aar ya paar movie review telugu

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Aar Ya Paar

A valiant tribal archer becomes a deadly assassin to safeguard his tribe from the merciless modern world. A valiant tribal archer becomes a deadly assassin to safeguard his tribe from the merciless modern world. A valiant tribal archer becomes a deadly assassin to safeguard his tribe from the merciless modern world.

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• December 30, 2022 (India)
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Aar Ya Paar (2022)

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Air Date: December 30th, 2022

Last Air Date: December 30th, 2022

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Aar Ya Paar is an action-adventure revenge thriller created by Sidharth Sengupta and stars Ashish Vidyarthi, Aditya Rawal, Sumeet Vyas, Dibyendu Bhattacharya, Nakul Roshan Sahdev, and others. The series has 8 episodes, each with a runtime of around 25 minutes.

Hotstar’s description of the series reads:

When the modern world’s greed destroys his idyllic tribal existence, a valiant archer becomes a deadly assassin to get even.

– Aar Ya Paar Review Does Not Contain Spoilers –

Aar Ya Paar pits tribals and industrialists against each other as the latter try to encroach on their properties and take away their calm and quiet existence, as well as their lives, from them.

The storyline is intriguing and interesting, with great impact and relatability on the real world. The fight is between good and evil and a fight against the greed that threatens to destroy everything in its wake.

Aditya Rawal plays Sarju, the saviour of these innocent villagers, and from the first minute of the series, he is portrayed to be highly trained and efficient in what he does. The initial episodes set the scene for the revenge plot, wherein you get the backstory of what made Sarju go to Romania in the first place. It takes a moment for the pacing to pick up and for the bad guys to do some truly bad things, but we get there soon enough.

Aar Ya Paar is a simple, hassle-free and no-nonsense thriller. It doesn’t get too complicated, but it does leave you wondering what happens in the end. Thus, for fans of the genre who like an interesting thriller without Dark -levels complications, this one is going to be right up your alley. With the social commentary to boot, it’s a nice watch that itches that particular scratch for action.

That being said, its storyline is rather convenient, and things just happen for easy delivery. If you ask too many questions, you will be left finding plot holes. But there is some subtle humour in the series that lands for me; it’s definitely chuckle-worthy.

It’s interesting to watch how people would do anything to manipulate and take advantage of innocents in order to fulfil their selfish needs. It’s a good look into the world of those who simply want to be left alone from this mess and live peacefully. The hypocrisy is interesting and leaves you feeling rather angry about the injustices of the world.

Also Read: Moving In With Malaika Episode 16 Review: An Underwhelming Finale

All said and done, there are some moments that are just plain silly to watch. Logically, they don’t make sense, and you’d be painfully aware that it’s a whole load of hogwash. But whatever, the bad guy has cancer, so obviously, it has some clichés there.

The fight sequences are rather good, Rawal does a great job, given he has the most laborious sequences to take care of. The blood and gore look mostly fake because most of it is special effects that don’t mesh well with everything around. There’s one rather hilarious sequence that I am sure wasn’t supposed to be funny, where Sarju swings a full-grown and muscled guy and hangs him upside down from a rod. It’s just so silly to watch that it made me laugh.

Coming to performances, Ashish Vidyarthi and Aditya Rawal play the protagonists, with one being the bad guy and one the good. Both deliver good performances – Vidyarthi is an ace at his game, of course. Rawal is a surprising addition to the tale and is perfect as the tribal guy who just wants to do the right thing. Sumeet Vyas and Dibyendu Bhattacharya are also there and are quite entertaining to watch.

Summing Up: Aar Ya Paar

Aar Ya Paar is an easy and fun watch that scratches a very particular itch. Sure, it’s not the best bit of media out there, but it’s effective and paced well. There are, obviously, some clichés and stupidities, but overall, it’s enjoyable.

Aar Ya Paar is streaming on Disney+ Hotstar .

