. It is 14 double-spaced pages, consisting of 7 parts, an introduction, a brief conclusion, and my background. It is a positive response for thought and action in the dehumanizing trend we are living in technology, climate change, education, culture,economy, and interpersonal relations. I want to publish the essay if I can. Whether I receive any compensation is immaterial.

Hi, I am working on editing 20 essays from different writers,they share a main event in their journey which is the theme of the collection. Do you have any advise on how to find a publisher for such a collection¿ Thank you

There are a few options you have. You may find this article about querying for short story collections useful: https://writersrelief.com/2018/05/03/query-letter-genre-essentials-pitching-a-collection-of-short-stories-writers-relief/

Also, we’ve found that submitting your essays individually and having them published in different literary journals increases your chances of getting a collection of them picked up for publication.

My essays have been published individually, but now I want them in one publication without the editor’s having edited out some of my breezy writing style!!! I write on art/artists/events such as the Medici’s at the Met Museum and just about anything I feel like writing. I am published in two online magazines and have been published in print magazines.

I’ve only written one essay so far, but I’m confident that I can develop it into a “series,” so to speak. The essay was my response to a school assignment requesting a story about a tragedy or significant adversity I’d experienced and how I overcame it. I chose to write about my four-month-recent suicide attempt. The detail I went into is truly gut-wrenching, but it is my truth, and I need to live it and speak it unapologetically. I shared my essay with a few other staff members at my school, most of whom have provided me with encouraging feedback. If I were to continue the essay into a series, I would most likely focus on my mental health journey and the incredible ways in which it has impacted me. It’s always been my dream (a rather stubborn one, might I add) to write and publish a book, but I never knew I could publish a collection of essays. Truth be told, I wasn’t aware they were a possibility until very recently; a memoir and a poetry book were really the only ideas I had. But a series of essays compiled under a single main theme seems much more achievable and tolerable, especially at my age (I’m a minor). I haven’t the slightest clue how to go about making this dream into a reality, but I know for certain that I’m willing to try. As ambitious as I am, however, I can’t do it alone; I would greatly appreciate a bit of guidance from anyone willing (and qualified) to give it. I understand that I have a lot to learn – I’ve barely even grazed the surface thus far – but I believe I am fully capable. I’m young, yes; one would assume I have ample time. The hard truth? Life is short. That’s something I’ve already learned time and time again even prior to The Incident. I’ve fought this war my entire life up to this point, and I will never stop fighting it. That’s not okay, not by any means – but most things aren’t, right? As world-shattering as the truths that hide in the dark crawlspaces of Life are, they’re still the truth. They’re still my truths, still my stories. Stories I need to share with the world. There are people out there like me – more than we want to admit – and they need to hear my story. They need to see my strength to find within themselves their own. I am determined to fight as long as I must to give them that, and that fight starts with finding my own Village to help me. So to whoever may read this: if you are willing, capable, and qualified to provide advice or guidance, I ask that you please take a little time to do so, and I in turn will give you my time. Thank you to all who read this, and thank you to Writer’s Relief for giving me the space and opportunity to share.

Hi Isabella,

Thank you for reaching out to us, and for sharing your journey with us.

We recommend taking a look at our free publishing toolkit. There are numerous articles about writing, publishing, finding an agent, etc. https://writersrelief.com/free-publishing-resources-toolkit-for-writers/

We also think the following articles might be helpful: https://writersrelief.com/how-to-write-about-trauma-in-your-memoir-writers-relief/ and https://writersrelief.com/how-to-write-a-personal-essay-worth-publishing-writers-relief/

We hope these resources will help you with your writing journey.

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