Also Read: The Interest of Love Episode 3 Recap and Review: How Utterly Strange

• Aar Ya Paar
• Aditya Rawal
• Ashish Vidyarthi
• Dibyendu Bhattacharya
• Disney+ Hotstar
• Nakul Roshan Sahdev
• Sumeet Vyas

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Aar Ya Paar Review: Aditya Rawal Does His Best To Carry The Weight Of The Story

Aar ya paar review: sumeet vyas, ashish vidyarthi and dibyendu bhattacharya hit the right notes for the most part. sadly, their collective presence in the cast fails to lend credence to the proceedings notwithstanding the flashes of emotion and drama strewn across the narrative..

Cast: Aditya Rawal, Sumeeet Vyas, Dibyendu Bhattacharya, Patralekhaa Paul, Varun Badola

Director: Glen Barretto, Ankush Mohla and Neel Guha

Rating: Two stars (out of 5)

An all-out war between two worlds - one of the people who draw sustenance from a forest, the other represented by those who want to take control of the protected zone - is at the core of Aar Ya Paar , an eight-episode series created by Sidharth Sengupta for Hotstar Specials. The larger purpose notwithstanding, it does not take the show very long to turn into a conventional tale of vendetta centred on a young tribal man out to avenge his father, killed in cold blood by a mercenary on the payroll of a ruthless industrialist.

The old man, the head of his tribe, dies in an attack on a medical camp organised in the heart of the jungle for a protected and isolated community that has for generations kept the outside world at bay. A powerful industrial group wants the tribals out of the forest so that it can move in and mine the land for weapons-grade uranium and make huge profits.

Based on a story idea by Mohinder Pratap Singh and scripted by Avinash Singh, Vijay Narayan Verma and Sidharth Sengupta, Aar Ya Paar may seem like a series that has its heart in the right place. It is the mind that leads it astray and prevents it from taking the shape of a convincing and genuinely engaging tale of an age-old conflict between those that own the forests and those that covet them and have the political and financial means to grab them.

Aar Ya Paar , directed by Glen Barretto, Ankush Mohla and Neel Guha, does not mine the larger conflict points quite as much as it focuses on an individual's quest for vengeance. The brooding young protagonist is an exceptionally skilled archer who never misses a target with his bow and arrow, but the story of his valiant exploits never quite hits the mark.

The series hinges on the obvious. It depicts how modern notions of development and wealth creation are at odds with the traditional world of the tribals, where life moves at its own, unhurried pace, where peace and harmony reign.

Trouble erupts for the forest dwellers when an engineer stumbles upon a rock with traces of uranium. His employer, avaricious industrialist Reuben Bhatta (Ashish Vidyarthi), resolves to wrest control of the forest land forthwith.

When a pernicious attempt to evict the tribals from their habitat fails, Bhatta conspires to draw them out of their protected zone on the pretext of a free medical camp organised with the help of an unsuspecting activist-doctor, Sanghamitra (Patralekha Paul). A violent raid on the tribals leaves a large number of innocents, including the chieftain, dead. The headman's son Sarju (Aditya Rawal) flees to avoid being eliminated.

In a city somewhere in central India, Sarju meets a contract killer, Pullappa (Dibyendu Bhattacharya), who works for a criminal gang as well as for an archery coach looking for fresh talent from among uprooted, unemployed young tribals.

The scout, himself a displaced tribal, takes Sarju to the sports academy where the newbie instantly impresses everyone around him. But it isn't medals that Pullappa wants Sarju to win. He plans to use the youngster as a hitman.

Reuben Bhatta, beset by a major medical problem, is worried that his days are numbered. But the delicate state of his health does not dampen his obsession with profits. The man is ruthless not only with his foes but also with his own men if and when they fail to deliver what he wants.

Pullappa, too, has his share of life and death questions to deal with. The principal one pertains to his vulnerable wife and child. He is on the run because several of his recent contract killing jobs haven't proven successful. The gangster he serves is determined to make him pay if he does not succeed in eliminating a man who launders money for politicians and businessmen and is on his way to Delhi to spill the beans. Pullappa ropes in Sarju, whose instincts come in handy.

Aar Ya Paar isn't interested in exploring the plight of the tribal community that Sarju is a part of. The forest dwellers and their poisoned river are not what the spotlight is on. The series follows Sarju's single-minded efforts to punish the men responsible for his father's death.

In pursuit of his mission, Sarju has to deal with a special crimes cell officer Aditya Dutt (Sumeet Vyas), who has a keen sense of what the tribals are up against. The lawman's brief is to free the region of crime but he isn't entirely sure how to go about his job.

A subordinate says to Aditya Dutt: " Yeh tribals saari duniya ko jangal samjhte hain (These tribals regard the whole world as a forest)." He retorts: Nahi, woh jangal ko apni duniya samajhte hai aur hum jangal ko apni jaagir . (No, they regard the jungle as their world and we treat the forest as our fiefdom)." Later on, the officer admits that in order to stop the tribals it would be necessary to understand their grievances and aspirations.

That is unusual coming from a cop who takes orders from politicians and is charged with wiping out crime in and around the fictional forest of Jagdalganj. Unfortunately, Aar Ya Paar does not create enough space for this crucial conversation to go too much further. As the season draws to a close, the action shifts to Azerbaijan and Georgia. The change of scenery does little to liven up the show.

Shot in and around Bastar, Aar Ya Paar rustles up a world in which geography, logic and reality are frequently given the short shrift. Stuck in its rather facile ways, it does not shoot straight enough even when it appears to have taken aim at the right quarries.

Lead actor Aditya Rawal is called upon to carry the weight of the story on his shoulders. He does his best, but the screenplay is unable to work its way out of its superficiality often enough to give the performer an opportunity to breathe some life into the character and the plot.

Patralekha Paul in the role of a doctor who sticks her neck out to defend the tribals delivers in the scenes that matter. If only there were more such moments, her performance might have acquired greater depth and range.

Sumeet Vyas, Ashish Vidyarthi and Dibyendu Bhattacharya hit the right notes for the most part. Sadly, their collective presence in the cast fails to lend credence to the proceedings notwithstanding the flashes of emotion and drama strewn across the narrative. Their performances stand out, the characters the play don't.

Aar Ya Paar is a show that misses the wood for the trees. Its promising building blocks do not therefore yield the expected edifice.

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Web Series Review | ‘Aar Ya Paar’ spirals into a regular Bollywood revenge drama

Sample this: Sarju, a member of a protected tribe from India, kills Bhatta, a notorious business magnate, with an arrow while they are travelling abroad in trains with huge, closed toughened glass windows. This and many more such inexplicable and incomprehensible events form the crux of the ‘Aar Ya Paar’ web series.

The web series primarily deals with what happens when corporate greed is hell-bent on devouring natural resources in a protected region, for personal motives. Earlier, it was brilliantly shown in ‘Avatar’. However, as happens with many a great series, ‘Aar Ya Paar’ sets out with a noble intention but quickly spirals into a regular Bollywood revenge drama. The larger point of exploitation of protected tribes, who they actually are, and natural resources just remains a backdrop.

Sarju (Aditya Rawal) belongs to a tribe that has purposefully quarantined itself from the “other” or “outer” world. However, Bhatta’s (Ashish Vidyarthi) company discovers that the tribals are sitting on a goldmine of uranium. Hence the company ropes in Dr Sanghmitra (Patralekha Paul) who helps them in winning the trust of the tribesmen. Somewhere in the story comes contract killer Pulappa (Dibyendu Bhattacharya) who is eternally in search of sharpshooters and finds Sarju to be apt for the job. Meanwhile, when Bhatta realises that he is not able to mine the uranium, he kills a lot of tribals including Sarju’s father. Now, Pulappa finds Sarju to be easily malleable for his ulterior motives.

The major problem lies with the story by Anhata Menon, Umesh Padalkar, and Sidharth Sengupta. It’s too weak, oversimplistic, and largely conforms to the stereotypical portrayal of tribals. It paints a world that is black and white. Tribals are shown wearing sac-like clothes, speaking a perfectly and easily comprehensible dialect of Hindi, are expert archers, and are pros in their understanding of medicinal flora and fauna to the extent that they can treat cancer which even modern medicines cannot. It’s too superficial and no effort has been done to even scratch this surface. Hence neither the screenplay nor the dialogues can do much to elevate this mundane material. The direction largely conforms to the usual revenge drama wherein the hero wants to avenge his father’s killing at any cost.

Performance-wise Aditya, who is the son of the versatile Paresh Rawal, is mostly perfunctory. He is the lead but his character isn’t well-pencilled. Hence, the actors who play the next two major characters, Ashish Vidyarthi and Dibyendu Bhattacharya, tower over one and all with their villainy. In fact, Dibyendu has fast emerged as a bankable actor when it comes to character roles on OTT. Patralekhaa is convincing and the series ends with ample hints of an interesting backstory for her.

‘Aar Ya Paar’ treats us to sumptuous shots of dense forests and waterfalls. But a robust story is missing. Directed by Glen Barretto, Ankush Mohla, and Neel Guha, the series is playing on Disney+Hotstar.

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Aar Ya Paar

• Release Date 30 December 2022
• Language Hindi
• Genre Action
• Director Siddharth Sengupta, Ankush Mohla, Glen Barretto Neel Guha
• Writer Siddharth Sengupta, Avinash Singh, Vijay Narayan Verma
• Cinematography Rahul Chauhan
• Producer Kishor Athwal, Richie Taneja
• Music Director Anuj Danait, Shivam Sengupta
• Production Edgestorm Productions
• Certificate 16+
• Cast Aditya Rawal, Sumeet Vyas, Patralekhaa, Ashish Vidyarthi, Shilpa Shukla

About Aar Ya Paar Web Series

A tribal man dives deep into the dark forces of the modern world and battles its corrupt political and financial machinery.

Aar Ya Paar Web Series Cast, Episodes, Release Date, Trailer and Ratings

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Aar Ya Paar review: Only Aditya Rawal shines in this story with half-baked characters

In aar ya paar, the makers hit home and show the world as real as it can get. yet the series fails to keep you hooked and lacks the action and thrill it promised..

Aar Ya Paar is now streaming on Disney+ Hotstar.  

Disney+ Hotstar’s latest show, Aar Ya Paar , introduces us to two worlds. One, that of the Degohati tribe, who might not communicate in words the way we do but they speak the language of love, compassion, and unity. They might live in a forest but they live a life which is devoid of the evils which have consumed the other world. On the other hand, there is the urban world where people have a reach to all their desires yet they are in a constant chase for more. A world where greed, power, and politics are a bigger threat to society than illnesses and poverty. With Aar Ya Paar , creator Sidharth Sengupta draws parallels between the two and shows us what happens when they collide.

The pilot introduces us to Sarju (Aditya Rawal) as a contract assassin who has a formidable talent in archery, a skill he has honed for a rather sinister purpose: killing people. But Sarju is not the antagonist in this story. The well-dressed, sharp and a regular looking man is actually an underdog who hails from a protected tribe which has its home deep rooted in a forest – one that was exploited by powerful men and their weapons. Ashish Vidyarthi plays a well-connected businessman who wants to take over the tribals’ forest after it is found that its rocks contain uranium. In an attempt to achieve so, he tries all the flagrant ways off the Book of Unethical Practices without caring about the consequences or the lives of those directly affected.

Aditya Rawal in a still from the show. 

Meanwhile, there is a subplot going on involving a man ((Dibyendu Bhattacharya) who runs a contract-killing business, with a verbal diarrhoea where he spews abuses and curses every second, who is on the lookout for a new assassin to support his business. Sarju just happens to be the right person at the right time. The first two episodes are painfully slow in trying to establish Sarju’s back story and his transformation.

But this is not where the writing is flawed. While there is enough distinction between the two polar worlds, it is in the treatment of its characters who inhabit these worlds which seems unexplored. Let’s begin with Sumeet Vyas, whose voiceover opens this story. Vyas is no stranger to the web-series realm. He has worked in several shows and played subdued characters in the past. But his latest as a Special Crimes Unit investigating officer is an interesting avatar that the actor’s intense eyes and sharp look seemed best suited for. But unfortunately, there is little meat to his character. Vyas comes off as a stiff, no-fun officer for whom the closest thing to companionship is a puppy he has just adopted. But there is no back story as to why his character has that mystery to him. He just comes and goes without leaving much to remember for the viewers.

Sumeet Vyas in a still from the show. 

Same is the case with Patralekhaa, who plays a nurse and a social activist. Despite such a promising cast of this calibre, the writers don’t give them enough space to breathe. Hopefully, there is more to their character arcs in the next season. 

But Rawal makes his case work. The actor certainly has large shoes to fill given the legacy of his father, Paresh Rawal. But Aar Ya Paar gives him that space to just be. His character of Sarju is left to explore an alienated world and his natural instincts help keep his footing the moment he steps on an unfamiliar territory. Much like his character, and despite being only a few films old, Rawal has ventured into the unknown with Aar Ya Paar,  which marks his web-series debut, and he certainly holds his ground as a promising actor. As for Ashish Vidyarthi, he does what he does best, play the devil’s hat.

The larger message that Sengupta highlights is that human greed can seep into anywhere. Sarju is not just fighting his clan’s killers but is also battling against a corrupt political machinery. In his attempt to right the wrong done to his tribe, he chooses the path of vengeance and ends up becoming a victim of the vicious cycle.

Patralekhaa in a still from the show. 

Disney+ Hostar has been on an experiment spree with its content and has delivered stories from a wide range of genres. We have entered the dark and complex world of Rudra , as well as a world blinded by superstition and faith in Dahan . In Aar Ya Paar, the makers hit home and show the world as real as it can get. Yet it fails to keep you hooked and lacks the action and thrill it promised. There are a few moments when the story gets compelling, funny even, but it is forgettable in the moments it is not trying to be either, which happens quite often in its story spread across seven episodes. Instead, what you get is a series which, much like its name, is neither aar ya paar.

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Disney+ hotstar announces release of ‘aar ya paar’.

‘Aar Ya Paar’ is the latest original to be coming out from Disney+ Hotstar. Starring Patralekhaa, Ashish Vidyarthi , Aditya Rawal and Sumeet Vyas, this one will stream on the OTT platform in multiple languages, including Telugu, from December 30.

The web series tracks the story of a tribal populace whose natural habitat is threatened by greedy villains.

The show will stream in Hindi, Telugu, Tamil, Kannada, Bengali and Marathi. The makers said that the series is about a heroic man who can go to any extent to save the land and the people.

The visuals, the cinematography, the action sequences, and t he performances are expected to enthuse OTT viewers this New Year eve. 

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The trailer for Disney+ Hotstar’s new Hotstar Specials, “Aar Ya Paar” in Tamil and Telugu, is out. It’s a gripping story about an underdog trying to save his tribe and survive in the modern world. The action-drama series, created by Sidharth Sengupta and produced by Jyoti Sagar and Sidharth Sengupta’s Edgestorm Ventures LLP, will premiere on Disney+ Hotstar in Hindi and dubbed in Tamil, Telugu, Marathi, Kannada, Bengali, and Malayalam.

Aditya Rawal, Patralekha, Sumeet Vyas, Ashish Vidyarthi, Dibyendu Bhattacharya, Aasif Sheikh, Shilpa Shukla, Varun Bhagat, Nakul Sehdev, and others star in the fast-paced action drama.

Sarju, played by Aditya Rawal, the protagonist and a tribal man with a formidable talent in archery, is the focus of the series. He is fighting for his tribe’s survival against the modern world, with its corrupt political and financial machinery, which catapults him into the world of big crime as he emerges as a deadly mercenary assassin.

Follow Sarju’s journey in Hotstar Specials on Disney+ Hotstar on December 30, 2022.

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Aar Ya Paar Season 1 Review : A gripping tale of vengeance and survival

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mdshahjale 353 days ago

Anubha Dabral 605 days ago

i mean this is good we are getting to know about the actuality but it is seriously resolving the purpose.

it is giving an influence to the groups who are already into this kind of things i.e ruining forest life because of money.means they are given different ideas how they can go inside.

aaaa bbbb 608 days ago

Great and Mermerizing Story, All actors are fantastic especially Aditya Rawal

ankur 615 days ago

mind blowing

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Aar Ya Paar: All you should know about this Bollywood movie

Ketan Mehta helmed Aar Ya Paar, a 1997 Bollywood mystery crime thriller movie. Jackie Shroff, Deepa Sahi, Ritu Shivpuri, Kamal Sidhu, as well as Paresh Rawal appear in the movie. Viju Shah composed the music. The film was partly shot in Italy and is based on Agatha Christie’s 1967 novel Endless Night and James Hadley Chase’s 1954 novel The Sucker Punch.

Shekhar Khosla (Jackie Shroff) is a poor playboy, an alcoholic, as well as an accounts executive. He does have an on-again, off-again relationship with Julie, a cabaret dancer (Ritu Shivpuri).

His employer urges him to better oneself one day and gives them Veena Sanghvi (Kamal Sidhu), a multi-million rupee customer, and wants him to nurture and deepen the connection with her. Shekhar meets Veena, seduces her, and marries her whilst having affairs opposite Anu Chauhan, Veena’s personal secretary (Deepa Sahi). Veena threatens to divorce him if she finds out more about the affair.

Shekhar is unaware of will. Shekhar and Anu then devise a plan to assassinate her.

They succeed in carrying out this plan, with both the police deciding her death as unintentional. Shekhar discovers that Anu wasn’t in love with him. To complicate things worse, the cops have proof that connects him to his wife’s death. 40 Retakes: Bollywood Classics You Might Have Missed, by Avijit Ghosh, includes the film. Viju Shah created the soundtrack for the film. Maya Govind, Indivar, Nitin Raikwar, and Rani Malik wrote this song. Venus Records & Tapes Pvt. Ltd. published the music.

Movie Review-

Ketan Mehta’s underappreciated thriller, clearly based on a famous James Hadley Chase novel. Jackie Shroff played an anti-hero in Aar Ya Paar, who married a richie rich sanki woman (Kamal Siddhu) for her riches and afterwards plans to murder her with the assistance of her beautiful secretary Deepa Sahi. The plot is carried out, but owing to his previous lover Ritu Shivpuri, things go bad. So, what’s next?

Jackie, nicknamed Jaggu Dada, was fantastic as the philandering anti-hero. That’s one of his finest performances, but it’s mostly overlooked. Deepa Sahi was as impressive in her challenging part, and she appeared stunning in a bikini. Kamal Siddhu and Ritu, but on the other side, are poor casting choices.

In a minor but pivotal part as ACP Khan, Paresh Rawal made an impression. The directing of Mehta Saahab was excellent. Viju Shah’s soundtrack was especially remarkable, including a song shot in Venice, Italy.

Aar Ya Paar did not perform well at the box office while being a well-executed tight thriller. The audience really can not believe the main character was a monster who murdered his own wife. However, the movie is still enjoyable to watch now and may be considered a forerunner to Sriram Raghavan’s neo-noir thrillers such as Johnny Gaddar (2007) and Andhadhun (2009). 

Also Read: Pukar: All you need to know about this Bollywood movie

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